Northpole: Open for Christmas (2015)

Good story, Not enough for a whole film

Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

Good films always raise compelling questions, whether the format is fiction or documentary fact.

Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

This is a lighthearted story about Santa and elves and a nostalgic inn. There isn't a lot of plot and what story there is rambles and gets convoluted. But for those who are willing to forget reality and just ride along, it is enjoyable.I've watched a few movies where Santa and/or the elves get a little too silly and childish in an effort to draw out humor. This movie uses a lighter touch with the mythical characters. There is still plenty of fantasy and fun.Lori Loughlin and Dermot Mulroney are both over 50 at the time of the movie, but you sure don't notice that, at least with Loughlin. They work together well enough, but it's not their relationship that's magical.For me, the real star of the show is Bailee Madison, as Clementine the elf. This young actress impresses me every time she does a Hallmark movie and this movie is no exception. Here, although she is only 16 at the time, she is starting to come into a role that isn't necessarily for a teenage actress. She interjects energy and optimism and a little wonder.

Watching these 2 fifty-somethings sleepwalk through the twilight of their career gives this movie a special place in the film school case studies of corporate, group think, cookie cutter productions. How do you fill 90 minutes with dialog without really saying anything? "Northpole: Open for Christmas" is your answer. My XMas advice? Get to bed early...

Not long after the original Northpole film aired, Hallmark announced that a sequel to the film under the working title Northpole 2 before being now called by its current name Northpole: Open For Christmas was in production and like most Hallmark fans, I had an open mind to see it. To me, this has to be one of the best sequel films Hallmark ever made.Now for the plot. Clementine the elf was given a new task by Santa to help a workaholic Real Estate agent (played by the ever wonderful Lori Loughlin) restore her late aunt's Inn which actually serves as beacon for Santa's sleigh while at the same time helping her regain her true spirit of Christmas she lost as a kid.As far as we know, Bailee Madison was the only actress from the original film to reprise her role as our favorite lovable elf Clementine. Santa Clause unfortunately was no longer played by Robert Wagner as in the previous film and was replaced with Donovan Scott for this film and his role as Santa was actually equally as wonderful as how Robert portrayed him. All the actors did an amazing job in this film especially Ava Telek (April Telek's daughter) as the widowed carpenter's daughter. Like the original, the movie was shot in Montreal, Canada, but at a different part of the city.All in all, this is a great sequel film. Wonderful acting, good plot though there were some flaws, and good special effects. Like the original film, some people may love it, some may not love it, but hey, everyone's entitled to their own opinion.

Lori Loughlin finds a sense of place, falls in love with handyman Dermot Mulroney and, oh yeah, saves her aunt's country hotel and Christmas while she's at it, in the second of Hallmark's annual "Northpole" series."Open for Christmas" grafts a standard Hallmark romantic comedy onto NORTHPOLE's elaborate magical thesis in a workmanlike fashion. However, there is little in the way of dramatic tension to make this worth watching. Ms. Loughlin inherits her aunt's hotel; it has no guests and no source of income. Even so, there is little sense of financial urgency about the outcome once Donovan Scott as Santa tells Ms.Louglin he is depending on her, despite the occasional histrionics.The performances are fine. I won't claim that Donovan Scott has cornered the market on Santa, but he has performed the role once or twice a year for more than a decade. Pierre Jodoin's cinematography is excellent; he manages to capture that grey afternoon snowfall light that shows up around Christmas. Yet the script itself never manages to make the viewer think that the inevitable romcom happy ending is ever in doubt.