5 Card Stud (1968)

From my favorite movies..

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

The film never slows down or bores, plunging from one harrowing sequence to the next.

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

Thank God it has a great opening song!Frankly, as a Western aficionado and a big fan of Dean, this movie is a tough one to get through. And yet, it's a stellar cast! Dino, Mitchum, McDowall, Yaphet Kotto! You know the problem doesn't come from there! The pacing is all wrong, the staging is all wrong, I'm guessing the shooting script was all wrong... Even Maurice Jarre score is all wrong (for this movie)!This is a big, full fledged train-wreck of a movie! So awful you can't look away but yet, you cringe all the way through. Hard to believe this was directed by Henri Hathaway (who directed the original "True Grit" a year later) and produced by the great Hal Wallis (who had produced all the Martin & Lewis movies, back in the 50's)!...It's a shame... I'd like to be able to enjoy this movie more, but seeing it could have been done so much better in a variety of ways just takes all the fun out of it. That is one movie that would benefit being remade... Except for the cast... Those legends are all gone now (except for Kotto).

It's a film noir/Western/suspense of bizarre beauty and extraordinary performances ; being based on a novel by Ray Gaulden and interesting screenplay by Marguerite Roberts . A card shark is caught cheating, he is taken out and lynched , later on , this engenders several murders . The players in an ongoing poker game are being mysteriously killed off, one by one . A professional gambler (Dean Martin) who attempted to prevent the lynching tries to ensnare the assassin with the aid of a preacher (Robert Mitchum) with a weapon .Suspenseful film dealing with a card player who is lynched by the drunkards he was playing against. Tension from the opening game going on until ending and never lets up , being for Agata Christie aficionados . This is a tremendously exciting story of an obstinate card player and a strange preacher with a gun . It begins as a slow-moving Western but follows to surprise us with dark characters , strong supporting work , solid plot and in whodunit style . The tale is almost grim , a priest comes to a town just in time to make sure its citizenry but later the events get worse . Main cast is frankly magnificent . Sympathetic Dean Martin as as a reluctant card gambler and nice Robert Mitchum as a gun-toting preacher . First-rate Robert Mitchum in similar role and performance to ¨Night of the hunter¨ that was the acting of his life . In addition , Roddy McDowall steals the show as the cynic Nick . Supporting cast is extremely good such as Inger Stevens as Lily Langford , Katherine Justice as Nora Evers , John Anderson as Marshal Dana , Yaphet Kotto as Little George , Denver Pyle as Sig and Whit Bissell as Dr. Cooper , among others . Good Technicolor cinematography by Daniel F. Fapp . Enjoyable musical score ties up a top-notch Western package ; it is composed by the maestro Maurice Jarre . Furthermore , agreeable song by Dean Martin , including lyrics by Ned Washington . Watchable results for this offbeat Western .This well-paced in cracking style flick is compellingly directed by Henry Hathaway and usually works very well , taking a firm grip on the action and suspense . Here he directs efficiently Dean Martin and with strong screen presence by Robert Mitchum , both of whom collaborated in some Western . Hathaway himself was only even nominated for an Oscar , but his movies themselves are testimony to his skills to heighten narrative tension and shoot action so exhilarating it made adrenalin run . He does the human touch and full of insight that accompanied him during most of his films and the story develops pleasantly in a large frame with an interesting plot and fully adjusted to the requirements of the action . Henry was a craftsman who had a long career from the 30s with successful films , and especially Westerns , as ¨Brigham Young¨ and ¨Raw Hide¨ . In his 60s Hathaway still got the vigour to make some fiery movies as ¨From Hell to Texas¨, ¨How the West was won¨, ¨Nevada Smith¨, and ¨Shoot out¨ . He was an expert on Western genre as he proved in ¨True grit¨ , ¨Five card stud¨ , ¨Nevada Smith¨ ,¨How the West was won¨ , ¨Rawhide¨ , ¨Brigham Young¨ , ¨Buffalo Stampede¨, ¨Garden of evil¨ and ¨The sons of Katie Elder¨. Rating : nice Western that will appeal to Robert Mitchum and Dean Martin fans .

Tightly-wound tale of bitter revenge, with lots of shooting and a high body count. In the gold-mining town of Rincon, Colorado, a tinhorn cheating at cards is lynched by his fellow poker players, who then find themselves at the mercy of a serial killer intent on picking them off one by one. Strong adaptation of a novel by Ray Gaulden provides the perfect opportunity for Robert Mitchum to get back into preacher's garb (following "The Night of the Hunter"), though Dean Martin as a professional gambler looks a bit piqued around the gills. There's some confusion in the final third regarding an important plot-twist, and Roddy McDowall's sniveling lynch-mob leader is wearing, however the salty mood of the piece and the mercurial characters are intriguing and enjoyable. As sagebrush whodunits go, this one stands fairly tall in an uncrowded genre. Yaphet Kotto is excellent as a no-nonsense bartender, while Inger Stevens provides a smart, sophisticated love-interest for Dino playing a barbershop proprietress-cum-madame (another unusual facet). *** from ****

"Garden of Evil" director Henry Hathaway's western whodunit "5-Card Stud" pits 'hellfire gambler' Dean Martin against 'gunfire preacher' Robert Mitchum in a frontier tale about lynching, murder, and revenge. Mind you, deducing the whodunit will pose only a minor challenge for astute audiences. You will spot the actor committing the crimes long before the film identifies him in its second-to-last scene. If you study the stable strangling scene, the killer's headgear reveals his identity. The characters in "True Grit" scenarist Marquerite Roberts' screenplay, based on Ray Gaulden's novel, are flat since they change neither their mentality nor their morality. Nevertheless, Roberts boots around a provocative question about "who people were before they became who they are" which segues with the mystery. Otherwise, this Hathaway horse opera is sturdy enough, contains a believable cast and knows how to blend comedy with drama nimbly enough so it rarely becomes either heavy-handed or repetitious. Compared with Hathaway's other oaters, "5-Card Stud" doesn't top "True Grit," "The Sons of Katie Elder," "Garden of Evil," "From Hell to Texas," or "Rawhide." "5-Card Stud," however, does surpass "Shoot Out" and "Nevada Smith." Although some critics didn't cotton to Maurice Jarre's orchestral score and even denigrated it as "Dr. Zhivago" on the range,' I contend it is superb music and differs from anything that Jerry Goldsmith, Elmer Bernstein, or Ennio Morricone would have provided. Jarre's score enlivens the action and enhances the atmosphere. The Dean Martin "5-Card Stud" title song marks this sagebrusher as a traditional western. As far back as the 1950s, most major sagebrushers contained a ballad about the story or the hero with lyrics like ". . . play your poke and he'd leave you broke." The song here paints a portrait of the protagonist and his poker playing skill.Interestingly, "5-Card Stud" makes some racial references that chipped away at the usual barriers. In one scene, Mitchum's gunslinging preacher doesn't think it inappropriate that a black man be buried among whites, something that marked this western as a departure from Jim Crow mentality. John Sturges' "The Magnificent Seven" had broken ground earlier with a gunfight so an Indian could be buried in a white graveyard.Professional gambler Van Morgan (Dean Martin of "Sons of Katie Elder") takes a break from a Saturday night poker game while Sig Ever's son Nick (Roddy McDowell of "Planet of the Apes"), stableman Joe Hurley (Bill Fletcher of "Hour of the Gun"), Mace Jones (Roy Jenson of "Big Jake"), storekeeper Fred Carson (Boyd 'Red' Morgan of "Violent Saturday"),and Ever's ranch hand Stoney Burough (George Robotham of "The Split") continue to gamble with newcomer Frankie Rudd (Jerry Gatlin of "The Train Robbers") until Nick catches Rudd cheating 'red-handed' and assembles a lynch party. They haul Rudd against his will out to a stream and string him up from the bridge. Barkeeper George (Yaphet Koto of "Live and Let Die") warns Morgan, and Morgan lights out after Nick and company to thwart the necktie party. "You don't hang a cheat," Morgan growls, "you kick him out of town." When Morgan arrives, Frankie is swinging with a noose around his neck, and Nick buffalos Morgan on the back of the head with his six-gun.Mama Malone (Ruth Springford of "Vengeance Is Mine") discovers Morgan strewn on the boardwalk the following morning and summons George to help the battered gambler to his room. Morgan decides to pull out of Rincon and try his luck in Denver. Before he leaves, he rides out to Sig Ever's spread to bid goodbye to Sig's comely daughter Nora (Katherine Justice of "The Way West") and deck Nick as repayment for clobbering him at the hanging. Naturally, the town marshal (John Anderson of "Young Billy Young") can neither identify the lynch mob nor can he identify the hanged man. Later, participants in the card game begin to die. One is wrapped up in barbed wire. Another is hanged in the church. Still another is suffocated in a barrel of flour. Indeed, Hathaway and Roberts make each death look different. Eventually, George visits Morgan in Denver and Morgan decides to return to Rincon. Two things have changed since Morgan rode out. First, the town has acquired a gun-toting pastor who renovates the church and holds services. Second, Lilly Langford (Inger Stephens of "Hang'em High") has opened a barbershop that features a $20 item that intrigues Morgan when he visits her establishment. Lilly and Nora contend for Morgan, while our hero closes in on the new preacher Jonathan Rudd. "5-Card Stud" boasts several good scenes. Hathaway does a good job of staging a shoot-out in the streets of Rincon when paranoid miners go berserk because they fear they may be the next victims of the local serial killer. If you slow down your DVD or VHS copy, Dean Martin loses his Stetson when he seizes an axle to let a wagon haul him out of harm's way. You can see his headgear fall off completely. In the next scene, Martin's hat is back on his head. Nevertheless, it is still a neat gunfight with Morgan and Rudd standing back to back against the opposition. The scene at a windmill where Rudd hits each of the windmill blades because he was aiming at the spaces between the blades is fun, too. George plays a role in the story and provides his buddy Morgan with a clue to the killer's identity. The animosity between Nick Evers and Van Morgan is feisty throughout the action with Nora trying to do her best to dampen it. Van Morgan and Lilly have some amusing banter. The expository scenes about Nick's childhood almost make his character marginally sympathetic.Indeed, "5-Card Stud" is no classic, but it is good enough for a rainy day.