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Don't Tempt Me

Don't Tempt Me (2001)

November. 30,2001
|
6.4
| Comedy

Two angels, one from the heaven and one from the hell, come to earth to save the soul of a boxer.

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Reviews

SpuffyWeb
2001/11/30

Sadly Over-hyped

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SoftInloveRox
2001/12/01

Horrible, fascist and poorly acted

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HomeyTao
2001/12/02

For having a relatively low budget, the film's style and overall art direction are immensely impressive.

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Catherina
2001/12/03

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

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ma-cortes
2001/12/04

"Don't Tempt Me" is a very pleasant action comedy plenty of humor , surrealist dialogs , emotion , spectacular scenes and mayhem . Heaven and hell send their best agents to Earth , and they're wearing heels . Two angels are on Earth , one named Lola (Victoria Abril) from the heaven and one named Carmen (Penelope Cruz) from the hell, come to save a boxer named Many (Damian Bichir) who finds his soul to be the object of a metaphysical fight. This exciting film results to be a surrealist comedy/action/drama/thriller and displays an all Spanish star-cast. The singer played by Victoria Abril and the former mobster performed by Penelope Cruz star this dark story of redemption about heaven and hell ; both of whom have a violent confrontation to accomplish their objectives . Rightly enjoyable and fun-filled , milestone comedy which neatly combines humor , mirth , entertaining situations and amusement . The funny screenplay manages a lot of laughs from the audience and twisted elements that you never loose your attention from the film . The only flaw I can find is that some of the story lines are overwhelmingly absurd and some character arcs end up being implausible . Some situations are laugh out loud ridiculous and the story proceeds at a breakneck speed that never falls flat .Pay attention as one couple of younger actors very well played by Victoria Abril and Penelope Cruz alternate with the other pair of older players perfectly performed by Fanny Ardant and Emilio Gutierrez Caba . I liked everyone in the excellent cast, and the male and female actors , they were all very attractive . Flawless and fantastic story full of twists and turns with a duo of sensational protagonists , including an unforgettable Penelope Cruz , she parades and dances sexily at her best and more relaxed and enticing than ever . The hit of the show is undoubtedly for the fetching Penelope who gives one of the best screen acting . The support cast is top-notch as Elsa Pataky , Luis Tosar , Gael Garcia Bernal , Gemma Jones , Cristina Marcos , Elena Anaya , Bruno Bichir , Juan Echanove and many others . And cameos by Javier Bardem in the closing credits, as we learn that Penélope Cruz was changed back into a man in the afterlife , then we see the man's photo , it is Javier Bardem ; furthermore , the photo Victoria Abril puts into the album shows the mother of Manny , the woman in this photo is the actress Pilar Bardem . Atmospheric and appropriate musical score by the recently deceased Bernardo Bonezzi . Colorful and adequate cinematography by Paco Femenia . Agustin Diaz Yanes' return to top form , with an intelligent and engaging script which uses amusing situations to give us a good movie in fast pace , entertaining events , plot twists and that kept me entertained for the almost two hours of duration . Diaz Yanes is a fine craftsman , thanks to his reputation as screenwriter and the support of Victoria Abril he was able to set up his first film as director: "Nobody Will Speak of Us When We're Dead " that became the greatest hit of Spanish cinema at its release in 1995 and the Festival San Sebastian , including best actress to Victoria Abril . Yanes subsequently directed the successful ¨Alatriste¨ and ¨Solo Quiero Caminar¨ that failed at Spanish box office .

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streetbuff
2001/12/05

This unique story revolves around an angel from Heaven and a fallen angel from Hell who are both sent to Earth to compete over the soul of a boxer.In great contrast to so many of her Hollywood movie roles, Penelope Cruz is shot in this film as a less than desirable character. In fact, the most enjoyable part of the movie results from the fact that the angel from Hell that Cruz is playing is the condemned should of a former mafia hit-man or thug, so all through the movie she is playing an angel pretending to be a human, but also was only ever a man in real life so she has to pretend to be a woman while fulfilling her angel role on Earth. So Cruz pretending to be a man at heart who is awkwardly trying to pretend to be a woman creates a magnificent off-kilter dark comedy. If for nothing else, the movie is worth viewing just to see Penelope dance around her room (in the style a man would dance) to the original 1970's song "Kung-Fu Fighting".

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Chrysanthepop
2001/12/06

Agustín Díaz Yanes's mesmerizing, quirky and funny 'Sin Noticias de Dios' is a refreshing take on heave and hell on earth. With an original and amusing premise and strong writing, it is a fun ride all the way. I haven't seen anything like it. The humour is a good mix of quirkiness, dryness and sarcasm that works on multiple levels. It's funny how a black and white 50's French setting is chosen to depict heaven while a dirty (perhaps South American prison) setting is chosen to portray hell. Similarly language selection is interesting as French is spoken in heaven, English is spoken in hell and Spanish on Earth.Heaven is shown as a very romantic, classy and glamorous place to be at (a bit like the romanticized image one sees in classic French films) while hell is quite the opposite. Fanny Ardant and Gemma Jones play the leaders of the respective places (and they're both terrific). Their character recruit Carmen and Lola to conquer fallen boxer Manny's soul. Of course battle ensues when the two recruits come face to face but not the way you think.Yanes assembles a n enviable cast that includes Penelope Cruz, Victoroia Abril, Gemma Jones, Gael Garcia Bernal, Elena Anaya, Elsa Pataky, Fanny Ardant, Demián Bichir, Cristina Marcos, Peter McDonald, Luis Tosar and more. All the actors do a great job. Abril sure is stunning and she sure can sing. Her rendition of 'I Want To Be Evil' is a must-see. Penelope Cruz has a tricky role and she does full justice to it. She is sexy, spunky, streetsmart and not to be messed with but at the same time she's just 'like one of the guys'. Saying more would be revealing too much.On the technical side, it's a very well made film. Colour is used very effectively. The cinematography is first rate. I especially enjoyed the long single shots. And of course, the soundtrack is magic.'Sin Noticias de Dios' is one of a kind. I'm surprised it's received so little recognition but it's a thrill ride all the way.

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mackey3000
2001/12/07

Augustin Diaz Yates heaven-vs.-earth satire DON'T TEMPT ME is really NOTHING that hasn't been done before, and in better films. An angel from heaven (Victoria Abril) and an angel from hell (some Spanish chick named Penélope Cruz...lol!} fight over the soul of a brutish boxer (Demiån Bichir). The way the plot develops is predictable, as is the ending. But there are laughs around the way, most of them provided by Cruz. I can't begin to comprehend why she's such a dull, tedious, unconvincing actress in American films when she's proved to be such a vibrant, energetic and entertaining actress in Spanish films. And while she's made better films (BELLE EPOQUE, JAMON JAMON, LIVE FLESH, ABRE LOS OJOS and even the American ABRE remake VANILLA SKY), I think this is definitely her best performance yet. Her character is the most interesting and entertaining figure during the entire duration of the film, and one of the reasons she gets the biggest laughs is because the screenwriter gave her most of the best lines. The ridiculously talented and versatile Gael Garcia Bernal is a total hoot as a top CEO in hell who's a mix of Spike from BUFFY THE VAMPIRE SLAYER and Tony Shalhoub's eccentric shyster in THE MAN WHO WASN'T THERE. He's so much fun that the movie is hurt because he's a supporting character who only appears in a few scenes, and so many of the lead characters are so one-note and tiring we keep waiting for him to show up more to liven things up. Anyways, this isn't a very good film, certainly one you may not remember for a long, but the good aspects in it kept me entertained...most of the time. B-

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