All Things Fair (1995)

I like the storyline of this show,it attract me so much

Undescribable Perfection

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

The core story, a young teacher with a disassociated husband, falling in love with one of her pupils is sound. Despite some lurid aspects to the first act, the subject it approached very well.The turning point comes in a brief scene mid-movie between the husband and the young lover, where it's revealed that the husband knows all the comings and goings of his wife. It's a beautiful piece of cinema - the confrontation between a man and a boy who thinks he's a man.After that point, what was a sensitive coming-of-age movie goes downhill fast. There's an awkward moment between the lead and a minor character that probably gained the movie more controversy than it was worth. After that, nothing of interest.

ALL THINGS FAIR (Lust och fägring stor) turned out to be brilliant Swedish writer/director Bo Widerberg's elegy: after a long history of successful and emotionally captivating films, this film was his last. Watching again some twelve years later gives an entirely different level of appreciation for Widerberg's work. This is a little jewel of a film explores human sexuality at the time of puberty and the enormous impact on the way relationships are viewed, while at the same time it presents a keen insight to the world at war and the equally monstrous side effects in myriad ways.Malmö, Sweden, 1943. A highschool class of boys is discovering the mysteries of body changes and all-consuming effects puberty has one young teenage men. Outside the classroom World War II threatens and inside the classroom puberty threatens. 15 year old Stig (Johan Widerberg) is a handsome, curious lad from a poor family who discovers his first female attraction in the form of his new 37 year old teacher Viola (Marika Lagercrantz), who, despite the impropriety of the situation added to the fact that she is married to a traveling salesman Kjell (Tomas von Brömssen) who spends his idle hours drinking and listening to classical music in the kitchen, returns the seductive dance and soon the two are in a physically involved affair. The beauty and fresh novelty of their feelings is captured in the most magical way with little dialog, many embarrassed glances, and significant risks that eventually include Kjell's discovery of their trysts. But as the two are discovered many changes occur: Stig's beloved soldier brother Sigge (Björn Kjellman) finally goes off to submarine warfare, Viola becomes less involved and senses the problem she has created, Stig falls under the spell of the tragic Kjell learning music and more from this pathetic man, and Stig finally must face the realities of more proper attraction to Lisbet (Karin Huldt) a girl his own age.The actors are superb, the settings are atmospheric, and the era of the 1940s Sweden is perfectly represented. Part of the joy of the film is the musical score that varies from a Handel aria during moments love making, to Brahms' 'Ein Deutsches Requiem', to Mahler's 5th Symphony 'Adagietto', to Beethoven's 'Grosse Fugue.' Widerberg makes it all work in a misty yet sensuous manner. It is a film to own and one to watch often. In Swedish with English subtitles. Grady Harp

"All Things Fair" is a strange kind of film because it is always transforming itself. While it always remains a coming-of-age film it ranges in its focus, touching on many different expressions. Obviously this makes it hard to categorise, hard to follow, hard to analyse, and all this seems to add up to a good thing. It starts out so luridly that I thought I was in for a Swedish version of "Private Lessons" but somehow it manages to continually evolve into something quite else. The changes in pace and locus give the narrative a certain elliptical feel which consolidate the nostalgic representation. Pretty good performances all round and some unexpected twists in the tale make it well worthwhile.

I caught this film on Canadian television, and I was startled by the risque content being broadcast on a non-pay station. This is a story of a growing adolescent boy in a war-torn Europe. The focus of the movie is in the complex relationships he holds with the people in his life. The controversial nature may deter the more conservative American; however, the characters are well-rounded and acted and the cinematography is superb. I have a feeling this director may be famous in his home country, there is a touch of epic brilliance in the movement of the scenes.