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One & Two

One & Two (2015)

August. 14,2015
|
5.2
|
NR
| Fantasy Drama Thriller

In an isolated farmhouse, located in the middle of nowhere and surrounded by a mysterious wooden wall, Zac and Eva, two siblings gifted with extraordinary abilities, endure every day the wrath of their strict father while witnessing how a cruel sickness lurks their beloved mother.

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Reviews

Exoticalot
2015/08/14

People are voting emotionally.

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WillSushyMedia
2015/08/15

This movie was so-so. It had it's moments, but wasn't the greatest.

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Humaira Grant
2015/08/16

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

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Candida
2015/08/17

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

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Kirpianuscus
2015/08/18

a photo album more than a film. because it reminds old themes, in right mix, well known characters, gestures and facts expected after the the first moments. the special children, the isolated space, the pressure of past, the father who does the right things in the wrong manner are pieces of a film who not surprise but it is far to be a disappointment. the only problem is the status of reminder. the director not propose a story, his story. only replace the same ingredients in a neutral manner. result - a beautiful film, first for its fragility, for images, for the references to Gothic, Scandinavian art, Sci. Fi. and a trend about special young people. the problem - the story has a fine potential and the silence, so generous used, could be better made.after its end remains only the flavor of a special form of poetry. like old pictures from an album.

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vajrayogini
2015/08/19

"One & Two" is a new interpretation of how Eva is tempted to "see" and to "feel" what is outside Eden. She really craves to know the real world (to taste good and evil). When we are born in this 3D world we are put in a fleshy body in order to know pleasure and pain by our five senses. The Father knows that if Adam and Eva run away they will face the cruelties of the outside world. That's why he is warning them not to cross the barrier. The Mother however is willing to give them a chance. In this film the omnipotent God the Creator is represented in his dualistic form - the Father and his female consort the Divine Mother(Sofia, Prakriti)- something that is omitted in the Bible, but well explained in the Gnostic scriptures and in the Vedic texts. In the beginning Elochim (plural)created the human being as two united parts - so to say in its precelestial state every human being (man or woman)is an ideal creature made of both male and female forces/energies/substances. When we descend in fleshy body from Heaven to our 3D world a dichotomy takes place - from One we became Two. We are no longer the ideal precelestial creature. We are separated and it causes us pain and suffering.Please see for reference the Gospel of Thomas (11): "When you were one, you became two. But when you become two, what will you do?" In "One & Two" the director traces the painful process of postcelestial separation, the rage of the Father and the rejection of the Father's will. In the end of the movie Adam and Eva tried to destroy the heaven they came from. Did they succeed to burn out all the ways to return there or there is still a small possibility for the human being to recreate his/her original state?

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Carina Ullberg
2015/08/20

This is a slow but very beautiful movie. If you only are in to action then this is nothing for you. But if you like movies that will challenge and dare your mind and if you not are afraid of something more deep than a couple of men punching each other, then this is a film for you.The film will get you in a state of mind that will begin to think, to wonder. Will this be possible? Can a father be like that? Loving and still so demanding and ... cruel. And then you realize that it's the way people, mostly men, dictates their women and children to live exactly as they want them to do. It also shows how hard it is to break free from a family bond. Hard even if you don't want to be a part of it, if you do want to go. You can't go, there is too much holding you back. Fear, love, obedience even respect holds you back from leaving although you don't want to be there. You know what you have but you don't know what you will get.For me the film was not about their ability to "jump". It was about the fear of something new, something you don't understand, the will to have everything as it always have been. Their ability was just the unknown in the world. The film for me was also about breaking free and leaving old habits behind, leaving (killing) the tyranny, the dictatorship and seeking the freedom.I liked the film and I will remember it a long time - maybe see it again in a month or two.

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BrianVLau
2015/08/21

So it's okay. It's fine. It's a movie that was made, but not made well. There's no passion, no story, no style, nothing. It's a movie that proves this director can put a movie together, outside of Rich Hill. Autumn Durald does a great job with the cinematography, despite there clearly being more budgetary constraints than Palo Alto, most notably the oval bokeh and the obvious digital grain, from the upped-ISO.The movie is bearable, it's watchable, but not interesting. The dialogue, however, is laughable, and the Tree of Life internal monologues are baffling. This movie is practically a series of events, albeit beautiful to look at and competently put together, with no real satisfying conclusion nor moral.This movie doesn't deserve the critical panning it has from RottenTomatoes, it's one of the better movies of the year, which I guess isn't saying much.Kiernan Shipka, and everyone really, look bored and brooding. They have nothing to work with, and when they do, it's executed laughably and obnoxiously. I have no doubt Shipka has acting chops, but this doesn't prove it, she mopes around with a vaguely confused face the whole movie.Timothee Chalamet is the best actor in the movie, and he barely has anything to show, possibly because no one has any characterization besides "quiet, distant, scared." I hope he stops being type-casted as Tom Cooper, because even when he's given the opportunity to act in these movies, it's quickly cut short (in this, his screaming and clawing are drowned out by a glaring score, muting any actual skill required to show emotion or character struggle).Hopefully Jeff Nichols' Midnight Special shows this movie up, I'm pretty disappointed. (If at any point you think I'm blindly "hating" on this movie, the very fact that I was even looking forward to a movie that wasn't advertised or talked about shows my initial interest.)

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