And the Oscar Goes To... (2014)
The story of the gold-plated statuette that became the film industry's most coveted prize, AND THE OSCAR GOES TO... traces the history of the Academy itself, which began in 1927 when Louis B. Mayer, then head of MGM, led other prominent members of the industry in forming this professional honorary organization. Two years later the Academy began bestowing awards, which were nicknamed "Oscar," and quickly came to represent the pinnacle of cinematic achievement.
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Nice effects though.
Lack of good storyline.
Highly Overrated But Still Good
Good movie but grossly overrated
This is about what you'd expect, for the most part. Do you like montages of many of the great (American mostly) films of the 20th century and some of the 21st? Do you like interviews with the people who made the Oscars what they were (and the movies themselves) in ALL categories (not just acting but costume too)? The filmmakers give you the story of the Academy of Motion Pictures Arts and Sciences awards, and a little other history too (like how AMPAS actually used to be set up to strong-arm *against* the industry, but the union strength in the 1930's made it into a different beast), and also a tour through the various categories and winners and nominees over time (mostly winners).Industry main-stays like Tom Hanks, Steven Spielberg, George Clooney and Helen Mirren also share space with costume designers, cinematographers, editors, make-up artists, and many others for a look at what makes the art form the art form... in 90 minutes. If this had been longer, and looked at even more in-depth at the history, it might actually have been great instead of just... good. It is good, it has enough depth and history through the films that made the Oscars the Oscars to justify its existence (and of course getting clips like the Sacheen Littlefeather 1973 Godfather speech, or Jane Fonda's win for Klute, or the Damon/Affleck jubilant win for Good Will Hunting is always fun to see). I just wish it didn't skim over certain parts of Hollywood history like how the industry changed when the studios collapsed in the 1960's (there is some stuff on the blacklist though, if only briefly).
On the opening night of its annual 31 Days of Oscar festival, Turner Classic Movies presents the world premiere of "And the Oscar Goes To...", a documentary tracing the history of the Academy Awards.Let us not try to say the movies are any more important than they are. And the Oscars are a celebration of these not terribly important things. But, at the same time, let us not underestimate how important the movies really are. They bind us as a culture, connect us to other cultures and define generations. Sometimes they even change the way we look at the world.And we get some great classic moments (Charlie Chaplin) alongside some more modern moments (Affleck and Damon, Diablo Cody). I almost wish I had started watching them sooner...
Documentary about the Academy Awards. It covers how and why they came into being and how they evolved and changed over the years. It consists of actors, producers and directors talking about getting nominated and getting (or not getting) the award. It also shows footage from Oscar TV telecasts and some of the more memorable acceptance speeches. The most amusing were seeing Ben Affleck and Matt Damon winning Best Screenplay for "Good Will Hunting" and Michael Moore winning Best Documentary for "Bowling for Columbine". They even cover the technical awards. All in all I was entertained but wanted more. They totally ignore the Best Song category and (for some reason) go into detail about animated films being recognized. So it's worth seeing but is lacking.
There were some things I learned from this documentary which aired last light on TCM. For the first 15 years or so, the winners were announced prior to the event, which would make the ceremony anticlimactic. I suppose the attendance overall must have been lower; I mean, if I knew I wasn't chosen, then why go? It was nice to see an older Hollywood that had more class: i.e. when Clark Gable accepted his award for "It Happened One Night" he was gracious to his co-star and his director (calling him "Mr. Capra").The low point to me was the over-exposure of Jane Fonda and Cher, the latter sounded impaired when she couldn't pronounce Marvin Hamlisch's name. Fonda is--to be kind--one of the most polarizing figures and unapologetic for her radical past. It was extremely difficult to watch her.Of course, there was the predictable rant about "blacklisting" of Communist-leaning celebrities. They showed Lillian Hellman's speech during which she excoriated Senator McCarthy for the Hollywood blacklist. Miss Hellman doth protest too much. For those of you who have not been completely indoctrinated, Senator McCarthy had nothing to do with the Hollywood blacklist--this was done by the House Un-American Activities Committee. Both Senator McCarthy and Richard Nixon were used as the focal point by the left for years, probably because they were onto something about the infiltration in our government by Communists (see Alger Hiss). Do you want to know about true blacklisting? I read an article about the late Ron Silver who, after he spoke at the 2004 Republican National Convention in defense of George Bush and the War on Terrorism, stated that his phone stopped ringing about potential film roles. Blacklist indeed.