Monkey King: Hero Is Back (2015)

I don't have all the words right now but this film is a work of art.

Awesome Movie

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

First, I must say I only saw like 10 or 15 minutes of the movie, and it was already enough for me to know that I didn't want to see the rest, and that I should go to IMDb to rate this. Seeing as there were no bad reviews, I wanted to help out other people into not seeing this.Spoiler alert: Starts with monkey king being some kind of god or wannabe god fighting other gods to be accepted into heaven. Does not tell us his motivation for doing so.Even though he wins the fight against 3 other gods, Buddha, which is some kind of super evil god, decides to imprison monkey king under a mountain.Fast forward thousands of years: There's a group of humans going through a narrow path in the mountains. Doesn't tell us why. The path was obviously built by humans. A group of super strong monsters attack the humans. Doesn't tell us why. Also, how did the humans build a path in a monster ridden place? Wouldn't the humans bring warriors to protect them from monsters? When a baby in the group cries, all the monsters forget everything else and go for the baby. Doesn't tell us why. The mother of the baby jumps with the baby out of the mountain path into an abyss. In the next scene there's a baby coming down a river on top of a wooden crate. I think you skipped some important things here: How did the mother falling hundreds or thousands of meters/ miles get to rescue her baby? where did that box come from? At this point I thought: Well, I guess the movie makers are always going to treat the audience as if we're idiots, and I'm no idiot, so bye!

I truly recommend this movie for all! I have long been disappointed of Chinese animated pictures. But now they have got talents, great animators. Great "new thinking" plot on a well exploited story, great characters with real emotions as motivation for character development, great camera-work, great character design, great action and so on! But there is still one thing almost all Chinese animation lack, including this one, and that is good sound effects. The movie feels unintuitive and unnatural at times, because the sound doesn't match what's happening in the screen.In short, see this movie! If you want to see a great Chinese animated picture!

Before you went into a cinema, you may need to know that this film may not satisfy your imagination. Is it funny? Yes, but less funny than Kongfu Panda(Dreamworks). Is it high technology? Yes, but less technological than FINAL FANTASY（Japanese). Is it a moving story? Yes, but less touching than 《UP》(Pixar). Is it a fantasy film? Yes, but less creative than 《Monstors inc.》 （Disney). And why should you pay money to see it? Because it is the best original Chinese animation film you will ever seen. It tells simple story of responsibility and how a middle-aged hero(who has lost his power) outdo himself again. You may not understand some Chinese-background-related concept but you will still be shocked when these catching moment comes.If you ever wanted to be a superhero, the gravity told you "NO" and life itself mock you in your face. This is the right film for you because this glory-lost monkey is you in the past. If you were ever beated down by cruel world, you still fighting on your feet to stand up. This is the right film for you because this awakened monkey is you tomorrow. It's a awosome animation film for the whole fimily. Kids may love it for the cool action characters and a lovely story telling good people defeat bad ones. Adults can enjoy the same thing as their children but some may prefer the true story hiding behind.Someone has said that Chinese cartoon films is 20 years falling behind the Disney、Pixar and Dreamorks. Today the monkey king dramatically narrow this gap down to 10 years over one single night. I am so proud of this monkey and the team who brings its story to the big screen. I'd love to tell every one of my friends how cool this monkey is.If been asked for spinion, I will tell him this: it's not perfect but you should check out this one. "the best animation film of year" may probably belongs to a Disney panda in 2016 but (to me) this year it belongs to a Chinese monkey.

With an almost Pixarian flair that marries perfectly with an Miyazaki-type of emotional twist, "Monkey King, hero is back" is an uproar in a usually quiet Chinese animation market. Cheap tearjerker, well some of those who have had enough of Hollywood stuff might grumble, but it was wrong to juxtapose "Monkey King, hero is back" to other mainstream American animations, at least not in a Chinese scenario. For the adaptation of the classic Chinese Novel "To the West" this film is a bold departure from the old word- by-word translation that nobody really cares anymore. Monkey King, portrayed as an outcast was only able to pick himself up from words of a little monk. In some way, this was significant as it applies powerfully to the real world. What we are afraid of is nothing but figments of our own fears. The movie deals courageously with the theme of lost. Donned with a old cloth, nothing suggests even a remote element of kingness except his occasional up-hands on small monsters. To put it another way, he was a loser, a pariah who has lost faith in himself. There are a couple of close-up scenes which presented an unusually meticulous and delicate approach to the portrayal of Monkey King's mentality. Few words were being said and yet the emotion rocked us powerfully. For me personally, the story of Monkey King has always held a special place in my mind since I was young, which I believe applies to many other people who were born in the twenties century China where American and Japanese popular culture had yet made their strides into the quiet and sometimes monotonous Chinese entertainment market. Since all the way back, there has always been Monkey King and the story of "Journey to the West" where fable-like interplays between pigsy, Monkey King, Liuer (who in the book was called tang sen) serve as lessons to Chinese kids, where moral creeds like respecting the elder and knowing thy place insinuate into people heads and ultimately define us as Chinese. Whereas in the movie "Monkey King: hero is back" the Monkey King was the indisputable protagonist, the novel written in Ming Dynasty China focused more on the interplays between different characters where Monkey King was always portrayed as irrational. This definition would carry on in modern Chinese history till now. There's a sense of powerlessness in the otherwise almighty character. After being locked up under a huge mountain for five hundred years, Monkey King has certainly lost his edge. Worn-out and beaten, his weariness and regret are evermore powerful to Chinese viewers just like American viewers seeing Captain America getting beaten up and driven away. Yet this powerlessness draws us ever closer to the once sacrosanct image. Gone was the Monkey King who were once inscrutable, manically irrational. What appears in front of us instead is an individual swept away in a current he was not longer able to ride on, a person just like us. I could never fail to connect Monkey King with the rest of us, swept away in a social current we had no control of. Beaten up by the mounting expectations and pressures society demand upon us. May not we haven't been locked up under mountains for five hundred years, but we were just as beaten-up and as tired. Then what could we do. Was there a way we could find our younger selves lost during our journey in life?In the movie, the bracelet that kept Monkey King's power was a metaphor of our inner feeling of lost and powerlessness. The bracelet was shattered not by spells or powerful magics. It was shattered rather by a renewed sense of hope and drive, an edge that most of us have only when we were young, when we were carefree and fearless. The climax seems to resonate well with a sometimes cliché but nevertheless true statement: we are never normal and we have nothing to fear. I was almost driven to tears during the movie and I rank it the best Chinese animation I've ever seen in my life. Good news is that it will come to US soon, which I anticipate a great deal of. It makes me proud to be able to introduce to my friends something that is not only Chinese but also sheer pleasure.