The Silence of the Lambs (1991)

Just perfect...

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

The plot of Silence of the Lambs is something special. The layers to all developments as well as the depth of themes in each interaction make the book and movie exceptional. Foster and Hopkins do phenomenal jobs in their roles, and it is a well-directed movie. I don't think it's at all a scary movie or really thrilling, aside from the climactic scene in Gumb's house, but perhaps that's because I knew the plot from the book. Intricate and beautifully woven, The Silence of the Lambs is a brilliant, carefully crafted movie that effectively demonstrates the enormous strengths of the book.

Great film, Hannibal Lector is probably one of the creepiest and scariest villains in a film that I've ever seen, a real monster in human skin. The film is incredibly tense and has some great body horror, really gross stuff. The best parts of the movie for me are the scenes between Starling and Lector, both of whom are great and interesting characters backed up with wonderful acting from Foster and Hopkins.

I thought that the acting was done beautifully and put together nicely, me being a fan of lots of cinematography and film this was nicely played out

If you consider yourself a movie fan but have yet to hear of the Criterion Collection turn in your movie fan card. I've touted the amazing things being offered in the past by companies like Twilight Time, Shot Factory, Olive and Arrow. Criterion was one of the first companies to bring forth full-fledged special editions of classic movies with numerous extras that make them worth tossing out the old version of a film in favor of theirs. If you need an example of why here is one.Released in 1991, SILENCE OF THE LAMBS was the second time that the character Dr. Hannibal Lecter appeared on screen having been seen just a short time in Michael Mann's MANHUNTER. But the performance of Anthony Hopkins in this version will forever be sealed in our minds as the perfect performance to associate with the character. But maybe you're not familiar with the story.Clarice Starling (Jodie Foster) is in training to become an FBI agent. Her desire is to work in the behavioral science department. She's called to the office of Agent Jack Crawford (Scott Glenn) for a special assignment. They're doing a survey of serial killers and he wants to send her to see Dr. Hannibal Lecter in prison in the hopes he will respond better to her than most and agree to answer the questionnaire.Starling goes to visit Lecter at the facility he is imprisoned in for the criminally insane, first having to deal with the facility's head Dr. Frederick Chilton (Anthony Heald) before being taken to the now iconic cell block that holds Lecter. Behind a Plexiglas wall she sees him for the first time and he converses with her. But Lecter is one to use psychiatric measures against those he confronts and the pair play a cat and mouse game until he finally agrees after a traumatic experience with the man in the cell next to his.Crawford is actually working on a current case, another serial killer the press has called Buffalo Bob. His assignment to Starling was in reality a hope for clues that Lecter could provide. He takes Starling along with him on the case as they begin to investigate the latest victim. Each has been killed but held captive after several days and each has had portions of their skin removed. As Starling delves deeper into the case and her communications with Lecter, he begins to offer her clues to aid in finding the new killer. But at what cost? Her sanity? His freedom? Or is there something more going on here?The film is one of those perfect movies that works on all levels. The direction of Jonathan Demme is some of the best ever committed to celluloid. He combines all of the pieces used to create a film that terrifies and fascinates at the same time. That combination of music, cinematography, acting, sets, costuming, stunts, makeup and more are all molded into a movie that you won't forget after seeing it just once. Having the opportunity to watch it more than a single time just helps you to appreciate the effort and end results all the more.The film was released in blu-ray format before in a collector's edition by MGM so why bother picking up this version instead? That's where Criterion shows what they do best. To start with the presentation of the film with a 4K digital restoration approved by director of photography Tak Fujimoto. The images on screen are the best you will find for this film. But the extras are not limited to that.The audio commentary track from 1994 with director Demme, actors Foster and Hopkins, screenwriter Ted Tally and former FBI agent John Douglas (the actual agent Crawford was based on) is here. A new interview with film critic Maitland McDonagh focuses on both the film and a brief discussion about serial killers in reality and on film. There are 38 minutes of deleted scenes. If this wasn't enough there are four documentaries that feature hours of interviews with the cast and crew. Then there is a behind the scenes featurette. The storyboards used for the film are on hand to view. The original trailer is here. And this new version includes a book featuring an introduction by Foster, an essay by critic Amy Taubin, articles written by Thomas Harris, the author of the book the film is based on, from 2000 and 2013 on the origins of Lecter and lastly an interview with director Demme. That's an extensive amount of extras along with the best presentation of the film ever all brought together by Criterion.While I've been aware of Criterion this is my first time viewing one of the versions they've put out. I'm glad to see that they live up to their reputation. As a matter of fact they have exceeded it. They not only put out versions of popular films such as this one they make it a goal to seek out classic films of the past as well as foreign films that might not have gotten the attention or been made readily accessible to movie fans around the world. It's a tremendous and thankless job that they do. After my experience with this film let's hope that they carry on with their goal and achieve it daily.