New Blood (2000)
Alan White is a desperate man; his daughter must have a heart transplant to live. He gets an unexpected visit from his adult son, Danny, a criminal who hasn't spoken to his family in years. Danny lost track of a man marked for death and is afraid to face his merciless crime boss. In Danny's plight, Alan sees a way to save both of his children, already prepared to die in order to donate his heart to his daughter, he will stand in for Danny's escaped hostage.
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It's entirely possible that sending the audience out feeling lousy was intentional
Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
It's a feast for the eyes. But what really makes this dramedy work is the acting.
Quite how this great little movie has slipped undetected is a mystery. A great cast bring real life to a wonderfully twisty narrative that whilst inevitably drawing comparisons to Tarantino and Guy Richie by the nature of the genre, appears fresh and exciting. Don't be put off by the straight to video title, Hurst's ability as a writer is more than matched by his skill behind the camera and he never loses his grip on a story that in other hands might have become a tedious and confusing mess. This is story telling at its best.
So bland I barely managed to sit through it. A combination of the most dull cliches from every true-crime movie I've ever seen. Predictable plot goes nowhere verrrry slowly. Joe Pantogliano is excellent and barely recognizable. Unfortunately he barely appears in this movie. Carrie-Anne Moss is more feminine and interesting than she was in The Matrix, but she gets about 5 minutes of screen time and less than 10 lines. John Hurt is pretty good in basically the same role he always plays. His character was sort of interesting, for a while. Everything else about the film is breathtakingly average. Even the gunfights are absolutely basic, bare-bones and old hat. Don't waste your time, watch The Matrix or Blade again. And if you just want to see Carrie-Anne naked, go hunt for The Soft Kill, because you won't see that here (the one thing that could have given it SOME value).
A poor rip-off of Tarantino and Steve Soderbergh. You could see everything coming from a mile away, and all the fancy cinematic tricks, such as flashbacks, looping chronology and those annoying mini-freeze-frames whcih occur throughout the movie don't help it one bit. Worst of all was Nick Moran's acting. I don't know who he is, but he seemed like he was reading his lines from the first time off a cue card. It was like watching him in a fifth-grade play. I'm sure this director could do a lot better, with maybe better material next time. After all, it's only his first movie. I'd give him another chance. But that Nick Moran yahoo, he's better learn how to bus tables or mix drinks. BTW, Carrie-Ann Moss looked superb.
This was a real stinker. Boring and predictable from beginning to end. And worst of all a complete waste of a great cast including John Hurt, Joe Pantoliano, Carrie-Anne Moss (Cypher and Trinity from The Matrix) and Nick Moran. The center plot revolves around a man (Hurt) whose daughter needs a new heart. They don't seem to be able to find one, until the man's son (Moran) pops up, offering his heart in exchange of his fathers services. The father has to play the part of a kidnapped millionaire who was accidentally killed by Moran's gang. But he can't tell that to his boss and his 'businesspartners' (Pantoliano and Moss). This goes on for a while until the movie wraps up nicely and predictably after a grotesque shootout. 3/10