Chinese Coffee (2000)

Stylish but barely mediocre overall

Just perfect...

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Well I just loved the Chinese Coffee for its brilliant acting and direction. It reminded me of the theater of the Absurd in a strange haunting way! With Chinese Coffee Mr. Pacino surpasses his own status of being a stellar performer & a superstar combined and cements his position as one of the greatest artists of all times. The tone of the movie is intimate and artistic at times a little dark. I loved the stream of Levine's consciousness which makes the audiences look into his past---his hopes & failures. Pacino is brilliant as a middle aged struggling writer who is haunted by his own past, his parents' and his own shortcomings and aspirations. Kudos to Mr. Pacino for providing us with such a brilliant artistic piece! He truly is a gem of an artist. Love him! God bless!

It's been a long time since I've seen Al Pacino in a different role from his usual "cop/mobster/lawyer" fare. Take Francis from "Scarecrow", one of my favorite Pacino roles, add 25 years and a passion for literature, and you've got a struggling artist, another dreamer waiting for life to happen.Ideas on identity, art, time, love, sometimes with an absurdist bitter-sweet touch, are explored. As I watched, it reminded me of Orwell's "Keep the Aspidistra Flying" and Luigi Pirandello's "One, No one and One Hundred Thousand". The writing and acting are excellent. It's performances like this that cement Pacino's status as one of the world's greatest actors.

This is the only movie I've ever gone to see twice at a film festival. It played in Toronto at the 2000 film festival, and my friend and I talked about it for hours afterwards. It's an invigorating movie, based on the play by Ira Lewis, about two bohemian guys, approaching 50, adrift in the early 80's, yet stuck in the past.It's a "talkie" movie that could play on a double-bill with "My Dinner With Andre", a two-hander about a book Pacino has written and the first encounter with his friend, played by Jerry Orbach, since the Pacino character has lent it to him. But it's about so much more than that: it's about writing, dreaming, the creative process, relationships, loneliness, poverty, and finally, values. There isn't a moment that we're not involved with these two guys as they negotiate their relationship. The script crackles with life and wit, observation and nuance. Pacino first directed the great documentary "Looking For Richard", about how to approach staging a Shakespeare play. And here in "Chinese Coffee" he proves once again that he has a natural ability to tell a story in a completely fresh and interesting way, free of the constraints and pettiness of a routine plot.If you're an actor and you haven't seen this movie, than shame on you, this one will have you going for days. And you'll return to it, too. It's a buried treasure in a great career for Pacino. I can't recommend it any higher.

I just watched this on DVD, and although it offered some interesting moments and insights, the dialog felt forced and the two main actors, both of whom have done great work in other projects, didn't seem to click. On the DVD, there's an epilogue in the "features" section in which Pacino, who also directed, wondered whether there were too many flashbacks. Actually, I thought the flashbacks were enlivening, enabling the story to be more involving than it might otherwise have been. Pacino also mentions that because of Orbach's "Law and Order" shooting schedule, they were forced to film 84 pages of dialog in 21 days, perhaps explaining, at least in part, why the film feels a little undercooked.