Olive Kitteridge (2014)

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

It's entirely possible that sending the audience out feeling lousy was intentional

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

This film is so real. It treats its characters with so much care and sensitivity.

You could watch this series along with "Terms Of Endearment" and get a really good dose of dysfunctional family dynamics. And learn something about growing old. And that we're not all that different. You can learn a lot from tough ol' broads. Or you can resent them. The one thing we know is, they will outlive their supposed time on Earth.The titular character is played pitch perfect by Frances McDormand. Already an old soul when we first seen her in the Coen Brothers movies, she is the epitome of hard as rock stubborn New Englander. Educated by life experiences, her harsh reality is that tragedy has shaped her into a flawed diamond. Indestructible in her set ways, she lives with regret and unknowing to her (but every clear to us) projects her resentment towards the people who actually love her. Unfortunately, in her path is her kind hearted husband Henry Kitteridge (Richard Jenkins), in a stunningly sympathetic and patient man who reaches out to help lost young girls, but does so with the distancing manner of a father. There appears a sexual predator is a foot, but that isn't Henry's nature. He is the town pharmacist who we can see may have had bigger dreams in life, but is content to fulfill his duties to the community. He's seen first as a step rug, then a sounding board, but finally…a man. All the parts of which make up a marriage in a small town community dynamic. We could've/would've/should've is pushed so far into the backburner as to cause conflict. And the developments of our youth are shaped by the overwhelming need of parents to control. You will reap what you sow. There wasn't a false moment in this mini-series. It's often painful, a lot of humor, bittersweet moments, tragedy and a lot of moments as I watched the outcome of their history turn to foreshadowed misery that I mutter "Damn…that sucks that happened." Not out of pity, but that it is a universal storyline that we all get sickened by.There are a lot of moments of grimness. In particular, the ease of resolution and mental issues. Even as late as my own generation, mental illness was seen as an embarrassment. People were considered spazzes if they were hyperactive. Or if their parent had drug addiction or drinking problems, they'd be ignored. The kids tend to shrug that off. That's the issue though. Cause life will give us obstacles in the form of relatives or spawn. We are owed nothing, but seem to carry on this notion we're suppose to be living someone else's life. We suppress our needs, if we genuinely care about people. Lost are the times when we hold back, now is the time when people often give up too soon. Is Olive's decision to power through life unhappy the right course for you? Probably not. But it's something to be admired. This mini-series is amazing.

Frances McDormand is Olive Kitteridge, a hard-core no-nonsense New Englander dealing with a case of inner turmoil manifesting in bouts of indigestion and an impolite, abrupt attitude. Not a sweet woman, and not unlike some sour school teachers I knew in New Hampshire. The supporting cast is fantastic. Richard Jenkins as Olive's husband Henry Kitteridge is spot on. John Gallagher Jr. as their son portrays a young man's dynamic struggle to accept his parents and their ways. Cory Michael Smith's portrayal of the older Kevin Coulson is amazing, and it is hoped we see more of him in future roles. Some of the bit parts are charming. Ann Dowd as the Kitteridge's friend Bonnie Newton shines as what one might think a genuine Downeasterner. Martha Wainwright appears repeatedly as Angela O'Meara, a pianist and singer all dolled up and performing in the restaurant piano bars, lending some levity to the darkness. There are a large number of great actors and actresses giving excellent performances, which provide this drama with a vastness going beyond the usual character development. It is not a cute romantic comedy or anything like that, so if you're looking for something lighter Meg Ryan and Tom Hanks starred in some very nice films. This is not like any of that, it's a truly remarkable work of art.

I sat through all four episodes last night, drawn in by the two leads - McDormand and Jenkins are of course worth watching in anything. All the performances in the piece are excellent,in fact, beautiful casting across the board. I haven't read the book (nor do I plan to), but the biggest hurdle for me to come to terms with in the story is why such an exquisitely compassionate man like Henry would fall for and marry Olive in the first place.He's not actually portrayed as a masochist, so that couldn't have been his underlying and perhaps subconscious reason for teaming up with this repugnant and relentlessly horrific sociopath; maybe when they were younger he saw something in her that appealed to his compassionate nature, who knows. I just had a problem accepting it. And it wasn't like she was mean and unappreciative just to him (as some spouses are, or come to be - they treat everyone outside the relationship relatively decent and save their ugly side for the one closest to them, because that's the only person who would put up with it). Nope, she was an equal-opportunity abuser who caused serious pain - or at the very least, horrendously negative vibes - to everyone in her path, including her son Chris, who finally told her to take a hike after relaying how miserable and utterly worthless she had made him feel his entire life.I had very little sympathy for this worm of a woman, even though I understood that she was apparently 'clinically depressed' and she was shown with glimpses of humanity, cracks in the stoic facade. On some level she did care about others, like when she helped save someone from drowning. And toward the end, her interactions with Bill Murray's nearly-equally-bitter character were at least bordering on something human, so perhaps there was hope for her - again, who knows.It was sort of superficial, the teleplay, in that it never delved into why she was like that and of course why Henry chose to marry her. They just laid it out for us with a take-it-or-leave it attitude, and at the end, I was relieved that it was over. There was one really good black-humored line: ~-~ SPOILER ALERT ~-~ It came toward the end, when Olive grunts to Bill Murray's character, 'I'm just waiting for the dog to die so I can shoot myself.'

I've just read some of the negative reviews about Olive Ketteridge. I thought it was obvious what we were getting into in the first 30 minutes of this brilliant mini series. Yes it's a bit downbeat. But Olive Ketteridge is about real people and real situations, and let's face it it reflects certain areas of real life. I think we've all known characters like the ones portrayed in Olive Ketteridge. All the performances are spot on. Plus there are many areas of Olive Ketteridge that made this viewer smile. So I don't see the negativity. Maybe the negative reviews come from people who wanted to see a Deloris Claybourne or a True Detctive. Olive Ketteridge is about love, loss and what ifs, and that's about it.. But it's told so well that one almost forgets that the story's so simple.