Crónicas (2004)

You won't be disappointed!

Masterful Movie

A lot of fun.

A story that's too fascinating to pass by...

This is a really great movie, about how media can affect your point of view in a certain situation. In this case it's about a guy, who is being held in prison on some vague accusations. But the movie is also about human beings and their flaws and faults. And although it's the first movie for Leguizamo in Spanish (read the trivia section), he does a great job! The whole cast is great and this movie got praised (see awards section here at IMDb), to a point where the director is currently working on a Harrison Ford movie (due to release 2009, as is stated under his name/profile at IMDb).If you like drama shot in documentary style, as if this was really happening, than you should watch this movie. It's not a blockbuster, but it might change your way of thinking on some things ...

Crónicas (2004) written and directed by Sebastián Cordero, is a grim movie about a grim subject. John Leguizamo plays Manolo Bonilla, a Miami-based TV reporter who is covering the story of a "monster" who is torturing and murdering young children in Ecuador.Manolo is a good detective as well as a reporter of sensational news, and he thinks he may have discovered the identity of the murderer. The question is, Should a reporter just report, or should he be a participant in the story he is covering?Leonor Watling is excellent as Marisa Iturralde, Manolo's producer and possibly his lover. Camilo Luzuriaga is excellent in the supporting role of Capitan Bolivar Rojas--"the only honest cop in Ecuador."This is not a movie for the squeamish--it contains violence, scenes of humiliation, and graphic--but unromantic--sex.On the other hand, how often do you find a movie from Ecuador playing in Rochester, New York? Even at our excellent Little Theatre, films from South America are rare, and often--as in this case--worth seeking out.Finally, if the views we get of prison conditions in Ecuador are accurate, I wouldn't even risk a parking ticket there, let alone anything more serious. Trust me--you just don't want to be in that particular Ecuadoran jail.

The bottom line: very good movie, with great scenery shots of rural Ecuador, very good performances, especially on the part of John Leguizamo as a popular and ambitious reporter Manolo Bonilla doing a story about a notorious serial killer, and Damián Alcázar as Vinicio Cepeda, a man that by accident runs over and kills a local kid (whose brother was killed by the serial killer), and is saved by Manolo Bonilla from a lynching mob. Vinicio Cepeda wants the reporter to do a favorable story about him, and possibly, by doing so, help him get out of jail, where his life might be in danger. In exchange he offers him some information on "Monster of Babahoyo", the pedophile serial killer.Damián Alcázar gives an incredible performance as a kind, humble, god-loving man with some uneasy, disturbing quality. The only real shortcoming of this movie, in my opinion, is that it is undeveloped. The movie could use another half a hour of plot towards the end. When the ending credits started rolling, I was a bit disappointed.All in all, warmly recommended.

"Crónicas" is an updated, Latinization of Billy Wilder's cynical 1951 film "Ace in the Hole (The Big Carnival)," where a tabloid reporter selfishly manipulated an emotional story of a trapped miner.Where films like "Medium Cool" and "The China Syndrome" showed reporters as heroes getting radicalized by the stories they are covering, writer/director Sebastián Cordero effectively creates a hot, grimy, gritty environment for an ethically-challenged tabloid TV reporter who gets too mired in a serial murder investigation in the slums of Equador that recalls the hysteria and circus around the Atlanta child killings.The irony of the power of today's ubiquitous media is shown to searing effect, including the power to manipulate it for personal purposes by all sides. The cat and mouse negotiations between the reporter and a questionable source (the enthralling Damián Alcázar) are as tense as those in "The Silence of the Lambs," and in an ugly environs that we can practically smell through the screen.John Leguizamo is completely believable as a swaggering, self-promoting celebrity TV reporter for a popular show covering scandals across the southern hemisphere, flitting from his Miami base to drug lord hostages in Columbia to salacious murders, in and out of English. We are alternately sympathetic to his efforts and his bouts of conscience, then repelled by him.He is flanked by somewhat stereotypes of a lanky, battle-hardened cameraman who eagerly focuses on close-ups of violence and gore and an ambitious woman producer who plunges into research and infidelity with equal verve, who utilize the most shiny, high tech communications gear to capitalize on their tunneling through the muck of human nature, though even they finally reach their ethical boundaries.The focus is kept tightly on the reporter's responsibilities, as the producer comments ruefully: "We got the only honest cop in Latin America." The script and the camera certainly play with us, in edits of slowly revealed information that change our impressions of the facts, and as the reporter tensely tries to both get a scoop and do as much of the right thing as his ambitions allow.As an intelligent thriller, this film certainly puts a brutal spin on the issue of a reporter protecting his sources, even as the worst of the implications happens off camera.The background song selections fit the mood, though I have some feeling that the Spanish lyrics had significance.The English subtitles had some errors.