The Happy Prince (2018)

Don't listen to the negative reviews

Absolutely Fantastic

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

This movie feels like it was made purely to piss off people who want good shows

The story is a challenging one to tell, and although all concerned make a valiant attempt to capture the genius and tragedy of the man, somehow the end result is not entirely convincing. At times, a little over dramatic and cliched; and excessively focused on Wild's sexuality. At the end of the film one feels one knows more about Wilde, but does not know him better.

This is a considerable personal achievement for Rupert Everett who scripted, directed and starred in this film of Oscar Wild's little known final years. The story is always interesting and the direction has moments of genius however it is Everett's wonderful performance that lifts this film above the ordinary. This is a part that he seems to have been born to play and he captures all the pain and regret leading up to Wild's death.Excellent support from Firth,Morgan and especially Edwin Thomas. The best scenes and essence of the story are captured when Everett is singing 'The boy I love is up in the gallery' in a Paris music hall and when he tells the story of the 'Happy Prince'... you can physically feel the pain of a wasted and lost talent.

Rupert Everett was born to play Oscar Wilde, at least the older Wilde, (Everett is now 59). I'd already seen him play Wilde on stage, magnificently, in David Hare's "The Judas Kiss"; now he has written and directed the film "The Happy Prince" which deals in large part, (it's mostly told in flashback), with the period after his release from Reading Gaol. He, of course, takes on the role of Wilde once again and gives the kind of performance that should get him an Oscar of a different kind.This is no vanity project but one full of passion and love of his subject. He gives us an Oscar that is vain, glorious and in the throes of the most terrible pain; this is an Oscar warts and all. He dominates every frame of the picture but has also assembled a superb supporting cast. Both Colin Morgan as Bosie and Edwin Thomas as Robbie Ross are splendid but so too are Emily Watson as Constance, Colin Firth as Reggie Turner, John Standing as his doctor and Tom Wilkinson as the priest who gives him the last rites. These may amount to nothing more than cameos but what glorious cameos they are. This is an actor's piece and no mistake.However, for a work that is primarily literary and for a first-time director Everett also displays a very keen visual eye. This is a handsome period piece but far from a stuffy one. Everett manages to capture the flavour of Oscar's rise and fall beautifully. Here is a film that is heartbreakingly sad and strangely uplifting at the same time, a real testament to Wilde's genius, (it's certainly the best Wilde movie to date), and one of the best LGBT-themed films of recent times. Unmissable.

This was an absorbing tale largely because I hadn't a clue about Wilde's last days. The acting was excellent, each actor delivering a completely believable naturalistic turn. Despite the great support acting if the lead, Rupert Everett ( almost unrecognisable) hadn't been so completely absorbing it could have been dire. He was remarkable, managing the multiple tones and moods Wilde goes through. A tale of sadness and joy and redemption. Such an interesting movie.