Birdman of Alcatraz (1962)

Must See Movie...

Good movie but grossly overrated

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

The Director is Well Known for his Social Commentary in Films and is at His Best when Exercising such Personal "Crusades". This is one of His most Popular Movies (but nowhere near his best). Mainly because it is a Reclamation of Redemption Perching Itself on top the Moral High Ground of Rehabilitation versus Capital Punishment.It takes a Goodly Amount of Liberties on the Real Life Robert Stroud, but the Movie is Nothing if not Inspirational. Not much really Happens Outside the Transformation of Killer to a Kinder Gentler Soul except His On-Going Sparring with the Toe-the-Line Warden. The Power of the Movie is how a Third Grade Dropout, with Nothing but Sheer Dedication, could become a World Renowned Ornithology Expert and Bestselling Author.In the Final Act it does have an Attempted Prison Break from Alcatraz, with The Birdman Watching from His Elevated Cage most of the Time. But this seems Tacked On and is of Little Consequence.After being Denied His Feathered Friends at Alcatraz the Prisoner turns His Attention to the History of the Cruel Prison System and even Writes a Book on the Subject that is Confiscated and Suppressed, but not Before Stroud makes a Compelling Speech about it to His Long Time Warden Nemesis, Played by Karl Malden. This again seems to be an Afterthought and not much is made of it.Overall it is a Thoroughly Likable Film, unlike the Real Life Birdman of Alcatraz. From all Reports He was not only a Double Murderer but a Wholly Unlikeable Person.

Thought-provoking studio of a prisoner , Robert Stroud , who during many years in prison became a world-renowned bird authority . At one point, the real Robert Stroud had over 400 birds in his cell . Burt Lancaster plays Stroud , in one of his best acting as the convict murderer and according to the biography of Robert Stroud , he killed the prison guard because he was denied a visit from his brother, not his mother as portrayed in the film. However , Robert Stroud really should be known as the "Birdman of Leavenworth," since it was there that he kept his birds and did his research , he was not actually allowed any birds during his time at Alcatraz. Due to this popular movie, the real Robert Stroud became one of the most famous inmates of the federal prison at Alcatraz, second only to mob boss 'Al Capone . The real Stroud was an extremely difficult and demented inmate who, though highly intelligent, was a vicious killer and a psychopath , spending 53 years in prison. Robert Stroud died the day before the assassination of President John F. Kennedy; therefore news of his death was not well publicized. This is a pensive examen of an inmate and contains emotion , imaginative sidelights , interesting dialog ; though overlong and sometimes static . Very good acting by Burt Lancaster as a surly convicted murderer held in permanent isolation who redeems himself when he becomes a renowned bird expert .Well produced by the same Lancaster and United Artists . In fact , Burt Lancaster was forced by United Artists to make four films for $150,000 a picture in the 1960s: The young savages , The Alcatraz Birdman , The train and The Hallelujah trail rather than his normal fee of $750,000, because of cost overruns at his production company, Hecht-Hill-Lancaster, for which he was personally responsible . Extraordinary support cast gives magnificent performance such as Karl Malden as Harvey Shoemaker , Thelma Ritter as Elizabeth Stroud , Neville Brand as Bull Ransom , Telly Savalas as Feto Gomez , Edmond O'Brien as Thomas Gaddis , Hugh Marlowe as Albert Comstock , Whit Bissell as Dr. Ellis and Betty Field as Robert Stroud's wife and business partner, whom he married while in jail, she was actually called Della Mae Jones . Atmospheric cinematography by Burnet Guffey , one of the main cameraman of Noir Film along with cinematographer John Alton , the latter was fired two weeks into production and replaced by Guffey . Evocative as well as sensitive musical score by Elmer Bernstein . The motion picture was stunningly directed by John Frankenheimer , though Charles Crichton was fired several weeks into production to be replaced . At the beginning Frankenheimer worked for TV and turned to the cinema industry with The Young Stranger (1957) . Disappointed his with first feature film experience he came back to his successful television career directing a total of 152 live television shows in the 50s . He took another opportunity to change to the big screen , collaborating with Burt Lancaster in The Young Savages (1961) and Birdman of Alcatraz (62) ending up becoming a successful director well-known by his skills with actors and expressing on movies his views on important social deeds and philosophical events and film-making some classics as ¨The Manchurian candidate¨, ¨Seven days of May¨ and ¨The Train¨ and , in addition , ¨Grand Prix¨ also with great car races . Later on , he went on directing nice films such as ¨I Walk the line¨, ¨The gypsy moths¨, ¨Black Sunday¨ ,¨French Connection 2¨, ¨Ronin¨, among others . Rating : Better than average and well worth seeing . The flick will appeal to Burt Lancaster fans .

I would have bet some poetic license was taken with this depiction of Robert Stroud, the Birdman of Alcatraz, and a host of other reviewers state that case pretty well. What I kept wondering as the film progressed was how he came to be known by his nickname since all of his bird study took place at the federal penitentiary in Leavenworth, Kansas. I guess it doesn't matter much as Alcatraz sounds a lot catchier than Leavenworth.Well Burt Lancaster was given a large one man job here and he pulled it off pretty well. His presence dominates most of the picture and even when he's not on screen you can feel it. It seems to me that Lancaster had to have a certain kind of patience to film a host of scenes that required all manner of birds to behave in just the right way. A 'making of' film about this movie would probably be as interesting as the picture itself.Oddly, there were two different scenes that didn't involve birds that captured my interest the most. The first was when guard Bull Ransom (Neville Brand) challenged Stroud for not treating him like a human being, not even talking to him. In a strange way the dynamic of the picture turned the usual treatment of prisoners of the era on it's head. Then, towards the end of the film, Stroud basically uses the same tactic to let Warden Shoemaker (Karl Malden) know that his approach to inmates robs them of their individuality by treating them all the same way. I thought that was a clever observation for director Frankenheimer to make.So as a stand alone movie, this one rates pretty highly with me. In fact, when I finished watching, I immediately checked the awards competition for 1962 to see what edged this story out for the major Academy nominations. Not that I saw it as a contender for Best Picture, but between Lancaster, Savalas, and Ritter, I thought one of them might have pulled it off for their respective category. I guess it's fair enough that each was nominated; they all did an outstanding job. Savalas in particular had that crazed menace thing going for him making you wonder if he was going to flip out at any minute.Best quote of the movie and strangely apropos for it's subject matter occurs when Stroud goes on a drunken binge in his cell and releases all the birds to show his displeasure - "Fly my avian friends. I give you the illusion of freedom."

A surly convicted murderer (Burt Lancaster) held in permanent isolation seemingly redeems himself when he becomes a renowned bird expert.I added the word "seemingly" to IMDb's plot summary because I think whether or not he redeems himself is a matter of opinion. In fact, it is something worth discussing -- does he redeem himself? Does he rehabilitate himself? I think it unclear; while he surely finds a passion for something and achieves a level of respect, does this justify his crimes? I would also like to single out Karl Malden. Malden is not as well-known as Burt Lancaster (and even Lancaster is not as well known today). Malden showed a great range of emotion here and I think the transformation of the warden is every bit as remarkable as Stroud's growth. And Malden's career is quite impressive... people should make more of an effort to see his work.