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Sands of the Kalahari

Sands of the Kalahari (1965)

November. 24,1965
|
6.7
|
NR
| Adventure Action

A diverse group of individuals struggle to survive in the Kalahari desert after their passenger plane crashes.

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Artivels
1965/11/24

Undescribable Perfection

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Moustroll
1965/11/25

Good movie but grossly overrated

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Chirphymium
1965/11/26

It's entirely possible that sending the audience out feeling lousy was intentional

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Fairaher
1965/11/27

The film makes a home in your brain and the only cure is to see it again.

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tieman64
1965/11/28

Directed by Cy Endfield, a director renowned for his somewhat unconventional epics, "Sands of the Kalahari" watches as a small aircraft crashes in the deserts of Namibia. The aircraft's occupants struggle to survive.Though intermittently interesting, "Kalahari" is mostly dull and dated. The film's "Lord of the Flies" styled plot watches as some crash survivors feud and develop factions. Others reveal themselves to be "naturally suited" to leadership, killing and survival. The film climaxes with our cast being rescued. One survivor, played by Stuart Whitman, remains behind. Here he lords over a tribe of baboons, adjudicated their King by the very law of the jungle the rest of Endfield's cast desperately flee. The photogenic Susanna York co-stars.6/10 – Worth one viewing. See "The King of Pigs".

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Spikeopath
1965/11/29

Sands of the Kalahari is directed by Cy Endfield who also adapts the screenplay from the novel of the same name written by William Mulvihill. It stars Stuart Whitman, Stanley Baker, Susannah York, Harry Andrews, Theodore Bikel and Nigel Davenport. Music is by John Dankworth and cinematography by Erwin Hillier.A raw survivalist thriller that finds a disparate group of people crash land in the deserts of Africa and promptly start to come apart as a group. Cue arguments, attempted rape, killings, animal slaughter, alpha male posturing and Adam and Eve complexes. The allegory is obvious but handled with skill by Endfield, and it all builds with great intensity towards a truly bleak, yet delightfully ambiguous finale. There's some over acting going on and the dialogue can stretch credibility at times, but yes this is a worthy entry in the survivalist hall of fame. 7/10

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mark.waltz
1965/11/30

And the donkey, the antelope, the zebra, not to mention the scorpion. It's all the locust's fault for getting in the way of the plane that leaves a group of people stranded in the African wilderness. Typically, the men go wild, killing more of God's creatures than they can either eat or wear. While that aspect of the story makes you angry, it also makes you think. Unfortunately, the promise of an entertaining message film quickly turns into a predictable rip-off of "And Then There Were None" where members of the group start to disappear as two of the men begin to fight predictably over the only woman. Colorful photography cannot overcome the tedious and unlikable characters. Some funny moments, particularly the cute donkey, but continuous animal cruelty gets to be too much. As "Planet of the Baboons", the over-all effect of the film is quite a let-down.

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Chase_Witherspoon
1965/12/01

Running virtually parallel with "Flight of the Phoenix", "Sands of the Kalahari" rates ahead by a propeller in my opinion thanks mainly to the superb ensemble cast ably led by Stuart Whitman and Stanley Baker. The plot is uncomplicated concerning the survivors of a plane crash deep in the isolated Kalahari who must survive the ravages of the desert, its occupants, and themselves.Davenport is a particularly nasty thug, the ubiquitous 'Mr Negativity' of a crisis situation, York desperately trying to deflect unwanted attentions, and Bikel offers the calming influence as the man who might be capable of engineering an improbable escape. Not too sure whether it's Whitman or Baker's picture per se, nevertheless, neither seems overshadowed despite Baker's producer credit and regular helmsman Cy Raker Endfield in the director's seat.Searing heat and parched throats translates to the viewer, it's often tense despite the two hour run-time, and Endfield builds modest suspense out of limited material. Worth a look if you're intrigued by the "stranded" stories watching various personalities disintegrate, or galvanise, under survival stress.

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