Golden Swallow (1968)

Sorry, this movie sucks

Although it has its amusing moments, in eneral the plot does not convince.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Worth seeing just to witness how winsome it is.

Having just watched Jimmy Yu Wang in One-Armed Boxer, and enjoying it, I figured this would be just as good. Boy, was I wrong. Jimmy Yu Wang is wooden in his depiction of Silver Roc Xiao Pang/Hsiao Peng. He doesn't have the charisma here that he exuded in One-Armed Boxer. He seems more like a man in serious need of Lamictal.His obsession with Golden Swallow (Cheng Pei-Pei), is so intense he frames her for murders by leaving her Darts at every scene. He wants to draw her out. Setting her up for them murders of many villains was his only option? A letter would have done a better job. And, she wouldn't be dealing with nutjobs coming out of the woodwork to exact revenge for things Silver Roc did.I felt so bad for Golden Whip Han Tao (Lieh Lo). He saved Golden Swallow from from certain death. He nursed her back to life. He even sparred with her to keep her Kung Fu levels above par. And, she spends 3 years (Yup, Han Tao spent 3 years at her side) pining over the unrequited love of Silver Roc. Han Tao puts up with it because he too is in love with her.Silver Roc, when not setting Golden Swallow up, spends most of his time at a brothel with Mei Niang (Chiu Sam-Yin). He uses her as, a substitute for Golden Swallow. You know the saying, if you cant be with the one you love, love the one you're with - however, Silver Roc makes it quite clear he has no feelings for Mei. He'd rather wax nostalgic over Golden Swallow, kill any baddie that crosses his path and of course, set Golden Swallow up for his crimes. Yeah, talk about toxic love.Han Tao follows Golden Swallow in her search for Silver Roc. She needs to decide which one she loves more. It's quite clear from the moment she realizes Silver Roc is her old school chum, that her heart belongs to him. She constantly reminds Han Tao he's been friend-zoned.The men finally meet and prepare to duel. Silver Roc's attempts to act all cool and nonchalant come off more annoying than impressive. His attitude is not believable, in my honest opinion. He spends most of the time looking like he'll collapse from a lack of sleep.The best parts of this film are the brief, and a I do mean brief, appearances of other well known Shaw Brothers Actors. Lau Kar Leung and brother Wing are baddies who are bumped off by Silver Fox. Ku Feng is a father who's son is accused of stealing a goose because the accuser wants Ku Feng's house to add to his property. Sadly, the boy kills himself to prove his innocence and Ku Feng is murdered by the accusers cronies.If you blink, you'll miss Wang Kuang-Yu as Lin Qian and Cliff Lok as Fang Ying, who are both killed off by Golden Swallow in a fight at a restaurant. The best moment is seeing David Chiang Da Wei as an eavesdropping brothel clerk. Now, there's someone who could have breathed the missing life into Silver Roc. David Chiang Da Wei would have given Silver Roc his signature over confident smirk and it would have made this movie pop. Silver Roc and Han Tao's duel is merely a precursor to more unrequited love confessions between Silver Roc and Golden Swallow. Han Tao misinterprets Silver Roc's leap toward him and stabs Silver Roc mid-air. Silver Roc was actually aiming for Poison Dragon Wang Xiong (Yeung Chi-Hing). Xiong was sneaking up on Golden Swallow and Silver Roc wanted to protect her.The dying Silver Roc demands Han Tao take Golden Swallow home, so she can't watch Silver Roc die. But, it's okay for Mei to hang around for the final curtain. Silver Roc hangs on to kill off a few more baddies before doing his version of James Cagney's "Made it Ma. Top of the World" from White Heat.Golden Swallow and Mei bury Silver Roc between Golden Swallow's and Han Tao's homes. Yeah, that wouldn't be an issue for any man. Han Tao packs up and announces he's leaving - a good choice. He assures Golden Swallow they'll never meet again - also a good choice.This is not a good Jimmy Yu Wang movie. It is, a great fight film. If you like checking out Shaw Brothers' actor in their younger days, this is one to watch. Otherwise, skip it.

Kung-fu at its innovative best and one of the finest the genre has to offer. The Shaw Brothers produced "Golden Swallow" mixes a melancholy romance with violent martial arts caught by its handsomely earthy direction and inventively novel camera placement during the excitingly expansive set-pieces. The dazzling imagery in some sequences is marvellously projected, like the vigorous fighting craftsmanship in the woods and the vivid colour plateau accompanying it. The arresting sword fights are quick, ruthless and meticulous without a drop of sweat being spilt… however blood is plentiful in its many awesome showdowns! The story's groundwork is quite simple, but well-told with its ominous edge and suitably paced… even though I did find some of the editing in between sequences to be rather jumpy. The score is kinetic, but elegantly impulsive. There are illustratively able performances from the likes of Pei-pei Cheng (who provides one strong character), Yu Wang, Lieh Lo, Hsin Yen Chao and Chia-Liang Liu. Wang is quite memorable as the unstoppably cold-blooded warrior Silver Roc that really has a bone to pick, while in the quest to find his true love.

Released in the Philippines with the title: The Golden Swallow,the film follows a well worn formula in Chinese swordplay movies. The character of Jimmy Wang Yu has a formidable secret fighting method called the Dragon's Flight or whatnot. He executes it with a high flying leap and slashes too quick for the eye to follow. Unfortunately, his arch-enemy has devised a formula counter-attack called The Dragon's Convulsion.Always in immaculate white with a gleaming silver sword (he is Silver Roc, after all), the reed thin and handsome Wang Yu is at his prime in this movie. He pines for his lost love, a female swordfighter called Golden Swallow. The last scenes where a seriously wounded Wang Yu fights to the last is one of the best choreographed swordplay scenes ever.

THE GIRL WITH THE THUNDERBOLT KICK (aka GOLDEN SWALLOW, 1968) is a Shaw Bros. costume swordplay drama notable for co-starring the studio's top male action star, Jimmy Wang Yu, with the studio's then-reigning swashbuckling diva Cheng Pei Pei (THE THUNDERING SWORD). Wang Yu plays the notorious killer Silver Roc and Cheng plays his childhood sweetheart Golden Swallow, whom he hasn't seen in years (a reprise of a character the same actress played in King Hu's COME DRINK WITH ME, 1966). Golden Swallow follows Roc's trail of blood and is accompanied by Golden Whip Hand (Lo Lieh), who is in love with her but helps her track down Silver Roc. Midway through the film they all meet, but Silver Roc quickly challenges Whip Hand to a duel after the latter condemns Roc for an earlier instance of cold-blooded killing. That's pretty much the whole plot and it takes a long time getting to the final duel. This film has its fans but it doesn't hold up as well as such other Wang Yu vehicles of the 1960s as ONE-ARMED SWORDSMAN, RETURN OF THE ONE-ARMED SWORDSMAN, and THE ASSASSIN. There are plenty of swordfights here, but they're fairly stylized, with lots of leaping around, twirling of swords, soft blows, and unconvincing fighting skills. Cheng Pei Pei has great screen presence, but she's more of a dancer than a fighter. There's an undertone of unrequited love that's rather poignant at times. Following this film Wang Yu turned to a harder-edged brand of martial arts film with THE CHINESE BOXER (1970), generally considered the first pure kung fu film.The video transfer available in this country has Cantonese dialogue dubbed over the original Mandarin soundtrack, which remains slightly audible. The transfer is full-screen, cutting off the widescreen subtitles on the sides, making some of the dialogue difficult to decipher. The Cantonese sound mix includes music cues lifted from John Barry's soundtrack for the James Bond film YOU ONLY LIVE TWICE and awkwardly plastered in over the very lovely original music track.