Under Capricorn (1949)

Slow pace in the most part of the movie.

Powerful

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

Under Capricorn is a Hitchcock's movie far bellow acceptable level than others works from the master....the plot is about Sam Flusky (Joseph Cotten) an ex-convict who make fortune in Australia and have an unstable and alcoholic woman called Henrietta (Ingrid Bergman) but when he meet Charles Adare (Michael Wilding) as the Governor's cousin,he see the possibility to change your local status even accepting him to help your wife which already knew on Ireland before,they became friends but Adare falling in love for Henrietta...still interesting and a bit of humor too,as the Governor played by Cecil Parker who rules under the British book of way to unchanging command simply stolen the movie

I think it's a shame that this Alfred Hitchcock film was such a bomb at the box office, and with critics, if only for the reason that few may have seen Margaret Leighton's performance as Milly, the Flusky family's maid. She gives the character an evilness with even more depth that Judith Anderson's "Mrs. Danvers" (recognized as #31 villain by the American Film Institute) in Rebecca (1940). I say this because, as much as I love Anderson's character, the dialogue given Leighton's character is more complex, meaning the actress cannot rely as much on brooding scowls as Anderson did, which may not have been as sinister if that film, like this one, was in color.By the way, the Technicolor in this one (Hitchcock's second) makes the men's lipstick a bit too apparent. In any case, overall, the film is not a complete disappointment either, even though a costume drama is one of the last genres one would expect the "Master of Suspense" to direct.Adapted for the screen by actor Hume Cronyn, James Bridie wrote the screenplay from the novel by Helen Simpson, the film contains little intrigue, relative to the director's other more famous films. The central issue seems to be Mrs. Flusky's behavior, and the reasons for it; she's played by Ingrid Bergman (overacting, just a bit). Joseph Cotten (solid, as usual) plays her brooding husband Sam, a successful businessman who was once a convict, sentenced to serve seven years in prison in Australia, where the film is set.The film takes place many years later, and begins when Charles Adare (Michael Wilding, who seems perfect for the role) follows his uncle (Cecil Parker) to the continent; his uncle has just been appointed the Governor of the British Colony. So, Adare hopes to make his fortune in the "new" land, something virtually every young man with ambition, and a willingness to work hard, has been able to achieve. Unfortunately, Adare doesn't intend to employ the latter method, hence he makes an easy acquaintance of Sam Flusky, who wants to use the penniless Adare to purchase some land, legally if not ethically for his own purposes.Adare is not quite sure at first where he's heard Flusky's name before, but once he's invited to dinner, and meets his wife, he realizes why. She used to be Lady Henrietta, a woman who left home in scandal, having married her father's groom, Sam, who was convicted for murdering her brother. Henrietta followed him to Australia where she endured a squalid existence waiting for him to serve out his term.When Adare first meets Henrietta, she's a drunk, kept that way by another convict, now a maid who runs the household, named Milly (Leighton). Evidently, Henrietta suffered quite a bit while Sam was in prison such that Milly, with designs on the head of the household herself, has been able to comfort the Lady with drink such that Henrietta thinks of Milly as her friend. Ignorant of Milly's motivations, Sam believes this to be true as well, as does Adare, at least initially.Shocked by what he sees of the former Lady, and young enough to remember the beautiful woman that she once was, Adare leaps at the opportunity, provided by Sam, to help Henrietta, in hopes that she can return to her old self. And she does, with Adare's help, make a comeback such that she feels confident enough to run the household and even return to society and social engagements.It's at this point, however, that Milly, who'd been let go, returns coincidentally to work her magic on her former employer Sam. Using Adare's name and insinuating a relationship which doesn't exist between Henrietta and he, she manipulates Sam into a jealousy that ruins his wife's, and his, relationship with the Governor at a social event. Adare had forged an invitation for them (his uncle had "disowned" him per his relationship with the ex-con Sam) and had just succeeded in a Cinderella-like reception for the "restored" Lady Henrietta when Sam arrives in somewhat of a rage.Subsequently, the truth of Sam's relationship with Henrietta comes out, and the drama's final third feels a bit "trumped up" to lengthen the story (even though it's during this that we learn the full extent of Milly's evil deeds).

It was an enjoyable movie but I like the non-typical Hitchcock films.Ingrid Bergman and Joseph Cotton are wonderful and I really like Michael Wilding (he was great in Stage Fright also).This film was a little reminiscent of Gaslight (when I was a kid I thought Gaslight was a Hitchcock film) I really don't know why they say typical Hitchcock anyway, his films are really from one end of the spectrum to the other.It was his only period piece so I was curious to see it I really liked this film and hope more people will give it a try, In my humble opinion his last 2 movies were the worst.

Dear Alfred Hitchcock, My god man! I never thought you could make such tedious melodramatic crap. Ingrid Bergman hams it up as Lady Henrietta Flusky. I have never wished for the quick death of such a beautiful actress. Even a strong cast comprising Joseph Cotten and Michael Wilding cannot save this one. The plot is so convoluted, it should have stayed a play and never been made into a film. This is by far your worst film.If it wasn't for the beautiful and painting like quality of some of the visuals, I would have rated this a 1 on 10. And Joseph Cotten does put in a decent performance.Best Regards, Pimpin.