Love, Marilyn (2013)

Just perfect...

A lot of fun.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

Marilyn Monroe's letters (diary, memoirs, whatever you want to call them) are "performed" by various actors/actresses to us, documenting her feelings (also shown in background as a visual device to add a degree of dramatics to the actors studio performances of those who look at us and try to live the feelings of those they depict) at the time she lived. From her beginnings as an actress to her "medicinal suicide", details about Marilyn's rise to an icon, her turbulent relations with 20th Century Fox, the general consensus that she was a ditz (or a really talented actress deserved of respect) flashing her marvelous figure which was responsible for capturing the lust of men (and disgust/jealousy of women) everywhere, the emotional/psychological problems always troubling her, complicated marriages and relationships to men, gaining notoriety and popularity through her intense sexuality, becoming a media celebrity of substantial popularity, and the mental downturn that left her an actress deemed unfit to hire, "Love, Marilyn" covers a lot of ground.While I found all the actors and actresses (this approach felt a bit too pretentious for my tastes) a bit annoying, the material was fascinating (particularly when documents from directors such as Billy Wilder and George Cukor are read, Arthur Miller's interviewed from the past, Amy Greene's candidly shared details (because she knew, lived, and had intimate conversations with her)) because it shed light on how Marilyn was viewed by those that worked with her and provided insight into that enigma so emblazoned in stunning photographic beauty. I have considered myself a fan of "The Misfits" (1961) for years, but after watching this, knowing Miller wrote it, this documentary left me rather unsettled that a husband who claimed he loved his wife would populate the script with blatant disregard for her "image" and talent. I have always felt that the need to stigmatize Marilyn as all style and no substance couldn't be further from the truth…there's real truth in "Bus Stop", if one is willing to see past just the allure and beauty. My personal favorite Marilyn Monroe film is "Niagra", mentioned a few times in the film (just throwing it out there)What happened during her final film project (ironically titled "Something's Got To Give"), the pugnacious contempt from Laurence Olivier (during "The Prince and the Showgirl"), Billy Wilder and George Cukor's teeming anger at her misbehavior on set (it would be called Monroe acting a diva in the obsessive celebreality of today's pop culture), John Huston's misappropriation of studio funds (gambling them away) and how it allowed them to blame it on her (because her reputation had become so tarnished) regarding the budget on "The Misfits", Miller using Marilyn to escape the scrutiny of possible Communist ties during the McCarthy era, and the Playboy nude pictorial are all featured subjects in this documentary. I would prefer the typical narrative device/approach, with emphasis on the resources that dissect and explore this fascinating personality, this woman, this actress, this sexual icon, but "Love, Marilyn" gives actors/actresses a chance to interpret in performance how certain people felt through her and perhaps how she felt in those words on paper. What I found most fascinating was how Joe DiMaggio reacted to the hoopla behind the "blowing dress" that provided an essential lasting prominence to Marilyn's legacy and Marilyn's relationship to Lee Strasberg and his wife Paula (Paula would be her coach on set during filming to give her insight and be an inspiration). Particularly funny to me was how Jack Lemmon, in an interview about her during "Some Like it Hot", spoke of her Strasbergian method behavior during filming, as a rather loopy bit of unnecessary time wasted. "Love, Marilyn" should be of interest to Marilyn's cult and fanbase.

I like, many out there, am a huge fan of Marilyn Monroe and was excited to see this movie... and I was not disappointed! I have seen this 3x and will see it again!! I rarely, if ever, have watched anything more than once but this is so well executed that watching this gives me sense of knowing her just a little bit better from the people that were really in her life each time I watch it. I am also, a bit hyper and not very often will sit through a movie/program without getting up and being drawn to do something else. Would highly recommend this to anyone who loves her or, for that matter, anyone interested in finding out more about her!!!

When I saw this documentary was on HBO I tuned in and wanted to see what it was all about, I wasn't that impressed. The letters straight from Marilyn's thoughts were interesting and heartfelt but having them read by Hollywooace actors just didn't work that well In my opinion. When SOME of these A listers read from the aforementioned letters they seemed like they themselves were making it all about them and not Marilyn at all. The lines from the letters were often over dramatized and poorly executed and would have been more effective had they just come from an unseen source. Overall this film seemed like it made everyone else out to be the bad guy when it came to Marilyn's unhappiness and misfortune and maybe that was the case, who can say. Although when Marilyn didn't know her lines and often didn't show up to the set for a variety of reasons I'm sure that it could wear on a director or producer who was probably under the gun to finish the picture as it is. Although Marilyn was often trouble on the set her performances on the big screen were always pure, genuine and special but the film made her out to be a troubled pawn in the chess game of Hollywood life and to me the film could have been more objective at times. Overall this is not a bad film (especially if you love Marilyn) but nothing to write home about, pun intended.

I was surprised at how much I enjoyed this and I am no huge Marilyn Monroe fan or anyone who has followed the thousand plus books, films, or articles on her or her career.What we saw here was an incredibly bright talent and what appeared to be a sensitive and smart woman who was perhaps too sensitive for her own good.I learned that she wanted to be a better actress. She worked hard to improve herself when she was first signed to the studio and then she studied with the famous Actors Studio with Lee Strasberg in NYC during the time of her contract dispute, a year, something I never knew. She battled with the studio for some control over her career and projects and she won. Had she lived, as she had just signed a new contract with the studio, who knows where her career might have gone. She was far more than what I thought.Her marriages were also made of tragedy. Both men seemed to love her but seemed very controlling and Miller in particular seemed to consider her inferior to him. DiMaggio I felt seemed to adore her and want to take care of her, respected her, but hated the notoriety her fame brought and didn't want her to continue with her career. It's interesting he told her after her divorce how much he still loved her but if he were in her shoes, he would have divorced him also.I didn't mind the other actors brought in to read her words, in some cases I thought it helped(Viola Davis, Paul Giamatti, Jennifer Ehle, Marissa Tomei, F. Murray Abraham). Others like Uma Thurman, Glenn Close, Ellen Burstyn were kind of a waste. But the high point was seeing the old footage, some of the old clips of interviews of people like Jack Lemmon, Arthur Miller, Billy Wilder, and company. I think having Amy Greene(?) her old friend part of this really added a lot.Definitely worth a look even if you're not a Marilyn Monroe fanatic.