Afterwards (2008)

This movie is the proof that the world is becoming a sick and dumb place

Thanks for the memories!

Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.

Nathan Del Amico (Romain Duris) is a hard-driving successful New York corporate lawyer. He is approached by mysterious doctor Joseph Kay (John Malkovich) who claims to see people about to die with a bright white light. He warns Nathan to put his life in order. He dates waitress Anna (Pascale Bussières). There are constant flashbacks of Nathan with his wife Claire (Evangeline Lilly) and their two kids.These are New York characters but half of them have french accents. I don't care about Nathan. He's cold, angry, and unappealing. He's a horrible lead. As for the story, it has no dramatic movements at all and it's not compelling. Dr. Kay is not much better. Malkovich decides to play the character reserved. There is no tension. There is a supernatural aspect but it doesn't do enough with it. This thing moves slowly.

As the story begins, we are taken to an ideal bucolic setting that ends in what might be a lake. A boy and a girl are playing in a dock. The little girl steps on a loose board and gets trapped. She begins screaming while the boy goes running to get help. As the boy goes to cross the highway, he is struck by an oncoming car. This scene holds the key to perhaps understanding the mystery posed by the creators of this complex film.Without explanation we are taken to a Manhattan plush conference room where Nathan, a successful lawyer is hearing a colleague present a case which the firm might be interested in taking. It involves a suit against an airline where several family members have died in the Caribbean due to negligence. Nathan does not quite agree with the presentation and decides it is not for the firm.At this time, an enigmatic man, who claims to be a Dr. Kay, arrives to speak with Nathan. The doctor watches Nathan while he puts sugar in his coffee; he is shocked by the amount of sugar the lawyer uses, so he warns him about possible health risks, something that is dismissed. The nature of Dr. Kay's visit is not immediately known, but the effect of his visit will linger in Nathan's mind and it will disturb him deeply. It is obvious Dr. Kay has come as some sort of messenger to warn about an impending doom, which is hard to understand.Nathan's life will be greatly transformed as he learns more about Dr. Kay's message. He is shocked when the doctor asks him to accompany to watch a horrible scene in a subway station. Kay also tells him about a lady who Nathan used to know and her impending demise. Dr. Kay also points to other matters that must be seen to in Nathan's own life, like the strange relationship between Nathan and Claire, his former wife. We get to know about the personal tragedy in their life and finally Nathan is told about why he has been chosen by Dr. Kay in what will be his own mission in life."Afterwards" is not an easy film to grasp, yet there are rewards for the viewer that pays close attention to what really is underneath of what surfaces on the screen. Directed by Gilles Bourdos, and based on a novel "Et apres", which we never read, with Mr. Bourdos and Michel Spinosa's adaptation of the original material. The film is gorgeously photographed by Pin Bing Lee with an original musical score by Alexandre Desplat, a man with an excellent taste in whatever project he decides to undertake. The film was shot in different locales going from Quebec, to Manhattan to New Mexico.Romain Duris, a versatile French actor, is at the center of the film playing Nathan. In his first assignment for an English language movie, this amazing actor shows why he is one of the most interesting personalities working today. John Malkovich appears as Dr. Kay, the enigmatic man with a mission. Canadian beauty Evangeline Lilly is fine as Claire.

Sometimes the promotional department of a film causes people to not view a film because it is misrepresented by the graphics on the poster, the DVD cover, or the trailer. Such is the case with AFTERWARDS - a lovely exploration of the concept of death and dying philosophy that has nothing to do with the image of John Malkovich holding a smoking gun! And that is a shame: this is a film that has a lot to say and provides a lot to think about thanks to the writing, directing and acting. The story is adapted from the novel "Et Après..." by Guillaume Musso by Michel Spinosa and writer/director Gilles Bourdos. It is a complex story that thankfully due to the talent of the cast and director is able to carry the audience into a place perhaps not considered or discovered before. It is a thinking person's film and a rewarding one. The film opens in an idyllic setting of a lake of water lilies where we observe a little French boy Nathan and an English speaking girl Claire gently admiring swans(interesting to note that swans are traditionally or mythically associated with death). The girl slips on the dock, is trapped, and sends the boy to find her parents. The boy runs to the highway where he becomes the victim of a tragic hit and run accident. The film then jumps ahead about twenty years and we discover Nathan (Romain Duris) as a successful New York lawyer living alone after his marriage to Claire (Evangeline Lilly) has ended after the crib death of their son, leaving Claire to manage alone in New Mexico with the couple's surviving daughter: Nathan cannot cope with the fact that he feels responsible for the son's death by not responding to his cries. A strange doctor, Dr. Kay (John Malkovich) appears in Nathan's life claiming that he is able to sense death before it happens: he works in a hospital for the terminally ill, among them is one young lad Jeremy (Reece Thompson) with cardiac carcinoma who is struggling with his incipient dying. Dr. Kay is not malevolent, he is simply a 'Messenger' - one given the ability to visualize a bright white halo around a person who is soon to die. Nathan will not consider the veracity of this obtuse thought until Dr. Kay suggests he visit an old friend Anna (Pascale Bussières) who now works in a diner, living with her Russian father and her son. Nathan is curious, meets Anna, and upon visiting her home witnesses the death of Anna's father. Nathan contacts Dr. Kay, hostile that Dr Kay had suggested Anna was to die but instead lost her father, and Dr Kay reassures Nathan of the process: soon Anna dies also. At this point Dr Kay shares Nathan's history: Nathan did not die in the hit and run accident many years ago and was attended by Dr Kay who then knew that Nathan was also a Messenger. How Nathan turns his life around to flee to New Mexico and join Claire is the transformation of the film. This is a delicate story told with sincerity and lack of sensationalism. It is a journey into the philosophy of what happens to us as we die. Nathan explains this to is daughter as death being like a ship that sails to the horizon and disappears to our eyes, yet the ship sails on beyond our scope of vision into another unknown space. Director Gilles Bourdos handles the pacing of this visually stunning film with such grace that it becomes a gentle work, allowing the finest acting yet seen from Malkovich, and reminds us of just how fine an actor Romain Duris has become. This is also a lovely introduction of Evangeline Lilly, an actress with tremendous screen presence and acting ability. Forget the trailer and the ugly cover of this DVD and allow yourself to enjoy this mesmerizingly beautiful film. Grady Harp

For a movie that concerned itself so much with death and dying, I was surprised at how much it said about life and learning how to live. Anyone who has been through a period of personal evolution will be able to relate to the main character as he reflects on the past events of his life and begins to change the dynamic of how he lives going forward. Those who haven't already reached these conclusions on their own will probably find it more difficult to understand.I believe the reserved performance by the main character was a perfect representation of a man who is led by his career and by practical matters, and has shut himself off from his emotions and any real sense of living. Malkovich plays the somewhat creepy, mysterious benefactor of insights unseen (until the end of the movie) and delivers everything you'd expect from him in such a role. The female characters generate the same sympathy and compassion from the audience as they do from their male counterparts in the film, and that's why this movie works. If we are moved, we understand how they would be moved.Preparing oneself to die by truly embracing life is not the theme I was expecting from this movie, but it's probably a better one than what I was looking for. I generally classify movies like this as "must see" films because anyone that hasn't figured something like this out on their own, really should. And the sooner, the better.