My Week with Marilyn (2011)
London, 1956. Genius actor and film director Laurence Olivier is about to begin the shooting of his upcoming movie, premiered in 1957 as The Prince and the Showgirl, starring Marilyn Monroe. Young Colin Clark, who dreams on having a career in movie business, manages to get a job on the set as third assistant director.
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Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.
It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Easily the biggest piece of Right wing non sense propaganda I ever saw.
The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.
So well written that the pace of the film draws you closer to the story!Casting and the subsequent outstanding acting that follow makes this a most charming film. BRAVO!
Perhaps not in the sense of authority, but her ability to be the most important person in a room. On a stage, down a street or even waltzing through a school, everyone knew who she was. Her acclaim and beauty was able to captivate everyone. And yet beneath the surface was a troubled young woman where the pressure of work and Hollywood drove her to depression and doubting her own self-belief. Her inexperienced training and method acting contrasted with Laurence Olivier's more traditional and thespian approach, I thought that was conveyed well. If you wanted to watch a film about Monroe's psychological decline, unfortunately this is not the film (although I think it would've benefitted exploring that route). This focusses on the difficult production of The Prince and the Showgirl and the sweet innocent love between third assistant director Colin Clark and Monroe. It's a story that is much about him as it is Monroe. Director Simon Curtis was able to capture the fragility and inevitable heartbreak that one goes through when attempting to pursue their first love. There is a thought provoking line towards the end that reads "our first love is such sweet despair" and is extremely apparent here. This is an actor's film, and what I mean by that is the acting is the primary method of captivation. No visuals, no divisiveness...just outstanding acting. Michelle Williams exhumed elegance and definitely transformed herself to not only look like Monroe but vocally sound like her. It was breathtaking to watch. Eddie Redmayne and Kenneth Branagh were both excellent also and the wealth of British talent was wonderful to watch. I appreciated the narrative to be presented in a cheery and more delightful manner, it makes the experience more uplifting and classy. Whilst I would've liked the exploration into Monroe's depression and addiction to drugs, alcohol etc. I did think the story itself was enthralling enough to be adapted. It's brief, it's concise and it's lovely to watch.
I mostly enjoyed this biopic of the production of The Prince and the Showgirl. Michelle Williams is excellent as Marilyn Monroe, and Eddie Redmayne does a decent job as the 3rd assistant director on the picture. Michelle Williams does an Oscar nominated performance as Marilyn and was wonderful. I enjoyed seeing how Marilyn might of been off camera and it was fun to see her be flirty. I also learned that her marriage to Arthur Miller was on the rocks just shortly after they were married, which makes her interest in Colin Clark more understandable. It shows how she was vulnerable and needed some comfort in a country she was not used to, during a production where she was not being treated as the star she was by Olivier.The movie is fairly slow, as many biopics are, but does well with the material. I enjoyed Michelle Williams performance mostly, and would recommend this movie to fans of Marilyn Monroe, and of bio pics. 7/10
Interesting, though not compelling. Maybe you need to be a Marilyn Monroe fan to appreciate it best, and I am not. Still, pretty good.Good performances from everyone concerned. Michelle Williams seems perfect to play Marilyn. Who better to play Laurence Olivier, one of the greatest actors of all time, and probably the greatest theatrical/Shakespearean actor, than Kenneth Branagh. Eddie Redmayne, a relatively unknown, does well in the lead role. All- star support: Judy Dench, Julia Ormond (as Vivien Leigh), Dougray Scott (as Arthur Miller), Dominic Cooper, Emma Watson.