Last of the Renegades (1964)

Fantastic!

Don't listen to the negative reviews

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

Blistering performances.

"Winnetou - 2. Teil" is a West German co-production with several other countries from over 50 years ago. It is directed by Harald Reinl and is based on the Winnetou works of author Karl May. There have been actually several other Winnetou films before this one, but still it is among the most known the series has to offer. But hopefully not among the best as this was a fairly disappointing watch for the most part. It began bearable, but the longer it went, the less interesting it became. I have seen some of these films and I must say the biggest problem here is that in terms of the main characters, there is only 100% good or 100% evil. There are absolutely no shades in there and when we finally find people who have shades (such as Terence Hill's character's dad), then the roles are either too small that it does not make a difference in the grand scheme of things or the characters are just written in a way that has only one intention: make the main characters even more "shadeless". Apart from Mabuse (Barker shows up there too) and Edgar Wallace (some films with Dor), these European westerns were among the most popular the craft had to offer back around that era. So it should be no surprise that this film here also won a Golden Screen. But quantity is no guarantee for quality here I must say and I also personally do not see Pierre Brice as a particularly gifted actor. He lives more through the never-ending goodness and understanding of his character that comes with the most pretentious quotes you could imagine. I don't think this film would be received well if it was made today. So yeah, it may have been famous back then, but it has not aged well at all. Noweher near in terms of quality compared to what Italy and the United States produced at this point and I am writing this as a great Terence Hill (and Bud Spencer fan). Thumbs down and I am glad this was not too long of a film, only slightly over 90 minutes.

This is only the second of the long-running series of German produced Westerns filmed in Yugoslavia by cult director Harald Reinl that I have been fortunate to see, but is at least as good as TREASURE OF SILVER LAKE if not somewhat more polished of a production. Euro ManBeef matinée idol & former Tarzan star Lex Barker (of Reinl's CASTLE OF THE WALKING DEAD) returns as Karl May's "Old Shatterhand", a white man trained in the ways of the Native American Indian tribes who roams the west with the "noble Apache chief" Winnetou, played by European genre film favorite Pierre Brice (Ferroni's MILL OF THE STONE WOMEN) as the two work tirelessly to bring peace between the white man & the Natives upon who's land their settlements are inevitably encroaching.This time around the story is a bit more epic in nature, with Winnetou sacrificing his love for the Apache princess Ribanna (future James Bond femme fatale Karin Dor from YOU ONLY LIVE TWICE) to a young Yankee cavalry officer played by future TRINITY film favorite Terence Hill, in a bid for peace between the two factions. Caught between those forces of good -- yes, the Indians are the good guys here, working with the white man -- is a ruthless oil baron played with scathing efficiency by Anthony Steele, with Klaus Kinski heading his band of cuthroat scumbag unwashed sweaty greasy cowboys, hell bent on inciting war between the Yankees and Apaches for their own personal gain.Quite simply put the cast alone makes this entry in the series a delight, but when coupled with somewhat higher production standards and coupled again with Martin Böttcher iconic, popular music score (which was a top 40 hit for years in Germany) the film attains a kind of sweeping, lofty "larger than life" quality that ranks it amongst the finest Westerns from the early 1960s regardless of the country of origin. The script is never talky, with not one wasted scene or unnecessary discussion, and a decidedly more humanist touch than the treasure hunting escapades from SILVER LAKE.One of the most fascinating aspects of these films are the Yugoslavian locales used for the filming, which have a unique flavor that sets them apart from both the Italian Spaghetti Westerns filmed in Spain and the more familiar American made productions with their Monument Valley landscapes. And the attention to detail this time out is much more effective, with the Yugoslavian extras playing the Apache tribes coming off as a people rather than just a supporting choir decked out in leatherskins.That's another aspect that makes these Karl May Westerns somewhat remarkable: They were certainly more advanced and sympathetic in how they depicted the Native Americans than even our own domestic productions of the time ("F TROOP", anyone?) where the Natives are either depicted as pop-up targets for the action sequences or comic relief drunks. You get a real feel for them as a dignified population who are forced to embrace the arrival of the white man with a sense of chagrin, and this story's focus revolves around efforts to undue whatever goodwill might exist between the two civilizations.They key to the equation is of course Barker's Shatterhand and Brice's Winnetou, each having earned the respect time and again of the otherwise opposing sides. And it's interesting to see the usual cowboy types as the source of the conflict, with the US Cavalry depicted as just going about their job rather than slaughtering the Indians indiscriminately. Try weighing this positive message against the completely negative and one-sided approach used in the dreadful SOLDIER BLUE, which potentially could have told more or less the same story if it's makers had cared about the Natives as anything other but pawns in their social agenda.If the film has any weaknesses it is the usual aspects of Anglo European types aping Native Americans, some of the on screen treatment of the horses used is questionable, and perhaps certain anachronisms like a 48 star American flag shown flapping heroically in the wind. But the dignity and sheer artiness & atmosphere more than compensate: A special film that deserves some kind of re-release, just as good now as it was in 1964, with nary a mean spirited bone in it's larger than life body. Remarkable, really.8/10

This one is regarded as one of the best "Karl-May-Movies" and is my personal favorite too. Lex Barker and Pierre Brice as the famous friends Winnetou and Old Shatterhand - as dignified as always. Supported by young Terence Hill in an early important part and the best cast ever seen in a May-Movie: Klaus Kinski, Anthony Steel, Karin Dor and the gorgeous yugoslavian actors Mirko Boman and Gojko Mitic. There is an emotional and thrilling story about Winnetou and his love Ribanna. Director Reinl - husband of Ribanna-performer Karin Dor - did an excellent job: There are great shootings of the landscape and the romantic May-feeling is stronger than ever before or after this little masterpiece.

This is an epic western-adventure-movie. It is highly entertaining and has in fact the potential of being a lot better than it is. Dances with Wolves reminds me a lot of this movie. And with a better script and stronger directing Winnetou II could have been a timeless piece of art like the Costner movie. The yugoslavian landscape seems a bit out of place sometimes, but the movie has a lot of the "Karl May - feeling".