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From Dusk Till Dawn 3: The Hangman's Daughter

From Dusk Till Dawn 3: The Hangman's Daughter (1999)

October. 31,1999
|
4.8
|
R
| Horror Western Thriller

Narrowly escaping death, outlaw Johnny Madrid goes on the run with the hangman's sensuous daughter Esmeralda by his side.

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Reviews

Exoticalot
1999/10/31

People are voting emotionally.

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Smartorhypo
1999/11/01

Highly Overrated But Still Good

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Maidexpl
1999/11/02

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

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InformationRap
1999/11/03

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

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siderite
1999/11/04

If the first film was original, well acted and fun, the second was just fun, the third is none of the above. Set in the Wild West in the times of Pancho Villa, it does only one thing right: it prepares the mythos that will be used in the series, not that they knew there was going to be a series back then.It does a better job of getting elements from the original film: the unlikely band of misfits that get caught in the vampire bar, more violence and many character side stories that can keep the viewer watching. Alas, all the characters in the film are unlikable and rather badly scripted. The acting was not stellar, either, but I can't call it bad.Bottom line: a watered down version of the wonderful From Dusk Till Dawn, but without any fun in it. Taken itself way to seriously and I can only call it a boring failure.

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GL84
1999/11/05

After getting pulled into a convoy along the Mexican Revolution, a group of travelers find their cantina hideout populated by vampires that are interested in one of the party's members, forcing them to fight back before they succumb to the creatures.This didn't turn out to be nearly as much fun as it's predecessor, but it still has some great things going for it. Frankly, this is due mainly to the fact that this one has far too much time spent with it's Old-West rip-offs feeling like a Spaghetti Western imitation in the first half to the complete and total elimination of any horror elements. Even upon arriving at the cantina, which is just under an hour into the movie itself, it's still a bit before they reveal themselves as vampires despite us knowing something's going on. The film is a lot better when that happens due to a lot of wild action, tons of bloodletting and just a lot of fun, featuring some cool make-up effects that give off a great vibe about the situation and plenty of storyline motivation beyond just a never-ending stream of attacks. It manages to save the film somewhat, but it's still not enough to overcome the boredom in the beginning.Rated R: Graphic Violence, Graphic Language and Nudity.

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wes-connors
1999/11/06

This prequel to the first "From Dusk Till Dawn" (1996) returns to the story structure of the first film in the series, with less satisfying results. We begin with the death, by firing squad, of US Civil War hero and author Ambrose Bierce (Michael Parks). He is killed, in Mexico, by Pancho Villa. Inexplicably undead, he next witnesses the hanging of handsome outlaw Johnny Madrid (Marco Leonardi), who escapes death with "The Hangman's Daughter" Esmeralda (Ara Celi) on horseback...They eventually meet up with frustrated new husband John Newlie (Lennie Loftin) and his frigid Christian bride Mary (Rebecca Gayheart)...The characters will unite and bite in a vampire bar, as the "Dusk Till Dawn" custom dictates. There are some nicely-staged scenes, and some choppy ones. P.J. Pesce does keep it moving. However, there really isn't a new story here. An indeterminate beginning and ending doesn't help. Some modern dialog could be coincidence, but the impression of Robert De Niro from "Taxi Driver" (1976) suggests a character is time traveling. Perhaps this is a set-up for "From Dusk Till Dawn 4". **** From Dusk Till Dawn 3: The Hangman's Daughter (10/31/99) P.J. Pesce ~ Marco Leonardi, Ara Celi, Michael Parks, Lennie Loftin

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Gregorso
1999/11/07

What everyone seems to be missing is the significance of Ambrose Bierce. He's a real 19th century author, and the film takes it's title from one of his books. He's best known for the classic twist at the end of "Occurance at Owl Creek Bridge". (It was made into an episode of the original Twilight Zone.) This film hints a few times that a similar twist will take place... but it never does. Why is there no payoff after building up the Bierce character with so much historical detail? Anyway, the film is not bad, which is surprising, considering that they just rewrote the script from the first film into a Old Western setting.Bierce's story "The Damned Thing" was produced as an episode of Showtime's "Masters of Horror."

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