God Forgives... I Don't! (1967)

Don't listen to the Hype. It's awful

A Disappointing Continuation

Exactly the movie you think it is, but not the movie you want it to be.

The film never slows down or bores, plunging from one harrowing sequence to the next.

I always love Hill-Spencer's movies since 1976 when l'd watched the first one,since then every movie from both l watched in fullness...on "Dio perdona...lo no!" is an unusual situation between the star in this case they are complete antagonists,Hill is a gambler who was trapped by the chief band's robbers and Spencer work to insurance company where he has to recover the US$ 300.000 in gold that was stolen on a train robbery...this movie is more serious from the couple...the result is good...the partner was so long is cinema's history...sadly Bud Spencer let us forever!!!

Again Hill as Cat Stevens and Spencer as Hutch Bessy team up against a baddie named Bill well played by Frank Wolff . Exciting western deals with a gunfighter robber hijacks a payroll train , kills everyone aboard and then stashes his loot . This violent Spaghetti Western oater goes on when Cat Stevens (Terence Hill or Mario Girotti) trying to save himself from a pursuit by nasties . Then meets Hutch (Bud Spencer or Carlo Pedersoli) who proposes him to discover the train robbing , allegedly committed by Bill St Antonio , and the two guys mess with Western baddies . Bill has been killed and holds on his tombstone an inscription captioning : ¨Here lies Bill St Antonio , greatest shot in the world killed by a traitor , otherwise no¨ and he receives a spectacular funeral in New Orleans style . Stevens reunites with Hutch joining forces, confronting baddies. Nevertheless , the heinous villain is alive and seeks revenge , he is a ruthless outlaw and supported by heinous henchmen .The movie contains gunplay, action Western, bloody spectacle and fist-fights . Terence Hill as a tough gunslinger and Spencer as a bouncing hunk are good but still not personified the Trinity hero characters . At the picture appears usual Spaghetti secondaries who played ordinary characters as villains in numerous Spanish/Italian Western as Jose Luis Martin , Frank Braña , Jose Canalejas , Tito Garcia , Francisco Sanz and Luis Barboo , among others . The film belongs the Giuseppe Colizzi trilogy starred by Hill and Spencer as Cat Stevens and Hutch Bessy . This one is the first , superior and the best outing ; the second installment is ¨Four gunmen of Ave Maria or Ace high ¨ with the great Elli Wallach and more camp tendencies ; and the third is ¨Boot Hill¨ with Woody Strode and less of a budget . The film is produced by DÁmbrossio and accompanied by a musical score by Carlo Rustichelli with an enjoyable leitmotif . The movie is finely photographed by Alfio Contini, and of course is shot in Almeria , Spain, location where were filmed hundreds Western in the 60s and 70s . This motion picture also titled ¨God forgives¨ will appeal to Hill and Spencer fans and S.W. aficionados.

Before he became a film director, Giuseppe Colizzi served as Federico Fellini's production manager on "The Swindlers." The short-lived Colizzi helmed four of his six films with Terence Hill and Bud Spencer. Nevertheless, Colizzi belongs to a select handful of distinguished Italian western directors, such as Sergio Leone, Sergio Corbucci, Tonino Valerii, and Gianfranco Parolini--who imbued their oaters with an unmistakable aura of flair and style, doubling not only as director but also as writer. The first entry in an overlooked and underrated spaghetti western trilogy, Colizzi's "God Forgives, But I Don't" boasts the numerical distinction of pairing Hill and Spencer together for the first time after a foot injury forced lead actor Peter Martell off the picture. "Ace High" and "Boot Hill" followed. Hill and Spencer went on to achieve greater fame in Enzo Barboni's two "Trinity" features. Before Hill capitalized on comedy westerns and later modern day adventures, he proved himself as gunslinger Cat Stevens, a pistolero who found it just as easy to cross the line between good and evil as fire up a cheroot. Bronzed like a tawny Greek god with a deep masculine voice dubbed in by another actor and displaying admirable restraint in the stoic tradition of Clint Eastwood, Hill proved equally adept at portraying sober dramatic protagonists as well as lightweight, comic leads. Hill and Spencer are evenly matched by seasoned Spaghetti western villain Frank Wolff who resembles Harpo Max with mutton chops."God Forgives, But I Don't" seizes your attention from the start. A crowd awaits the arrival of a train at the railway depot with a brass band. The train trundles into the station, breezes past the surprised on-lookers, and crashes into a barrier at the end of the siding. A dead man with a bullet hole in his forehead tumbles out of the freight car when the door is thrown open. Colizzi presents a swift montage of bullet-riddled bodies and faces to highlight the enormity of the massacre. During the excitement, a wounded passenger stumbles off the train and flees without attracting attention. Eventually, we learn that the murderous outlaw chieftain Bill San Antonio (Frank Wolff of "A Stranger in Town") and his gang of despicable bandits held up the train and stole $100-thousand in gold.Colizzi shifts the action to a poker game. Cat Stevens (Terence Hill of "The Leopard") looks as cool as ice as he gambles with a quartet of hardcases. A dispute arises over who won and a brawl breaks out. Cat whips his adversaries with his fists but in the process trashes the premises. Cat's trademark gesture is pushing a cheroot up and down with his fingers. Later, Cat's friend Hutch Bessy (Bud Spencer of "The 5-Man Army") finds him at a remote waterhole and tells him about the MK&T train robbery. Hutch found the sole survivor of the train massacre. Before the passenger perished, he told Hutch about Bill San Antonio's role in the robbery. Hutch describes Bill's clever plan. The outlaws rode 150 miles to the halfway point between El Paso and Canyon City and then rode in circles to make their presence known at that point. The gang turned south then galloped back to El Paso, saw the gold loaded onto the train, bought tickets, and waylaid the train 20 miles from the Mexican border. After they robbed the train, they killed everybody on board and sent the train onto Canyon City.Initially, Cat refuses to believe Bill could have planned and participated in the hold-up. Colizzi flashbacks to a scene in a shack where Bill and Cat squared off against each other in a showdown after Bill's henchman Bud (José Manuel Martín of "The Savage Guns") sets the building ablaze. Cat guns down Bill and Bill's men allow him to leave alive. Later, they come after him and try to kill him. Meanwhile, Bill is never heard or seen again until the MK&T robbery. The bank took an insurance policy out on the stolen money and Hutch plans to find the gold and collect the insurance. He wants Cat to team up with him so they can locate the loot. Not only did Bill San Antonio not die in the fire but he also robbed the train. Garrulous desperado that Bill is, he explains what happened and why. The banker and Bill were in cahoots. When things got too hot, the banker recommended that Bill disappear for a spell. Cat sneaks into Bill's hideout one night, blunders into a trap, and gets strung up by his heels. Nevertheless, he manages to defend himself against his opponents. Hutch intervenes and they steal the $100-thousand dollars in gold.Neither Cat nor Hutch has an easy time holding onto the gold while surviving Bill and his gang. Numerous shoot-outs occur with a take-no-prisoners mentality. Colizzi models loquacious Bill San Antonio after Eli Wallach's Mexican bandit Calvera from "The Magnificent Seven." Bill feels responsible for his cronies and wants to take care of them. Blue-eyed Terrence Hill has the stew beaten out of him and nearly drowns in one scene. Hutch displays his Herculean strength both in fistfights and in shouldering a chest packed with gold. The same friendly rivalry that characterized Trinity and Bambino's relationship in the "Trinity" appears to have been foreshadowed by Colizzi. The final showdown between Bill and Cat takes the shoot-out at the beginning to the next level. Good dialogue, rugged laconic heroes, grimy trigger-happy hooligans, atmospheric settings, Alfio Contini's impressive widescreen photography, and the scenic sun-drenched plains of Spain make "God Forgives, I Don't" a solid, satisfying saga, head and shoulders above the average spaghetti western.

Even though it stars Terence Hill and Bud Spencer don´t expect this to be a light-hearted comedy flick like the Trinity westerns. Realistic clothing, dusty dark intense atmosphere and a downright good script make this one a winner. If you want every grandmothers dream, parading around in his pink shirt and right out of the laundromat jeans shooting baddies by the dozens, don´t even bother watching this one. These characters got personality and flaws just like you and me.Buy it, Rent it or forget all about it. 8/10