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The Adventures of Priscilla, Queen of the Desert

The Adventures of Priscilla, Queen of the Desert (1994)

August. 10,1994
|
7.5
|
R
| Drama Comedy

Two drag queens and a transgender woman contract to perform a drag show at a resort in Alice Springs, a town in the remote Australian desert. As they head west from Sydney aboard their lavender bus, Priscilla, the three friends come to the forefront of a comedy of errors, encountering a number of strange characters, as well as incidents of homophobia, whilst widening comfort zones and finding new horizons.

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FuzzyTagz
1994/08/10

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

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ThedevilChoose
1994/08/11

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

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Deanna
1994/08/12

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

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Fleur
1994/08/13

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

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ultrasween
1994/08/14

The Adventures of Pricilla, Queen of the Desert is a wonderful story highlighted with stunning cinematography, excellent costume design and outstanding performances. The story is concerned with three drag-queens who get a gig in the middle of the Australian desert. Through these characters the film touches on subjects of alienation, found and forgotten love, friendship and hardship. Mostly set on their road trip through the desert, they travel in a lavender bus, which over the course of the film is subjected to hate crimes and breakdowns; becoming a symbol for its femme-masculine inhabitants and what they have endured. The Adventures... is truly original and entertaining from its highs to its well executed dramatic lows. S

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Steve Pulaski
1994/08/15

Few films tackle the gay/lesbian genre with such flamboyant and outrageous tendencies, but The Adventures of Priscilla, Queen of the Desert manages to be one of the genre's rarities. It's an uncommonly free-spirited film, bound by nothing and restrained by no one, with a writer/director who clearly understands and empathizes with the subculture and a cast committed to giving it the respect and the zany fun it deserves.We focus on Anthony Belrose (Hugo Weaving), who uses the drag pseudonym "Mitzi Del Bra" and works in Sydney as a performer for Lasseter's Hotel Casino Resort in the remote town of Alice Springs. Anthony, despite success at Lasseter's, hungers for something more out of his life and his performances; he's sick of being belittled to "get naked" or show skin when he's pouring his heart out on stage before the microphone. As a result, he rounds up his colleagues Bernadette Bassinger (Terrence Stamp), a transsexual performer and Adam Whitely (Guy Pearce), a younger, more obnoxious soul who goes under the stage name "Felicia Jollygoodfellow" to embark on a four-week tour through the Australian Outback in their large RV named "Priscilla." Classic road trip tropes ensue the second this eclectic trio embark on their journey. The three find a group of Aborigines, whom have never seen the art of drag performance, along with a group of rednecks that nearly have them lynched for intruding on their territory. Along the way, the gang gets equal parts feisty and sentimental with one another, getting on each others nerves at times and finding solace in one another for at least empathizing with their desire to be understood and respected for what they do.The Adventures of Priscilla, in order to really succeed as a film, needed to occasionally capture human emotions through a tender, sentimental lens and Elliot perfectly delivers it without the violins and the overblown emotional manipulation. He gives us a lot of time to spend confined with this trio on Priscilla before the emotions take over. He starts off lighter, peppering the film with bouts of wittiness (when the three harmonize the drinks they want in tune of "Twelve Days of Christmas") and light-hearted fun.The first leg of their trip about the goofy, somewhat hostile conversations they can have with one another. The second leg of the film is when most of the antics kick in and we see the trio's interactions with other minority subcultures, who choose to respond to the three in whatever way their own culture has perceived them (either openly or narrowly). Finally, the final leg of the film takes the aforementioned introspective look into these characters as human beings, with their own sense of idealism for themselves and the people around them. This is when The Adventures of Priscilla becomes a bit sadder, but never forgoes the element of good-natured, consistent fun.Aside from the conversational banter being a real hoot, Tim Chappel and Lizzy Gardiner's Oscar winning costume design is almost a character in itself. Chappel and Gardiner bathe the film in an exciting, eye-popping array of flamboyant color schemes and loud tones and hues that make for a visually delicious experience. Brian J. Breheny's cinematography also lends a hand to making the Australian Outback a lively character, accentuating every detail of the land in a way that makes the excursion that much more enjoyable. All the background devices in the film are precise, which makes The Adventures of Priscilla not only an interesting character study but a royal feast for the eyes.The Adventures of Priscilla, Queen of the Desert also features some of the most compelling and uproariously funny work from Pearce, Stamp, and Weaving, three veteran character actors who continue to expand their horizons with the variety of roles they take. With all of this, there is a general showstopping quality to the film that stems from all its aesthetic attributes and central performances. Like a drag show, the film steps out with a bold, unflinching amount of confidence and persists to exploit every ounce of entertainment and humane element that it can handle and, in turn, delivers terrific entertainment for most of its runtime.Starring: Terrence Stamp, Hugo Weaving, Guy Pearce, and Bill Hunter. Directed by: Stephan Elliot.

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gavin6942
1994/08/16

Two drag queens (Guy Pearce and Hugo Weaving) and a transsexual (Terence Stamp) travel across the desert to perform their unique style of cabaret.Guy Pearce is pretty amazing here. Although not gay, he plays the stereotypical gay guy to a T. He takes what we saw from Robin Williams in "The Bird Cage" and improves upon it, making it all his own. This is more believable than what Williams did.Terence Stamp is also incredible, playing a total bad-donkey. He is apparently supposed to be transgender, but looks like an old man in a wig. That actually makes him all the more interesting, because it bends the genders in a fun and entertaining way: a man transitioning to a woman, while still maintaining a tough, rough, and pugilistic exterior. Excellent.

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Python Hyena
1994/08/17

The Adventures of Priscilla, Queen of the Desert (1994): Dir: Stephan Elliott / Cast: Hugo Weaving, Guy Pearce, Terence Stamp, Bill Hunter, Sarah Chadwick: Comedy that highlights the exposure of alternative lifestyles in our culture. It regards three drag queens trekking across the Australian outback to a performance gig. They are met with scorn by those oppose to the lifestyle while others embrace their humorous actions. Terence Stamp stands out as Bernadette, an aged veteran drag queen looking to leave the public gigs behind. Hugo Weaving plays Mitzi whom we learn has a wife and son. In fact, it is his wife's casino that homes their latest gig. Mitzi left that life for his current and ponders how his son will react to his lifestyle. Guy Pearce plays the flamboyant Felicia who encounters the brutality of opposition when his antics fall on negativity. Bill Hunter plays a mechanic who befriends the trio and grows close to Bernadette all the while his Asian wife frustrates him with a performance that involves golf balls. This antic is a horrible distraction that fails to mesh with any other humour presented here. Sarah Chadwick plays Mitzi's wife who seems to accept her husband's lot in life. Directed by Stephan Elliott with a detailed screenplay that only derails in the third act when it seems to drag on. Highlighted with colourful costumes that elevate the personalities parading across the desert in a pink bus. Score: 8 / 10

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