The Quiet Family (1998)

Terrible acting, screenplay and direction.

Clever, believable, and super fun to watch. It totally has replay value.

It's a feast for the eyes. But what really makes this dramedy work is the acting.

Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.

'The Quiet Family's' concept is better known in Miike's remake which is a shame because while the Japanese counterpart is a masterpiece in its own right the original movie needs not be compared; it stands as a pearl of dark comedy. The mood is full of suspense as the Kang family is visited by misfortune upon misfortune. Morbid humor sets the tone of a very tight story and some typical comic tropes are adapted to fit the overall feeling of stress as things get out of control. The cinematography is understated but highly competent with an emphasis on indoor scenes that add to the claustrophobia of the situation.Off beat and tense, the movie's aesthetics are close to the noir genre. It never degenerates into nonsense territory and much of its entertainment value resides on how believable the characters' reactions are. This quiet family systematically makes the wrong choice that of course leads to further complications but the entire insanity is understandable and made more hilarious for that. A grim fatalism pervades everything as if for all their mistakes the Kangs are indeed cursed.On top of the freak deaths, the scrambling for hiding dead bodies, the crossing the line into crime, the movie is true to its title: a portrait of a family that would rather live in peace. Their struggle for keeping their both their livelihood and quiet walks a very thin line as far as morals go but the family unit is so tightly knit that somehow overrides this. The finale brings this home in a simple and effective manner. Cleverly plotted and with solid performances all around, 'The Quiet Family' should be seen by anyone willing to be amused by something different.

Well, I just finished watching this film and my feelings toward it are a little mixed. I had been told to expect dark humor and I wasn't let down. There is a lot of dark humor in this movie about a dysfunctional family trying to make a living in an old inn out on a not-so-well-traversed mountain where a major road is expected to be built. Of course, this family ends up going from mishap to mishap, and throughout most of it, the two daughters are quite oblivious of what the rest of their family is doing.The first sense of foreboding comes from a blabbering old woman the youngest daughter and uncle assume to be crazy. Then after that, things start to happen, starting with a possible suicide in one of the rooms that leads into more mishaps, misunderstandings, and murder. But throughout all this, the comedy is definitely there.However, my main problem with it was the youngest daughter and her strange attitude throughout the movie. She seemed completely disconnected throughout most of the film, and while for some parts this may have been funny, for others it was just downright awful. I suppose that's why she was considered to be weird (well, the whole family is very weird!).Not the best comedy ever, but certainly good to watch.

A South Korean family (dad, mom, uncle, son, and two teen daughters) moves to the woods to open up a lodge in a hiking area. They find themselves restless, anxiously awaiting their first customer. When they finally get one, he is later found dead in his room. The family covers it up to avoid bad publicity. Soon the business finally starts booming--and so does the body count! This story probably sounds familiar to fans of Asian horror. That's because Takashi Miike remade this into "Happiness of the Katakuris," with song and dance sequences, zombies and claymation. "The Quiet Family" contains none of these elements, but it is almost as delightful with its wicked sense of humor. Each family member (my favorite being Mom) has their own amusing quirks, and I found myself chuckling out loud for the first half hour. Even when the story delves into morbid territory, the silly characters still manage to provide the laughs. Watching a "normal" family react to very abnormal situations proves to be very funny. The pace is excellent, though a few of the subplots almost push the story into a ridiculous place.Ji-woon Kim is also the director of the instant classic "A Tale of Two Sisters." As with that film, the set design, use of rich colors, and innovative camera-work are spectacular and largely responsible for the eerie atmosphere."The Quiet Family" borders on absurd, but it never fails to entertain. Despite its over-the-top comedy and ridiculous scenarios, it has a serious overall tone that sets it apart from most other horror/comedies.My Rating: 7/10.

Maybe this should become my mantra: "The property of 'originality' is based not so much on actual properties of the art object in question as it is based on the knowledge of the person ascribing the property to the art object in question". In other words, when we deem an artwork "original", it doesn't so much mean that the work _is_ original as it means that we're just not familiar with the works that have had a significant influence on it, or we do not remember the precursors (for those of us with less than perfect memories . . . what was I saying?)The Quiet Family has already had a significant influence on films such as Jaume Balagueró's The Darkness (2002), and it has already been remade, by wacky Japanese director Takashi Miike, as The Happiness of the Katakuris (Katakuri-ke no kôfuku, 2001). I didn't realize that Happiness of the Katakuris was a remake of this film until I watched Happiness and looked it up on IMDb. I had never heard of this film before. South Korean films do not exactly get a great amount of publicity in the U.S., unfortunately.Unlike Miike's remake, which is a very good film in its own right, The Quiet Family doesn't have bizarre claymation, it's not a musical, there aren't singing and "dancing" zombie-corpses, and there isn't some karmic disturbance of an equivalent to Mt. Fuji. This is a much quieter and understated film, but it's still a "black" (morbid or macabre) comedy-drama about a horrific, bad situation that just keeps getting worse.The story concerns Tae-gu Kang, who has bought a small hotel (unlike Happiness of the Katakuris' much simpler bed & breakfast) in a relatively remote hiking area. He moves his family--his wife, son, two daughters and his brother--to the hotel, where they wait for guests to arrive. No one shows up. When they eventually do get a guest, it's a strange, solitary, older man who ends up committing suicide with his hotel key chain. The man's wallet, which seemed to contain a substantial sum of cash, is missing. Worried that the authorities will never believe them that it was a suicide, especially given their son's troubled past, and worried that the situation will create bad publicity for their hotel, they decide to bury the body on their property. Other guests begin trickling in, but for some reason or another, they all meet less than favorable fates. Just how much bad luck will the Kangs have, and just how far will they go to surmount it? Even though this is a morbid comedy, director Ji-woon Kim employs very deliberate "art-house drama" pacing and tonalities. The cinematography is interesting throughout, and recurrent motifs include sustained, almost motionless shots of daughter Mi-na Kang (Ho-kyung Go), who is implied as an emotional "center" for the family (and indeed, she's the only one who remains relatively even-keeled throughout the bizarre occurrences). There are also many slow tracking or zoom shots of the beautifully decorated and colored hallways of the hotel (this is one of the conspicuous influences on the film Darkness, which has similar color and decoration schemes).Another "center" for the Kangs is mealtime. We see them eating many times throughout the film--it's a way for them to gather their bearings, if possible, and figure out their "plan of attack". One nicely symbolic scene shows everyone refraining from eating at the table except for Mi-na and her sister Mi-su (Yun-seong Lee), as the family initially keeps the girls in the dark about the macabre goings-on.Kim, who also wrote The Quiet Family in addition to directing, even spoofs the typical art-house drama romance, with a man who courts Mi-su a little too fervently and of course meets a twisted fate. This sets off a chain of events that lead to a very funny climax.The crux of the film is the ever-escalating occurrences and humorous attempts to cover them up. This provides amusing subtexts about how good intentions can lead to severely immoral actions (and the guests even get in on this subtext a bit), but at the same time, we empathize with the protagonists, as the Kangs, at least, may be making bad judgments, but if they don't, they could face worse consequences. This is a quiet family that wants to remain quiet. While I prefer the bizarreness of Happiness of the Katakuris, at least slightly, The Quiet Family is still a very good film, and you just might prefer it if your tastes lean more towards art-house dramas than the surreal and over-the-top.