Looking for Eric (2009)

Terrible acting, screenplay and direction.

If you don't like this, we can't be friends.

It's entirely possible that sending the audience out feeling lousy was intentional

It's an amazing and heartbreaking story.

A completely unbelievable plot and I'm not referring to the phantom character but to the main characters who's lives are being portrayed. The men are of below average intelligence, obnoxious and foul-mouthed. The women are attractive, charming and intelligent. I can't imagine anyone enjoying this rubbish except maybe for teenage boys who find thuggish behavior exciting. One scene involves minor acts of violence accompanied by music appropriate for a slapstick film.Swearing in films doesn't normally bother me but the use of the "F" word is way over the top, used often and repeatedly. I know some people actually talk like this but if, like me, you would rather avoid these people, then avoid this film.As for Eric Cantona, the reason I watched this, his performance is acceptable (no swearing or violence). The film also contains some clips of him in action on the pitch and off.

From director Ken Loach (Kes, Sweet Sixteen) I had heard that this film had a lot of interest surrounding it, and it sounded like something I would enjoy, so of course I watched it. Basically Manchester middle-aged postal sorting office worker Eric Bishop (Summer's Steve Evets) is going through a bad patch, mainly because of ex-wife Lily (Stephanie Bishop) coming back. To comfort himself in most circumstances he seeks advice from the one man he aspires to, and is almost hallucinogenic visions of, footballer Eric Cantona. As time goes by his relationship with Lily, who by the way left him to have their baby, improves, and he is also getting closer to teenage daughter Sam (Coronation Street's Lucy-Jo Hudson) and stepsons, including Ryan (Gerard Kearns). After being humiliated by some local gangsters with the help of a Rottweiler, and having the video put on YouTube, Eric finds out that Ryan has agreed to hide a gun in the house under the floorboards. Eric obviously turns to his imaginary friend Canona for some advice of what to do to make everything settle, and the idea of going up against the gangsters with the help of his post office friends is best. So Eric gets his friends and many Manchester United fans to help in "Operation Cantona", where they all wear the heads, or masks of the famous Eric, and they go to humiliate the gangsters. In the end, the gangsters get their comeuppance, Eric watches his daughter graduate, the whole family have worked things out, and the imaginary friend stays with his pal. Also starring John Henshaw as Meatballs, Stefan Gumbs as Jess and Justin Moorhouse as Spleen. Evets is fantastic as the nearly lonely ordinary Joe on the brink of a breakdown, and Cantona, who you also see the fantastic goals from, is brilliant as his knowledgeable invisible friend, it is a likable comedy drama. Very good!

I have been an fan of the films of Ken Loach since I saw 'Hidden Agenda' some years back. In the years since he first directed films for television,working up to his first feature film,'Poor Cow',up until recent,he has painted a portrait of the English blue collar working class,most times unvarnished (they live their day by day lives,drink, smoke,swear a lot,and are sometimes brutal,unflinchingly,but generally never demonize them). In this tale,a middle aged man,Eric Bishop,is at the lowest point of his existence. His ex wife wants next to nothing to do with him (he walked out on his marriage early on),and his two sons (one adopted)are a stranger to him. About all he has is his football chums that he spends most of his time in pubs,arguing football,etc. to call his own. One night after sneaking some of his son's Marijuana,Eric is sitting in his room in a depressed gloom,wondering what went wrong with his life,when he gets a visit from the kindred spirit of French born footballer,Eric Cantona (Eric's hero,as exemplified by the posters of Cantona in the bedroom),giving Eric advice on how to get his life back in check. Heeding Cantona's advice,Eric sets about to make amends for his short comings (including a sub plot element involving his eldest son Ryan,who is hanging out with gangsters who make Ryan hold onto a gun used in a shooting). Will Eric Bishop clean up his act,become the father he is supposed to be to his sons,and try to reconcile with his wife? That is for you,the audience to find out. Ken Loach (The Wind That Shakes The Barley,Hidden Agenda,and way too many to list here)directs from a screenplay written by Paul Laverty (who wrote the screenplay for 'Barley',as well as 'My Name Is Joe',also directed by Loach). Featuring Steve Evets as Eric Bishop,Eric Cantona as himself,Stephanie Bishop as his wife Lily,Gerald Kearns as Ryan,and Stefan Gumbs as Jess,Eric's other son. With Matthew McNulty,Laura Ainsworth,Max Beesley,Kelly Bowland & John Henshaw. A flawed,but crowd pleasing,life affirming comedy/drama about finding one's own niche later in life. Not rated by the MPAA,this film serves up pervasive strong language,adult content,including drug references & some harrowing confrontations for our protagonist.

Postman Eric is pretty much at the end of his tether. His partner has not come back home despite her being released from prison over two months ago, leaving him looking after two teenage stepsons, neither of whom respect him or listen to him and appear to be heading down the wrong road in life. His own daughter Sam needs help with her own daughter and asks Eric to get in touch with her mother Lily, who Eric left as a young single mother. The pressures from all sides are clear to even his colleagues, who to their credit do attempt to help him. Rather than talk to himself, Eric confides in a poster of his idol, Eric Cantona only to find that the man himself appears in his room. With sage input from Cantona, Eric attempts to put his life in order while the external forces threaten to tear it apart.A strange film from Ken Loach this and one that doesn't ever really work as well as certain parts of it do or as well as the idea makes it sound like it should. As a film it is rather fragmented both in terms of tone and narrative and it is shame that the two could not have been brought together in a more effective manner. The first half of the film spends its time mostly focused very much on the mental state of Eric and, although some have said this part is dull I actually found it to be pretty engaging and clever. The importance of sport in the world of men (particularly working class men – sorry if that sounds snobby) should not be overlooked and I thought that the film had potential by using Cantona as a sounding board for Eric to work out his problems in a way that is made easier by virtue of his idol taking him mentally into that world where it is OK to let it all out, OK to cry, OK to be oneself – the world of the terraces as he describes them. This doesn't really happen though although it is close enough to that to keep it interesting and the passion of the football discussions does add a nice contrast to the reality of Eric's life.In the second half of the film a discovery starts a specific dramatic thread and it makes for a sudden change in the tone of the film – one that is most noticeable because the script becomes the F word for long sections. This rather gritty and violent dose of reality clashes with the fantasy of the first half and, while they are still linked I didn't think that they were linked well enough in terms of the tone and feel of the film. It is a shame because the second half does work and it does lead to a rather uplifting conclusion but even this doesn't quite fit into the thread that it concludes. I'm not describing it very well but the overall impression I'm trying to land is that the film has plenty of good ideas and isn't "bad" so much as it just has a lot of potential that goes unrealised.Cantona may be the name that draws the eye but Evets does very well in the lead role. He makes a very convincing character with all of his performance and if the material had been there with him, his performance would have been a big part of the film being consistent – as it is he cannot do it alone. Cantona is an enigmatic presence and, although hard to understand sometimes, this is what he brings to the film and he works very well with Evets as the solid, thoughtful sounding board of reason – again the material just doesn't seem to let their scenes have the meaning and impact that they could have done. The supporting cast are understandably outside of the main scenes but there are still good performances from Bishop, Kearns, Gumbs, Hudson as well as older hands like Henshaw and a few others.Overall Looking for Eric is an engaging but frustrating experience. It is engaging because of the potential inherent in the ideas and the narrative, however it is also frustrating because not all that potential is realised and the delivery seems disjointed and rather uneven in terms of tone and substance. Interesting enough and good enough to take a look but it is not the film it deserved to be and is not one of Loach's or Laverty's better films.