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My Own Private Idaho

My Own Private Idaho (1991)

September. 29,1991
|
7
|
R
| Drama

In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.

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Karry
1991/09/29

Best movie of this year hands down!

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Cubussoli
1991/09/30

Very very predictable, including the post credit scene !!!

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AniInterview
1991/10/01

Sorry, this movie sucks

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Lawbolisted
1991/10/02

Powerful

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TheLittleSongbird
1991/10/03

Having liked/loved some of Gus Van Sant's other work (i.e. 'Good Will Hunting'), as someone who thinks that Keanu Reeves has given good performances in his career and who absolutely adores River Phoenix in 'Stand By Me' (one of the greatest child performances ever to me), as well as being intrigued by the story's themes, 'My Own Private Idaho' quickly went on my ever growing "to see" list.Finally seeing 'My Own Private Idaho' was well worth the wait and watch. It is definitely understandable as to why it won't click, and hasn't done, with some, it is a very love it or hate it film and has its uneven moments. However it is even easier to see why people find so appealing about it, namely the acting, how the film looks and how the themes are dealt with.Getting the faults out of the way, 'My Own Private Idaho's' biggest fault is the middle act. Here the film does meander, with some dull stretches and narratively it becomes less cohesive. The Shakespearean dialogue is sometimes clever and funny, but too often it also jars and comes over clumsily.However, 'My Own Private Idaho' is filled with exquisite images, the cinematography being both dream-like and gritty and the scenery equally to die for. Van Sant's direction also creates this hypnotising dream-like effect to the visuals and how the story is told. The music is hauntingly downbeat and full of pathos.'My Own Private Idaho's' script is not perfect, but much of it is poignant and thoughtful. Despite a meandering middle act, much of the story makes the most of its daring themes and how they're dealt with ensures that the film is as relevant and resonant today as it was 26 years ago. It's told gently, but also with a grit and pathos that makes the film unsettling and moving.Keanu Reeves' performance has been criticised, personally belong in the camp who thinks that he gives one of his better and more natural performances that breaks the mould. There is no doubting however that River Phoenix's is infinitely better, an extraordinary turn that's even better than that in 'Stand By Me' and showed potential for him to be one of the finest actors of his generation if he had not died so tragically so young. They are supported by an electric supporting cast, riotous William Richert and creepy Udo Kier being the scene stealers.Overall, not for everybody but for me despite its imperfections there was a lot to admire here. 8/10 Bethany Cox

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Jason Shaw
1991/10/04

My Own Private Idaho Director: Gus Van Sant Starring: River Phoenix, Keanu Reeves, James Russo. Gus Van Sant essentially takes on Shakespeare's Henry IV; it featured the aesthetically delightful River Phoenix as Mike Waters, a wonderfully apt narcoleptic male whore who we first get a glimpse of tipping down an open stretch of road in Idaho. Mike and the action shifts from the cold Seattle to equally cold Portland. It is here that he makes friends with Scott Favor, a secretly soon to be rich guy who is also on the game played by the often-maligned Keanu Reeves. The future for both is as uncertain as uncertain can be, will Scott take up the inheritance he about to get, will Mike survive the streets with his narcolepsy?  Mike feels real affections for Scott, however Scott refuses to believe men can really love each and it would seem that Scott is only doing the gay whole whore thing to kill time and get back at his family. Mike believes Scott will continue with the grand life on the streets, turning tricks even after he bags the inheritance; such is the allure of the unknown. There are many of fellow working boys who agree with Mike's view. This is an uneasy picture, a colourful and surreal attempt to really take the characters to a different kingdom. At times, it is a wonderful although slightly glossy take on the real street hustlers shagging their way to oblivion or not as the individual case may be. Drug abuse and risky behaviours are commonplace on the streets and in the world of the male hooker and it is a small feature of this sometimes-disturbing film. The character of Mike seems almost apologetically plausible, abandoned as a child and obsessed with finding his real long lost mother. Scott less believable as the rebellious disillusioned spoilt little rich kid gone rebelliously bad. You really would not have put them together by design, but fate disregards those lines and together they embark on a quest to find Mike's mother, from Portland to Idaho to Italy they do travel. There is no argument the cinematic quality and the unbelievably stunning settings help to make this film an intriguingly striking viewing delight. It is exceptionally well thought out in terms of location and setting and a master-class for any would be cinematographer. The characterisation I found to be impressive, even Keanu Reeves played his part with just the right amount of smug pathos and humour, especially with the flippantly arrogant lines afford to him. River Phoenix works pure magic on screen with this performance and I am fairly sure I'm not alone in believing this is the role that set him into the great immortal movie star hall of fame. It is no wonder that he pulled in a number of 'best actor' type awards for this intrinsically faceted role. His campfire scene, in which Mike declares his love for Scott, is much applauded by audiences and critics alike – Newsweek claiming it to be "A marvel of delicacy" it really is a testament to what a wonderful talent River Phoenix was, because he wrote that part of the script himself. Village Voice said, "Phoenix vanishes with reckless triumph into his role". It earned around £5 million at the box office worldwide, which is quite impressive, more than that in video and DVD sales. My Own Private Idaho takes the spirit and passion of Shakespeare, bends, manipulates and shapes it to find form in a more modern setting, which works beyond expectation in the most part. Although the traditionalist in me seems to hold the opinion that you should not mess with old Shaky and if you do, you best be prepared to face the harshest of critics. Adaptations are always open to personal interpretation and modifications, which others may not agree with, like or even accept, yet this one seems to work and seems to be commended as a job well done.Read more and find out where this film made it in the Top 50 Most Influential Gay Movies of All Time book, search on Amazon for Top 50 Most Influential Gay Movies of All Time, or visit - http://www.amazon.co.uk/dp/B007FU7HPO

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HelenMary
1991/10/05

Every time I see this film, I forget how incredibly amazing it is. Yes I'm a huge fan of of the late, great, River Phoenix, think Keanu Reeves is highly underrated, and love Shakespeare. This is a modern adaptation to Henry IV, based around two hustlers Mike and Scott (River and Keanu) and their relationship, with the added wrinkle that Mikey is a narcoleptic and trying to find his long lost mother. Scott is the rich boy who turns his back on his street life when his inheritance kicks in. River's performance is astounding, tender and powerful, and it's a brave pair of best friends (in real life) that take on roles like this but the affection between them is palpable and somehow makes the story of unrequited love even more heartbreaking.The Shakespeare gets confusing if you aren't familiar, as it washes in and out, and if you haven't seen Gus Van Sant before you might not quite follow the surreal imagery and the trippy nature of the film. It's arty, weird and dark, but has a lot of humour and sensitivity, despite being a little bawdy in places, however for all it's adult subject matter it's quite discrete! River and Keanu are astounding in this, and it's a film that River should be remembered for as the bright star he was.

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tom van de Bospoort
1991/10/06

Like a super 8 film from the 70's/80's New York this felt like it was art created for the screen on a setting, the open plan falling down dilapidated building. Beautifully shot with scenes of the hills and fields that seemed to roll on forever. The acting even included San Sant himself as well as Grace Zabriskie who is normally in David Lynch's films.The story was maybe even too weird for me and didn't really get a resonance and stayed very flat, it was not his best but showed how he can make his films.Although it was maybe too weird it still made me want to be there in that building, the place where creativity happens, as spaces like that spark imagination.

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