Good Vibrations (2012)

Simply A Masterpiece

Good start, but then it gets ruined

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

"When punk rock ruled over Ulster, nobody ever had more excitement and fun. Between the bombings and shootings, the religious hatred and the settling of old scores, punk gave everybody a chance to LIVE for one glorious moment." Uncle Joe Strummer. Punk Rock and Punk Rockers have always been misunderstood. Back during the original wave that began in 1976 it was thought punks wanted to kill the queen and burn down your villages, so even though some ill informed (re: ill educated) principals courted controversy, the spirit of punk rock, its ideals and reasons for being, got lost in the mix of the media frenzies and drug deaths et al. Many films and documentaries have been made over the years, some worthwhile, others not so, but all in an effort to either correct the misconceptions of punk rock, or invite interest into a genre of music that made waves that are still being felt today. Good Vibrations the movie is the embodiment of what it was really all about. The story concerns how Terri Hooley (played by a superb Richard Dormer) believed that music could make a difference, and this even as a soul destroying Civil War raged out on the streets of Belfast. He opened a record shop and formed his own independent record label (the Good Vibrations of the title), and then one day he stumbled on a movement, punk kids who just didn't care about sectarianism, race, creed or colour, they united as one with a love of music, of music with attitude and no hidden agendas. It ticked every box of Hooley's world, forcing him to beg the question of where have these boys been all his life? I would like to report a Civil War outside! The 1970s backdrop of the Northern Ireland "Troubles" strikes all the right emotional chords, but the makers are never heavy handed, it's never over-killed. The key here is portraying a movement - and an individual - that refused to be cowed by the bombs and the bullets. In fact during one quite brilliant scene ignorance proves to be bliss. From personal experience I can say that as a British guy living in England I was vehemently told back in the late 1970s to not even think about buying a 7" single by one of the 'Oirish punk rebel rousers. I'm still flipping that same middle finger I flipped back then, today!Teenage dreams so hard to beat. Thankfully the film doesn't spend most of its time on what music fans know as the key Irish bands of the era. The Undertones were indebted to Hooley as much as they were the legendary (and much missed) John Peel, but this picture barely features The Undertones, or Stiff Little Fingers as it happens. The former are key, and provide some of Hooley's most memorable moments, in fact it's the crux of the genius and otherwise (family changes) of Hooley the man and the "businessman". Yet it's the lesser known bands of the time that come to the front and tell the story alongside Hooley, which even though this is a biography of sorts, is a wonderful touch and dare I say it? Very punk rock. It's as he says, they are all a part of Good Vibrations. I saw the light. What of Hooley the man, how he is portrayed here? Pic makes the effort to show he was hardly an ideal husband type, where the love of his life, Ruth (the lovely Jodie Whittaker making an under written character boom) is playing second fiddle to his musical passion. His relationship with his parents is only pinched, though just enough to make a point, while some of his dealings with the warring factions in his community come off as a bit fanciful. But these are forgivable sidesteps, for this is about the music lover and the movement he fought tooth and nail to get heard. It was never about money, punks wanted it, needed it even, but the true spirit of punk shines bright in Good Vibrations, both musically and as a human interest story, making it essential viewing for anyone interested in the original wave of Punk Rock. 10/10

No matter what anyone says, this is utterly fantastic. Good Vibrations was well-received in its American premiere. A chronicle of Terri Hooley's life, a record-store owner instrumental in developing Belfast's punk-rock scene. I found the film a little too dark and a little too slow as it moves to what seems like an inevitable bitter end. The plot is not as well thought out as the original, but it still does the cast well. I would suggest renting it, or perhaps buying it if the price is right. My final rating for this movie is 7 out of 10, and it deserves it in every way. This film is worthy of all the hopes you have.

Went to see the film in the lighthouse cinema in Dublin today. I have to say it's great to see a film that brings light on the troubles. It's a sign of the times when a movie like this can be shown today and have great appeal.All I could think of when watching this was of how if you had to sum up how Northern Ireland and the Republic feel about the troubles it would be to this day how this film feels. At the end of the day it took serious subjects and brought out the good that happened over the past few decades.Never the less what happened then was a tragedy and will inevitably always be remembered as a tragedy but it's great to see the likes of these films dealing with that sense of community that they had back then. A few years ago if I was asked "The first thing that comes into your head when you think of Northern Ireland?", most people would say the troubles but over the past few years tourism and the talent that comes out of that country is overwhelming and this is a prime example of how much Northern Ireland has to offer and I'll be sure to keep an eye out for Lisa Barros D'Sa and Glenn Leyburn's future work. I also happen to be studying the same course the dop (Ivan McCullough) is studying so crossed fingers I can do work half as good as this.****** This is a note for the filmmakers. Went to see the film and saw Jim Sheridan. Asked for his opinion and said he thought it was great. ******

A good film to go and see. The protagonist, Terri Hooley, is a self obsessed music lover who stumbles across punk while running his independent record shop in Belfast in the late 70's early 80's and goes about promoting and recording punk bands from Northern Ireland.The acting is great, great script and unlike the Commitments this is a true story.Positives: Filmed in colour and atmosphere that portrays the era. The subtle humour and the last line of the movie which I will not give away but will stand as a great movie quote.Negatives: Adrian Dunbar's wig - Cheap is not the word for it.