Butterfly and Sword (1993)

Strong and Moving!

As Good As It Gets

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

A typically over the top, highly kinetic wuxia epic from Hong Kong. This one offers a middling budget and an all-star cast, although it's worth noting that story-wise it's much better when detailing larger-than-life characters than it is bringing to life the complexities of a muddled political script. In essence what you get are a number of main characters interacting and occasionally doing battle with some rival factions who have murder in mind.Part of the film is an ultra-cheesy romance between Tony Leung and Joey Wang, which is quite fun with a lot of flying around in the woods and sweet moments. It's surprisingly old fashioned but genre fans will be more interested in the high energy action scenes, of which there are plenty. These possess extremely choppy choreography - so much so that it's hard to see what's going on at times - but make up for it by being inventively violent, with opponents literally exploding in two when struck by power sword strikes.A lot of fun comes from seeing Michelle Yeoh as a striking femme fatale although she's slightly underutilised here which is no surprise given the amount of characters in the movie. Donnie Yen is also in the film but used even less although I was pleased to see that his character is a typical hard man even at this early stage of his career. Although the budget isn't high, the trappings of the wuxia genre - outlandish costumes, outdoor scenery, effective sets - are handled adroitly. Animal lovers should be aware of the real-life killing of a deer which may be unpalatable for some.

Who cares about the plot when it only gets in the way of the action? The editing makes for some headscratching and eyerolling moments, but I think I understood the basic power trip thing in the end. Any excuse for a tear up. Graaaaaaaaaaar! I love this movie for the gratuitous gore, insane high speed swordplay, and wobbly wirework. This is my idea of fun fu. It reminds me of the madder Ghost Story type movies from the early eighties that sacrificed plot for pure adrenaline. I was half expecting the fake eunuch to drop some fancy prehensile eyebrow moves on Michelle and Tony at the end, but the scissorhand thing was a fine substitute. Maybe I'm just unsophisticated, but movies like this strike me as pure action comedies. Seeing Donnie Yen wiggling his sword at the speed of light in between bouts of lovesick drunkenness is worth the price of admission. The human arrow sequences are a riot, especially the first one where Tony Leung goes through at least a dozen flunkies without blinking. And without getting any blood and guts on his clothes. Neat! Watch this movie if you like bloody high speed entertainment. Don't waste your time or money if you want a philosophical history lesson.

this film is truly incredible, please people, comment on it. I think it is one of the best martial arts films I have ever seen. However, it is very cult and i could not imagine most mainstream audiences enjoying this film. If you are not a philistine, then you will probably appreciate the very high quality of this film. i would give this film 10/10 because it is not only an excellent kung fu movie, but the cinematography is also jaw droppingly good. I must warn people that the Michelle Yeoh death scene is cut off in most DVD copies of this film, so it goes from her standing there, to butterfly and sword sitting in the back of a cart weeping... how bizarre.Kick ass film though!

I am sorry, I just can't get over the title of this movie. Apparently "Butterfly" is the name of a character, Joey Wang, but who is "Sword"? Why call someone "Sword"? I just don't get it. In all fairness to the movie, I've only watched it once and quite possibly wasn't paying enough attention.On to the reviewing. I didn't really care for this film, for a few reasons. First, NOT ENOUGH MICHELLE YEOH. What scenes she had were incredible, but there just weren't enough of them. Second, ditto Donnie Yen. He's unbelievable, but only when the filmmakers let him do something. There is a bit of a love story, where he loves Michelle and she loves the guy I thought was her brother but wasn't. Tony Leung Chiu Wai (isn't there another guy with the same name?) and Joey Wang were the only people that loved each other. They didn't go around pining after everyone else. Confused? That's a minor problem with this, but who cares about the story when people are flying through the air, decapitating evil kung fu masters using only a volleyball? (Shaolin Volleyball, anyone?)This film is essentially a bunch of fight scenes strung together. Most films in this genre are, and the fights in this one are way better than average. I don't suppose it's a film you'd want to make your children watch, as blood does gush liberally throughout most of the movie. Oh, and let's not forget the bad guy who continues to fight AFTER HIS HEAD HAS BEEN RIPPED OFF--now that's determination. You begin to get exasperated, wondering what it will take to just kill the man. Or at least hurt him. (I get the same exasperated feeling when video games hit you with constantly respawning bad guys. How are you supposed to win when your opponents refuse to expire?!?) I don't mind headless villains and blood gushing, especially when it's this attractive. Gore isn't usually eye candy, but Hong Kong just has a knack for this kind of thing. Donnie Yen does some great sword fighting with only one arm, but then he does great fighting all the time. (See "Dragon Inn" if you don't believe me.) I also happen to think that he's handsome, so maybe I'm prejudiced.Highlight of the movie--Michelle Yeoh's entrance. I am a huge fan of hers, and it's nice to see her get such lavish treatment. She is carried in in one of those carts they use in Asia; I forget what they're called. Palonquins? At any rate, purple ribbons (seriously) fly through the air and attach to trees, leaving the cart suspended. Michelle Yeoh then flies out in a shower of gold glitter. (I guess they borrowed the gold glitter from Mothra, courtesy of Toho. They're big on gold glitter, for some reason.) Anyway, it's visually dazzling, and it also helps to soften the blow when you realize that her character is a huge jerk. I hated her so much it wasn't funny. I was beginning to feel sorry for Joey Wang, and that's saying something. She bothers me, usually, but she was okay in this movie. Her character was a little bit odd, with a habit of talking to a doll when no one else was around, but nevertheless. She wasn't as rotten as Michelle Yeoh's character. Here's an example of Michelle's character's rudeness. (Forgive me for using real names--it's very difficult for me to remember characters' names, for some reason.) Joey is "engaged" to Michelle's brother-figure Tony. When Joey learns she's pregnant, she makes some sort of dessert and rushes off to inform Michelle, and even give her something to eat. Not only does Michelle slam the food, she also asks if the baby is Tony's. That's just insulting. It seems that Michelle can destroy all sorts of tangible foes, but the green-eyed monster is beyond her capabilities. She surrenders completely to it. Not an admirable quality.Isn't that Michelle singing the end credits song? I'm almost positive it is. She should have done a duet with Donnie Yen, if he is musically inclined. They'd make a formidable couple. The Iron Monkey and Supercop.