Neverwas (2005)

To me, this movie is perfection.

The Worst Film Ever

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

One of the worst ways to make a cult movie is to set out to make a cult movie.

The only thing that I can say is... This movie deserves an Oscar! I watched this movie non stop! So, I Will Never Stop Watching This Movie!! I have watched it the first time and I was just paralysed! The actors in this movie are the best there is! The music and enchantment of it is just fabulous! The scenery was picked exactly! This movie took you by the soul. The most saddest part was at the end. I felt so bad for the "King" , but it still didn't end bad. It showed you a complete different way of mad people. They just believe in something. It gives you something magical. I wish this director will do another movie based on this. I think some of the mad people, are not completely mad, they just believe in something.

I can't fathom how this movie didn't have a theatrical release and wasn't a huge hit on the art house cinema circuit. It is a mystery how a movie of this caliber was released straight to DVD. Neverwas is a moving and expressive film, a modern fairytale which is beautifully crafted and elegantly directed. The cast is A list with extraordinary performances by Ian McKellen, Aaron Eckhart, Nick Nolte and Jessica Lange, along with Britney Murphy and William Hurt. Set in a magical world which exists half way between fantasy and reality, it takes you on a moving voyage. I found it inspiring and creative and put it in the Never Let Me Go category. If I could give it eleven stars I would.

NEVERWAS, a little miracle of a movie written and directed by Joshua Michael Stern, is an allegory, a fairytale, a dissection of the impact of mental illness on parents and children, and story of compassion, believing, and blossoming of character that was created with a sterling ensemble of actors in 2005, failed to find a niche in theatrical distribution, and went straight to DVD - becoming one of those limited release films that is very elusive even in the megavideo stores. The reasons for this relative anonymity are not clear, but film lovers will do well searching out this little gem: the rewards are immediate gratification and long lasting satisfaction.Narrated by Ian McKellan who plays a major role in the film, the story concerns the return of psychiatrist Zachary Riley/Small (Aaron Eckhart) to an obsolete mental institution named Millhouse, the hospital where his author father T.L. Pierson (Nick Nolte) ended his days in suicide, having suffered from bipolar syndrome. Zach wants to discover secrets about his father, why his father's book 'Neverwas' has been so disturbing to Zach, and to offer good medical treatment to those patients living in the obscure hospital run by the kindly but enigmatic Dr. Reed (William Hurt). Zach is buoyant, greets his new job with joy, and works with various patients in group and individual therapy (the group includes well developed characters portrayed by Alan Cumming, Vera Farmiga, and Michael Moriarty, among others) and encounters the apparently mute Gabriel Finch (Ian McKellan), a delusional man who believes Zach has returned to break the curse preventing his return to his imaginary kingdom of Neverwas.Zach meets a 'grad student botantist'/reporter Ally (Brittany Murphy) who loves Zach's father's book and urges Zach to read the fairytale as a means to assuage Zach's new nightly nightmares and insomnia dealing with images of himself as a child, his father's suicide, and other strange forces. Ally's commitment to Zach's father's book, Zach's breakthrough to Gabriel Finch, together with Zach's re-evaluation of his agoraphobic mother (Jessica Lange) all intertwine to reestablish Zach's discovery of his relationship to a father whose mental illness prevented the close relationship Zach so desperately missed. In a tumbling set of events that incorporate the fairytale of the book Neverwas with the reality of Zach's father's relationship to Gabriel Finch brings the story to a heartwarming, well considered, touching conclusion. Being 'unordinary' is a goal, not a curse.In addition to the above-mentioned stellar cast, small parts are also created by Bill Bellamy, Ken Roberts, Cynthia Stevenson among others. The cinematography by Michael Grady manages to keep the audience balanced between real and fantasy and the musical score by renowned composer Philip Glass fits the story like a glove. Ian McKellan gives a multifaceted performance of a man whose delusional life is far more real than his life as a mental patient, Aaron Eckhart finesses the transformation of the lost child seeking his roots with great skill, Nick Nolte gives one of his finer interpretations as the disturbed father/author, and Brittany Murphy manages to maintain a much needed lightness to the atmosphere of the mental institution story setting. The impact of the film, while absorbing from the first images, is the ending, a reinforcement of the importance of love and nurturing that too often is relegated to little books for children instead of the manner in which we live our lives. This is a fine film well worth ferreting out from the obscurity to which it so unjustly has been assigned. Grady Harp

I've seen a few movies about "magical reality" -- that fantasy zone where fairy tales and the real world cross, forcing jaded adults and child-like idealists to war over the relevance of imagination in a world full of disappointment. Most recently, "Big Fish," "Finding Neverland" and "Gods and Monsters" spring to mind. Then there's "Neverwas," a film so full of unnecessary flash and "magical reality" clichés that it shames the stories from which it pilfered its name... namely J.M. Barie's tales of Neverland and Neil Gaiman's "Neverwhere." And while "Neverwas" never will be remembered as fondly as those tales, it does manage to skim off the top of their inspiration and come up with a flimsy, smug movie that mimics much better movies."Neverwas" gives us the jaded adult, the insightful madman, the understanding girlfriend, flashes of light, rain storms of glitter and... nothing else. It's a hollow movie that has seen other, better movies and is trying, in vain, to ape them. And it's written by a writer who's read lots of fairy tales but can't seem to create a convincing one himself. It's a wonder that so many good actors were coaxed into this production. I can think of at least six good fantasy films starring Ian McKellen. And "Neverwas" is definitely not one of them. "Neverwas" is a flashy shell of a movie... like a karaoke singer who knows the words but not the music.