The Cabinet of Dr. Caligari (1921)

Fresh and Exciting

For all the hype it got I was expecting a lot more!

Absolutely brilliant

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Surreal nightmare. Being a silent movie, visuals count for all, and here they add up to a world of eerie imagination. I gather the production had meager funds, so the sets amount to a triumph of artistry over budget. Note how effectively the angular contours intensify the ghastly mood. Oh sure, the acting—if you want to call it that—is resoundingly florid, to say the least. Of course, exaggeration was unavoidable since narrative could not depend on dialogue, nor endless rounds of caption interruptions. As a result story is sometimes hard to follow, and probably subtleties in the story were lost on viewers like me. But, oh boy, for folks stuck on eye shadow, there's enough here to keep a mascara factory going full blast. The eyes definitely have it. Note, however, that the amount and kind of eye shadow pretty much defines the character. So it's not just for show. Anyhow, the 67-minutes counts for more than a milestone in movie-making. It's still an unreal visual experience.

This is often regarded as one of the best horror movies and also as the first horror movie, many of the films elements have been rehashed throughout history, anything from the mad doctor who has control on a monster, to the twist ending. Its one of the most important films of all time, not only for horror cinema, but also for film in general and for Germany, Caligari represents the German authorities who control the mindless zombies at their will, in order to complete his dreadful deeds. At first this movie was booed by audiences, just goes to show that what is considered now as awful or bad may not be considered as such in the future, the movies flaws fall on its good aspects, this movie influenced so many other movies, that now it seems a bit tired to see this film, if you are not into silent movies, I wouldn't recommend it, but if you tolerate them or even like them you have probably seen this already.

Between the varying and conflicting production testimonies of its many players, the endless bizarre legends and anecdotes serving as catalysts for various design and creative choices; between all this there is a small, independent, seminal art-house movie that premiered in 1920 to resounding accolades, praise and most importantly for all involved, money. It was a success that surprised most of the people involved, but looking back at Caligari almost a century forward, it's easy to see how the film was at first universally adopted as revolutionary, and then analysed to death by scholars over the coming decades to the point where the actual film—that is, as a work of interpretive art and not something that desperately requires classification and resolute distinction in terms of motivations, political ideology, historical placement, influence and social stature —is often overshadowed by its lasting legacy as something more than just that.Rather than drive myself to madness attempting to unwrap the mystery of Janowitz, Mayer and Wiene's unending battle of dispute over who did what and why and where, I instead prefer to see Cabinet for what it is; a deceptively straight-forward murder-mystery that exists in a world of irregular angles and avant-garde design. And I'm not just referring to the movie's expressionist scenery which is, of course, what makes the most immediate impression on a first viewing. I'm also alluding to the twisted, dream-like state in which the characters move within their world, almost as if they were one in the same. You could argue, in fact, that they are cut from the same piece of cloth that never wants to settle down in a neat little arrangement until you wish to make use of it. Instead, both the characters and the world in Caligari demand your immediate attention from the very beginning and in a strange way it's hard to draw your attention elsewhere, even if everything does seem a bit otherworldly, strange and abstract.If you're looking for some sort of synopsis from this review, then best leave now. It's a relatively simple affair as I pointed out before, but even then there are many differing interpretations. My own is not in fact my own. Others share it, and it's relevant to us as individuals who see the movie the way we do, but the details of such a view aren't important to you as someone who—potentially—hasn't seen the film yet. Anyone else who has already seen it, more than likely already knows, or doesn't care. What is important, is simply the distinction that exists between Caligari and many films that came before it. It's open-ended, open to debate and, once more, refuses to be consolidated merely to straight, perpendicular angles with only one logical conclusion. This aspect, along with the overall style, atmosphere and artistic merit of the feature is what makes it special. On paper, it's nothing special, and by no means do I loft it as highly as other film historians, scholars or enthusiasts. Let me be clear. I'm not one to automatically prescribe "genius" to trailblazing films ahead of their time for that fact alone. Cabinet of Dr. Caligari is a great film, and an extremely important and influential one for sure. But it's not the pinnacle of the movement it begins. It's not perfect, and no, I don't believe it to be a masterpiece. Masterpieces are timeless, and while it's very easy to watch and enjoy Caligari a century on, it's still mostly important because of the time in which it was produced. Again, it's a simple affair. Simple, but extremely effective. So much so that it caused a cinematic revolution, the echoes of which we still hear today.

Back in the day when movies were new, you could film anything and people would watch it.Most movies you can speed up to 1.2x maybe 1.5x. This one was watchable at a whopping 3x-4x. You don't even have to be a fast reader! The actors pull faces and hardly move, which feels cartoonish. There are a couple of bits near the end where I slowed down to 2x but for the most part....Even at 4x speed not much happens.If you can't speed it up, prepare for a snore fest, a predictable plot and a twist that wasn't worth waiting for.The wacky cheaply made sets might pique your interest if you are into that sort of thing so I gave it an extra star for that.