Comes a Horseman (1978)

Best movie of this year hands down!

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Blistering performances.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Although at times the pace of Comes A Horseman is maddeningly slow, the players acquit themselves well in this old western type plot from the 19th century updated to 1945 and the end of World War II.Stars Jane Fonda and Jason Robards, Jr. have history together, were even married at one time. He's the local Ponderosa owner, she's barely getting by on the small spread her dad left her. Robards is in a cash flow situation though for the life of me he should be prospering during World War II and army beef contracts. The demand will slacken some due to war's end. There's possible oil on the property that oilman George Grizzard would like to exploit. Possible oil on both properties. Also on neighbor James Caan's small spread. He joins forces with Fonda against Robards.Jane might have gotten a few pointers from her dad who was never a western star as such, but Henry Fonda did a few classic westerns in his time. She comes across as a real western woman. Director Alan J. Pakula did some real good photography in those wide open spaces. That frontier square dance could have come from a John Ford western.Richard Farnsworth established a career as a player with an Oscar nomination for Best Supporting Actor. That drawl at times is slow, but he's also unbelievably realistic as a veteran cowboy who has lost a step or two and realizes he can't quite the help to Fonda he'd like to be. That fall from his horse after those explosions is agonizingly real for a man getting on.Slow paced, but well done, Comes A Horseman is a fine modern western if indeed a western of times of the last century can be classified as modern. You might want to watch this back to back with Giant, another modern western about cattlemen and how they adapt to the coming of oil.

I suppose the big stink over Jane Fonda's ("Ella Conners") misguided politics (some years ago) turned people away from it's original release. "Comes a Horseman" delivers for every role played, cinematography, score, script - the whole thing. Ms. Fonda made many movies I was/am not aware of, till TCM presented a tribute to her body of work. I'm so glad I stumbled upon it......I can understand people not caring for Ms. Fonda's foolish mistake with communism - and not giving her credit for the wonderful actress she is - but do not understand the negative comments posted here about "Comes a Horseman". Director Alan Pakula had a tight bead on the film he wanted to make, with the help of a good script from Dennis L. Clark. Ms. Fonda played a perfect role as a determined woman to hold-onto her ranch (post World War II), working right along with the men. Her strong bond with her ranch-hand "Dodger" (Richard Farnsworth) was a testament to the closeness of owner/worker, and how difficult it was to run a ranch, making for a good subplot. I don't remember being aware that she and "J. W. Ewing" (Jason Robards) had been married, but that didn't prevent the viewer from graphically understanding the great hatred between the two characters.One user's opinion there wasn't any connection with the movie's story and "Comes a Horseman" - he was "Buck Athearn" (James Caan), who played a wonderful role. One user wrote "Ella" sold some of her land to "Buck" - truth is, "Buck's" land was inherited. A natural dislike of "Ewing" developed, when they discovered he was attempting to scare them off their land because he wanted it all back - oil ! James Keach was very good in his role as the banker who held the mortgage on "Ewing's" land, wanting to cash-in with the oil explorer (George Grizzard). Not much imagination to guess what happened to them - but, a dash of predictability couldn't harm this movie.I thoroughly connected with the criminal actions "Ewing" perpetrated against "Ella" and "Buck"; I also thought their escape was natural. I was heartened that "Ella" had the gumption to start all over again on her ranch, and thought the ending was fitting.The subplots in "Horseman" make it a great deal more entertaining. My opinion is that all of the cast does a fabulous acting-job on their roles. There isn't one thing in this movie to keep it from being enjoyed by family-viewing. I'm looking for the DVD......

Although this movie came out in 1978 when I was 13 ,I don't remember ever seeing it first run. Tonight on Turner Classic Movies they are doing a Jane Fonda movie night -ho hum. Im not a fan of Ms Fonda rather I enjoy some of the other actors who play alongside her in some of her movies but I do not enjoy watching her ,she is rather annoying in her acting and most times would not surprise me if shes not acting but playing herself.James Caan costars as a cowboy she sells land to and his partner gets killed by Robards henchmen so he joins up with Fonda and Farnsworth. Anyway, the actors who make this movie are Farnsworth and Robards.Two of the sexiest mature stars of that time period ,both of them in their 50's but looking oh so hot. Robards the epitome of evil as a greedy land baron with that killer beard and piercing blue eyes and Farnsworth as Fonda's cowpuncher and friend Dodger-his ruggedly handsome face and western accent just sexy. Farnsworth has some of the best scenes and lines but he is on screen far too short and halfway through the film he dies. The way his death is played out was very upsetting to me and made me wish they hadn't killed him off. The way his death is played out is like this, Earlier in the movie ,Robards greedy oil baron partner starts looking for oil on Fondas land causing an explosion that riles Farnsworths horse causing the horse to fall down the side of a steep hill spilling Farnsworth onto the hard ground breaking several ribs and hurting him badly. In the best scene of the movie ,he is in bed in pain ,Fonda tells him it will be OK and Caan tenderly hands him some chewing tobacco,Farnsworth holds onto Caans hand and tells him what a great cowboy he is ,there is an unspoken bond they share at that moment as if passing the torch. Caan leaves and Farnsworth says to Fonda "Your daddy would be proud "and you know my days of roping and riding are through. She leaves the room upset. Farnsworth rolls over and looks at old pictures of himself and her father ,he looks so sad as if hes about to cry. The next scene has him painfully getting on his horse ,needing a chair to do so - Its obvious he thinks he is no longer useful and is riding off to die.So,He rides off and the next scene shows him lying unconscious on the ground next to a log with 2 riders approaching , fade to a scene of Fonda and Caan filling his grave. This part of the movie really ticked me off, all those years of him playing stunt-men and bit parts and he finally gets an Oscar worthy part and they kill him off. Robards fares better as a sinister man who not only kills his oil baron rival but also tries to kill Fonda and Caan at the end of the movie by tying Fonda up and knocking Caan out and stuffing them in an upstairs closet while he burns the house down. The movie ends abruptly with Caan and Fonda escaping the burning house and facing Robards and his two henchmen. Caan shoots one of the henchmen and Fonda shoots the other leaving Robards. Caan shoots Robards off his horse but his foot catches one of the stirrups,with his life fading and Caan about to finish him off, Robards horse bolts and drags him across the ground viciously slamming him all over the place and then we see the horse fade off into the scenery. The house burns to the ground and then the scene fades out to black then back in to Fonda driving a old truck back to her burned down house. The camera pulls back to where all you can see is her pull into where her house was and you see two figures in the distance hug and the movie ends. It was disappointing ,youd think they would have had some dialog at the end to wrap it up. Im going to miss Mr Farnsworth and Mr Robards who both died in 2000. We will never see actors like that again. I gave the movie a 6 based on the following points - the scenery and Farnsworth/Robards acting rate a 10 but the movies plodding tone,abrupt and unsatisfying ending and Fonda and Caans wooden performances are barely a 2.

I only downrated this movie from 10 out of 10 for the predictable script. I was amused by the comment that Richard Farnsworth seemed out of breath. I am not even Farnsworth's age at filming yet, live in the sticks and I am similarly out of breath when doing heavy work. I have had to quit roping at age 60 due to back pain from previous ski racing injuries and occasional horse falls. In any case this is a very accurate description of cattle ranching anywhere. I have visited places in our Big Smoky Valley where real cattle ranches lived, raised kids and worked in mud, snow, very little for conveniences and without the power grid. We will go to a real cattle roundup near McDermitt, NV next fall of 4000 cattle. This is done by a pioneer family with four brothers, and offspring and is a prized invitation. Watching home movies from real ranchers might convince some city people who don't notice things like such rudimentary sparse conditions. One example of a goof in the movie was Fonda putting on a watch which would have been an extreme extravagance in 1945. Had this movie had writing as realistic as the filming, it would have been much better. Robards was just to vicious to be real. This was 1945, not 1875, and he couldn't have gotten away with all the murders. The automobiles used, Fonda's 1928 or 29 Model A pickup, and Robard's 41 convertible, the Sheriff's 37 Dodge, and the Banker's 42 Plymouth were all very typical. In 1945, people didn't have the kind of money that they do now, and drove a lot older cars and there were no new cars between 1943 and 1946, and very few 1942 models due to the war.The simple conversations are typical of cowboys and rural people who work hard and don't play boom boxes and don't say much. They are not driven like city people and work much more quietly. The courting buildup between Caan and Fonda had to do with each adapting to the other gradually and trust forming. It wasn't that Caan was laid back as much as he distrusted Fonda's impetuous reactions at first. The writers really got dialog and realistic conditions right. I am from a rural background, went to college, drafted into the Army, then finished college and lived and worked in bigger and bigger places and did travel to a lot of places including Europe and Asia. I finally got tired of it, knowing I could create my own job in a small place. This is why a lot of people live in simple places and why so many retire in simple places. They don't care that there are no cable systems, malls, stores, or hospitals. That last long ride to a hospital hopefully will finish you off in the time it takes to get there. Simple places with low housing prices, and a simpler more outdoor life allow retirement poor couples to survive with a decent lifestyle which is far divorced from city/suburban pressured lifestyles. When people wonder why anyone would choose such a life, particularly after "seeing the world" some of it is the above. Handshake business, people who care about each other but still fight and argue, and leaving your doors unlocked is real rural culture, particularly in the west, but you always distrust government and you keep your guns ready.I highly recommend this movie, I would have given it 8.5 out of 10, but the software is whole numbers, so it is rounded upward.