Moontide (1942)

Good concept, poorly executed.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Moontide is directed by Archie Mayo and adapted to screenplay by John O'Hara from the novel written by Willard Robertson. Its stars Jean Gabin, Ida Lupino, Thomas Mitchell and Claude Rains. Music is by David Buttolph and Cyril J. Mockridge, with cinematography by Charles G. Clarke.Sometimes weird, sometimes wonderful, but also wasteful, Moontide is a choppy experience. Hindered by production code strong arming and Fritz Lang and Lucien Ballard leaving the initial production, there's an over whelming feeling of what might have been. Story finds Gabin as Bobo, a salty sailor type living and working at the quayside, he likes a drink and after one particularly boozy night he wakes to think he may have killed somebody. Inconvenient since a troubled lady he helped has started to impact greatly on his life.Pilot Fish Pondering.Story is absorbing by way of the characters, around Bobo is Tiny (Mitchell), who is a leech by way of having a hold over Bobo. Then there's Nutsy (Rains), who not as his name suggests, is something of an intellectual, while Anna (Lupino) has attempted suicide and on whose appearance sets in motion a chain of dramatic events. All characters operate in and around the waterside, rubbing shoulders with various unseemly types, and it's this setting, with the tech craft on show, that grips from the get go.Most scenes are filtered through film noir lenses, with mists constant, dim lights prominent, and the glistening of the water belies the darker edges in the play. A drunken hallucinogenic dream is Dali in effect, which is one of a number of strange scenes throughout, of which one is where we find the bizarre sight of Tiny whipping Nutsy in the shower! Certain touchy things are inferred delicately, and conversations are never less than attention holding. If only the plot wasn't so erratic, with so many infuriatingly dangled carrots, then we could have had a higher end proto noir to savour.Splendidly performed, though, with Mitchell and Lupino not playing to their usual types, and the visuals a real treat for the so inclined of noirish persuasion (Clarke was Oscar Nominated for his work), giving us just enough to have a good time with. Still can't help hankering for Lang and Ballard though... 6.5/10

Fans of the great Jean Gabin, get a good dose of his charm and charisma, as he portrays 'Bobo', in this fine film co-starring a young Ida Lupino as 'Anna', his love interest. Although the production suffers a bit, mostly due to a low-budget and marginal sets, the chemistry between Gabin and Lupino is tangible. Thomas Mitchell turns in a good performance as despicable 'Tiny', the blackmailer. Claude Rains co-stars as the loyal 'Nutsy', Bobo's true friend, and if you watch closely, you'll notice Victor Sen-Young as 'Takeo'(credited as 'Sen Young') who delighted audiences as 'Hop Sing' in "Bonanza". Gabin's ability to convey a range of emotions, from bliss to rage, really carry this film and Lupino fans get to see her as a young, fragile character who finds love in the least likely of places. Viewers of "Moontide" may also like "The Sicilian Clan", which has Jean Gabin playing the matriarch of a crime family, in 1960's Europe.

Unlike many Europeans in the entertainment world who were displaced by the Nazis and came to America (such as Fritz Lang and Billy Wilder), Jean Gabin was handicapped as he was a leading man whose English was obviously poor. As for directors, the public would never know and with some other foreign actors, they were able to suppress their accents better. But, with his performance in "Moontide", you can see why the very talented Gabin made very few films during his exile from Nazi-occupied France. His English isn't terrible--but it isn't as good as an actor like, say, Charles Boyer. It's a shame, as his pre- and post-war films are often amazingly good.Bobo (Gabin) is a barge operator who likes to drink and fight--and you see him doing this when the film begins. After waking up from a binge, he rescues a woman, Anna, who is trying to kill herself (Ida Lupino) he takes it upon himself to be responsible for her--which is quite touching. However, the nasty character Tiny (Thomas Mitchell) is always nearby--because he's holding some secret about Bobo--and Bobo has to put up with Tiny--even though there isn't much to like about Tiny. And, when Bobo and Anna marry, Tiny is sure to let his malevolence boil over and tragedy ensues.This film is very much unlike a Hollywood film as far as the plot goes. It bears more similarity to some of Gabin's French-language films like "Port of Shadows" and "La Bête Humaine"--very dark films about madness and murder. So, while it's a bit like an early American example of film noir, it is more like a hybrid of this and the films than helped to make Gabin famous. Dark, brooding, very adult for the time and genuinely odd--this film is worth seeing--especially for its wonderful cinematography.By the way, who came up with the names for the characters in this film?! You've got Bobo, Tiny and Nutsy--an interesting assortment to say the least!Also, on the DVD is a documentary about the making of the film. It talks about the odd circumstances surrounding the film and its star. It turns out that the book on which the movie was based was MUCH more adult and never could have been brought to the screen at that time--though quite a bit of the book still made it to the film but was more implied than explicitly stated. It's well worth seeing.

The characters in this movie were on the interesting side even though there were pretty much straight forward and didn't have much emotional depth. The relationship between the characters themselves made the characters somewhat interesting. For Claude Rains fans, it has been said that this is possibly the closest the Rains ever came to playing himself. So, it is interesting to see what he was moderately like.The drinking montage in the beginning of the film is interesting because it is very surreal...it sort of reminded me of that silent Salivor Dali film that was made.However, the film was very slow moving and the plot was not really either clever or in-depth. It was a very straight forward plot that you don't really find out what is driving the plot until the end. In the beginning it seems like just a lot of loose ends.Over all, I wouldn't discourage anybody from seeing it if they really wanted to. After all, I even own a copy!