April and the Extraordinary World (2015)

Save your money for something good and enjoyable

Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

It's an alternate history. In 1870, Napoleon III meets with scientist Gustave Franklin who is developing a serum to turn animals into super soldiers. Two lizards escape and an explosion kills everybody. The young Napoleon IV signs a peace treaty with Prussia and thereby extending the Napoleonic age into the future. Scientists disappear and the world remains stuck in the steam age. Coal and Europe's forest have been used up. In 1931, the government is kidnapping any remaining scientists to prepare for impending war. The Franklin family is continuing their research into the invulnerable serum. Inspector Pizoni fails in their arrest and vows to avenge his demotion. The parents disappear after being attacked by a lightning black cloud. April (Marion Cotillard) escapes with her serum-altered talking cat Darwin. Ten years later, Julius is working for Pizoni to keep track of April and her grandfather Pops. April hopes to finish her parents' work and ends up uncovering a shocking conspiracy.This is a fascinating world. The animation is interesting. It's comic book animation. I would stay with April more consistently and keep the reveal secret longer. Revealing the parents so early takes away some of the tension. It could be a more compelling shock. April needs more comedic scenes to add to her appeal. She's a little stiff. The talking cat could have been fun except for his sickness. Nevertheless, the overall sense is one of a good adventure.

2016 has really proved to be a great year for film. April and the Extraordinary World may not be on the level of some truly fantastic animated films (Kubo and the Two Strings, Tower, The Red Turtle, Zootopia) but it's still a very good film in its own right. The great thing about it is that it is not held back by having to only appeal to children and by not having to show anything that may be even remotely inappropriate for kids. It's a very classic action-adventure story, one where you could also see working in live action (although not exactly because many of the characters would not translate to live action as well). It is very well paced, very funny at times, and also genuinely heartfelt. That ending was also really effective, with the last scene really hitting on some great themes that the film had only previously alluded to. Definitely recommended.

There is much to love, but also a bit to dislike about "April and the extraordinary world" (the correct and more interesting title is "April and the twisted world"). Its story explodes with creativity, especially compared to US animation (which tends to severely underestimate the intelligence of children). Its "ligne claire" - animation style is both a break from US-animated CGI, which hasn't been successfully adapted in Europe, and an homage to the patron saint of European comics Hergé (co-director Ekinci did, in fact, do the storyboards of the 1991-92 "Adventures of Tintin" TV series, which is often considered to be the best adaptation). Leaning on Jacques Tardi for the visuals is a reminder that BD (bandes dessinées) adaptations work best in the classic animated form. One cannot help but compare "April" to Luc Besson's real-action adaptation of "Adèle Blanc-Sec", Tardi's most famous work. That movie was a commercial success, but BD fans were disappointed with the humorization of a serious story-line and the cheap-looking effects.What's not so great about "April" is that it's so voluntarily old-fashioned that you may have a hard time convincing your kids to watch it. The character expressions and movements are very static, the heroine is not designed to express emotions through gestures. That is very Tardi, very Adèle Blanc-Sec (which translates as "dry white", after all). But what works fine in a BD doesn't necessarily work in a movie. It seems that French animators still cannot bring themselves to realize that the times they are a-changing, and that a l'art pour l'art approach cannot reinvigorate an expiring industry, apart from justifying a €9.2 million budget (against which it has earned 5%). Given the character's lack of expression, the film relies heavily on the dub, and I must say other actresses could have done more justice to the part of April than Marion Cotillard - Mélanie Laurent, for instance, or Chiara Mastroianni who voiced Marjane Satrapi in her BD autobiography "Persepolis". Cotillard is a fine actress but she has a tendency to exaggerate, which can be entertaining but also quite unnerving - just look up her death scene in "Dark Knight rises" on Youtube if you don't (painfully) remember. Jean Rochefort, on the other hand, is wonderful as "Pops", April's grandfather. He speaks his lines with great candor and veracity, as does Olivier Gourmet as the father.So what you get to watch here is a very creative, if old-fashioned animation, which could be of more merit to adults than kids, who may find it hard to follow and perhaps somewhat boring. This is not a perfect European animated film for the whole family - that would be last year's Irish "Song of the Sea". It's also not a fandom film for BD connoisseurs, as the dub and continuity jar a bit, and as there is no commitment to a mature audience, like in the works of Sylvain Chomet. But if you're starved for anything animated that is not Japanese or yet another US CGI-film about talking animals, this one is definitely for you.

I have to say that when I went to the Gene Siskel Film Center to see this, I was quite bored at the start of the movie, but this movie had whipped me pretty hard awake with how engaging it eventually got. The animation style isn't necessarily unique, but is still very relevant to the strange utopian society of the 1940s and is a fabulous treat. The characters are hilarious or dark when you experience them, and remain fascinating even after some of them play their one role. I am especially fond of Darwin for eventually possessing the ability of "kittenvincibility", one of the best improvised words I have seen in an animated film. The story concept is among the most imaginative I have seen, though in execution there is one cliché moment that the story didn't seem to recover from, similar to what reviewers of Howl's Moving Castle noticed. Despite the flaws in the story, this is regardless a must-see film for anyone who has a taste in animation or science fiction, with its emotion and humor being loaded with brass. (I would recommend the English subtitled version rather than the dub.)