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The State Counsellor

The State Counsellor (2005)

April. 21,2005
|
7
| Action Crime Mystery

Third film based on Boris Akunin's "Priklucheniya Erasta Petrovicha Fandorina" series of novels. On a train from St. Petersburg to Moscow general Khrapov was killed and no one else but Erast Petrovich is under suspicion because the killer pretended to be Fandorin. There are initials BG on the handle of the knife Khrapov was stabbed with, the initials belong to a terrorist organization which keeps both capital cities (Moscow and St. Petersburg) in fear. This time Fandorin is not the only one trying to solve the crime, general Pozharski, a famous detective takes over the investigation...

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Cortechba
2005/04/21

Overrated

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Tedfoldol
2005/04/22

everything you have heard about this movie is true.

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Cleveronix
2005/04/23

A different way of telling a story

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Jakoba
2005/04/24

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

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shusei
2005/04/25

As in Hollywood "classic"films of 1930-40s,anywhere in the world "blockbuster"films have common weakness--if not eclecticism of style,then noises-seemingly needless scenes and characters in dramaturgy."Statskiy sovetnik" isn't the exceptional case.But here such flaws are less than any other Russian "blockbusters" in recent years.They are strategically included into the plot,so that they will look necessary elements of the drama(in fact,I think,not). Litovinova,an eccentric lady,strangely sympathetic to revolutionary movement,hating Ppojarskiy and falling in love with Fandorin,is utterly unnatural and inconsistent.But her character is charming in its way and her behavior partly helps the plot developing. The same can be said about the Japanese servant of Fandorin, Masa(again,utterly nonsense if consider the historical moment just before the 1905 revolution). But he also helps the plot developing, including Fandorin's affair with Litovinova and solving the case.Weakness of style also can be pointed out.Director Philip Yankovsky so often uses dissolve, which make the temporal order of some scenes unclear at their beginning.In spite of such flaws,"Statskiy sovetnik" is so far the best of Russian "blockbusters" made from 2003 to 2007. Its decent, even elegant look is undeniable. Dramatic elaboration of the "terrorisim" theme is excellent(it's one of the best element of this film),main actors' and operator's works are quite adequate. Some scenes are far above Hollywood analogue(especially,the scenes with tragic lovers:Green and Needle, and verbal duel of Fandorin and Pojarskiy).As I believe that excellent genre films are far more precious for cinema as a whole than bad "arthouse"films, I rate this 8 of 10.

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cskachampion
2005/04/26

I watched this movie with my family in a movie theater in Saint-Petersburg. I chose this movie by accident because other movies would start in an hour or so and we didn't have any time.Anyway :) having no expectations at all, I really enjoyed the movie. Honestly, i have to say it is one of the best Russian movies I have ever watched. The story is great (Boris Akunin), casting is great, sound effects are good, decorations are great and actors play very well. You can easily see that a lot of money, effort and talent is put to this movie. It kinda shows the new rise of Russian cinematography and that makes me particularly proud of this movie.This movie is a sort of continuum of the movie Tureckij Gambit (Both are part of Boris Akunin's book series). The two movies are not linked together however, except having the same hero (Fandorin).I recommend this movie to everyone. Way to go Russia ! (y)

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pard-3
2005/04/27

One of the most brilliant modern books (Boris Akunin) get bad movie. Yes, the movie literally follow the book, but nothing else.Annoing acting. There is no suspense. No visual effects. No Fandorin (the biggest disappointment)! And, as result, no movie. I had feeling, that the film is too long.The best of all is Emilia Spivak (Esfir): her acting is way above everybody else's. I liked Oleg Tabakov (Prince Dolgoroukoy) and Aleksei Gorbunov (Rahmet) too, but all other actors only do very hard work, not playing.Only 4 of 10 :-(

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george_aslf
2005/04/28

Adaptation of Boris Akunin's famous novel about 19-th century Russian sleuth Erast Petrovich Fandorin solving an assassination of a hot shot general by a terrorist group called "BG". Directed by young Russian film-maker Filip Yankovski with all-star cast in it. Finally, after shallow "Azazel" and awful "Turkish Gambit" the audience can view a wonderful piece of film making with some stunning performances. Every single actor does a superb job and demonstrates excellent acting. Mature Erast Fandorin played by Oleg Menshikov is just like the one in the book - daring, unemotional and mysterious. He is quite a silent character in the film, musing most of the time, but the great acting skills of Menshikov are demonstrated in these very scenes. Green played by Konstantin Khabenskii is great as well - nervous, reckless but brave and charming. Nikita Mikhalkov is playing Pojarskii and I have to admit that he is playing his part real well. His character has the most lines. A very controversial character, at times comical and sometimes even devilish.A few words about cinematography, screenplay and editing. Film has a lot of dark, white and red in it and such mixture of colors makes a picture very organic. Creation of 19-th century Moscow atmosphere was in my opinion achieved with great success: "troika" carriages on snowy streets, glamorous Russian castles and various beautiful costumes. Screenplay and editing are done so well that I didn't even notice how three hours passed. Dialogues are very well written and at the same time they so well spoken that it's a pleasure to listen to them and they don't tend to bore or tire. On the other hand a lot of action takes place and what is the most interesting - the end of the film differs from the same of the novel, so even those who have read the book and thus know the whole story, will still be surprised.

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