Tarzan Finds a Son! (1939)

That was an excellent one.

This story has more twists and turns than a second-rate soap opera.

The film never slows down or bores, plunging from one harrowing sequence to the next.

By the time the dramatic fireworks start popping off, each one feels earned.

Mysterious air currents and mechanical failures cause a private plane to crash in Africa, with only a baby boy surviving. Tarzan's chimp "Cheeta" swings by and tosses the blanketed lad to jungle king Johnny Weissmuller (as Tarzan), who has arrived to investigate. Mr. Weissmuller brings the baby home to pretty Maureen O'Sullivan (as Jane). They adopt the baby by declaration and decide to call him "Boy" (an unimaginative name, but it fits). The baby quickly grows into cute preteen Johnny Sheffield. As young Sheffield learns the ropes from Weissmuller, an expedition of his surviving family members is investigating. Naturally, they will want to take the Lancing baby away from Tarzan and Jane...Much has been made of the fact that "Tarzan Finds a Son!" has the jungle couple's son arriving by plane crash, instead of vaginally. This is due to moral guidelines set by the Hays production code being more rigorously enforced in 1934. This raises some questions, however. It has been generally accepted that Weissmuller's "Tarzan" and O'Sullivan's "Jane" never marry, and that they adopt "Boy" in this film. However, the script of this film suggests a legal marriage has taken place off-screen. Their on-screen "adoption ceremony" appears to be on much shakier ground. More obviously, plot potential favored Sheffield's arrival by plane. This entry's highlight is sparkling underwater photography.****** Tarzan Finds a Son! (6/16/39) Richard Thorpe ~ Johnny Weissmuller, Maureen O'Sullivan, Johnny Sheffield, Ian Hunter

I first seen Tarzan Finds a Son when I was quite young and have seen it several times since. It is one of the best Johnny Weissmuller Tarzan movies.An aeroplane crashes in the jungle and the only surviver seems to be a baby boy. The rest of the party look like they were taken away by headhunters, including his parents. Tarzan brings the baby to his tree house and shows it to Jane and they call it simply "Boy" and raise him as their own. The movie then goes on a few years and we see Boy swinging through the trees and swimming. A search party then comes looking for the plane and then discover Boy is the young couple's son. Jane reluctantly agrees to give him to his relations but they get kidnapped by headhunters but Boy runs to get Tarzan who brings with him a heard of elephants and the headhunters' village is trampled by these. Jane recovers from a wound after a spear went into her and everyone is OK at the end and Boy stays with Tarzan and Jane.As well as Johnny Weissmuller as Tarzan and Maureen O'Sullivan as Jane, the cast also features Johnny Sheffeld in his first role as Boy, British actor Ian Hunter and Henry Stephenson.Watching Tarzan Finds a Son is a great way to spend an hour and 20 minutes one afternoon. Excellent.Rating: 4 stars out of 5.

My second Tarzan double-feature slot and the cracks are beginning to show! That said, TARZAN ESCAPES (1936; ***) is much better than online reviews would have you believe: true, there is ample stock footage on display here but it also boasts a strong plot line and cast (featuring Benita Hume, future wife of Ronald Colman and later George Sanders, as well as MGM staple Herbert Mundin and James Whale favorite E.E. Clive, not to mention the villainous John Buckler who comes to a particularly sticky end in this one) to even things out. By now, Weissmuller and O' Sullivan have grown considerably in their respective parts but the influence of the Hays' Office (established while the film was in production, resulting in extensive re-shoots before it could be classified for exhibition!) is also very much in evidence: Tarzan and Jane's behavior (to say nothing of the latter's 'wardrobe') is rather chaste this time around, and even the violence is there mainly by virtue of recycled scenes from the two previous entries in the series!!TARZAN FINDS A SON! (1939; **1/2), though certainly briskly-paced and fairly enjoyable in itself, is where things really start to degenerate and a sense of deja'-vu hangs over the proceedings like a cloud; not that this factor is an isolated case in franchises of this period – consider, for instance, the noticeable leap in quality from the ornate SON OF FRANKENSTEIN (1939) to a strictly programmer-level THE GHOST OF FRANKENSTEIN (1942)… To make matters worse (though, I guess, this can be pinned down to personal opinion), we have here the addition of another jungle 'initiate' in the figure of Boy who emulates Tarzan in his every move, down to that grating yodel! Besides, his getting into endless predictable scrapes throughout, forcing Tarzan's nick-of-time intervention and queuing in further stock footage from the earlier films (now looking pretty rough-hewn alongside the lavish budgets MGM could afford by the end of the decade!), does the picture no favors at all in the story department!! Logic, too, is casually thrown out the window: the film opens with a plane crash-landing (i.e. before reaching its intended destination), yet when a search party is set in motion (5 years after the fact, conveniently allowing Boy to grow up and become attached to the Tarzans!), its members (invariably harboring an agenda of their own) go directly to the supposedly forbidden/secret part of the jungle where the Lord Of The Apes has set up residence…sheesh!! Once again, the familiar cast-list adds to the fun, though it has to be said that Ian Hunter (usually playing the reliable type) makes for an unconvincing villain in this one.

Tarzan and Jane adopt a baby boy, the sole survivor of a plane crash. The boy's parents perished and so Tarzan and Jane adopt the little tyke. A few years later and he's a boy grown into the guise of Tarzan...complete with Tarzan's abilities to swing vines and talk to jungle animals. Only unknown to Tarzan and Jane, this "Boy" they made their son is actually a wealthy heir and his relatives have come to their jungle hideaway searching for him. Now Tarzan and Jane are faced with a most difficult choice..let "Boy" return to civilization and lose him forever or hold on to him themselves and have him remain in the jungle at all costs and despite the many dangers. This one is powerful and moves the viewer through a wide range of emotions as the plight of Tarzan and Jane over Boy really puts one through the wringer. Suitable for family viewing for the most part although a scene or two may disturb more impressionable kids.