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Right to Die

Right to Die (2007)

January. 05,2007
|
6.3
| Horror Thriller TV Movie

When a grisly car accident put his wife into a coma, a man reluctantly pulls the plug only to realize her spirit has turned vengeful against the living.

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Reviews

Stoutor
2007/01/05

It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

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Luecarou
2007/01/06

What begins as a feel-good-human-interest story turns into a mystery, then a tragedy, and ultimately an outrage.

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Casey Duggan
2007/01/07

It’s sentimental, ridiculously long and only occasionally funny

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Frances Chung
2007/01/08

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

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Smoreni Zmaj
2007/01/09

Shortly after being caught in adultery, dentist experience a car accident from which he comes out almost unscathed, while his wife ends up in a coma with minimal chances of recovery. While in hospital, wife dies several times and doctors revive her, but every time while in a state of clinical death, her spirit uses the opportunity to take revenge on the people which she considers guilty for her situation.At first seemingly uninteresting, this episode hides some pleasant surprises, in the form of good acting, a few extremely erotic scenes and several great plot twists that I did not expect. I especially liked the end, which is both creepy and very witty in dark humorous way. I have only one objection. I think that the episode would be more effective as a psychological horror, where instead of the most severely disfigured woman and explicit violence, the victims are waiting in suspense to be attacked by her invisible spirit. I would get rid of the most of the gore and keep just the bathtub scene and the last scene with mistress.7,5/10

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BaronBl00d
2007/01/10

Well, a man and his wife set out for their cabin one dark night. They have been fighting - for she, Abby, had recently discovered that her husband Cliff had been unfaithful(and pretty stupid it seems as the whole episode was filmed on his camera((By whom?))with his dental assistant Trish. As they go down that dark, deserted, and deadly road, they hit a fallen tree. She ends up being burned all over and covered in bandages except for her haunting eyes and mouth. He wakes up unscathed. The rest of the episode deals with Cliff having such feelings of loss over his wife's condition that he feels he must pull the plug for her benefit as she has no skin - no skin at all. The episode then gets lots of ups and downs, and even some real low points with regard to good taste, and some highlights with both Robin Sydney and even more impressively with Julia Anderson(now Benson). Check out her highlights in that tub scene. That scene has her in all her bare-chested glory, but the director Rob Schmidt also has Ave Maria playing in the background. He uses that music again in the most unorthodox and, for me, disgustingly enjoyable scene in the episode - the flaying. I really thought this episode was done very well. Schmidt obviously has loads of talent. Actor Martin Donovan has enough quirky screen persona and ambiguity to carry off what will by the episode's end be a much more complex role that might be first imagined. The script has some fun with things. Sure there are holes, but this was scary, riveting, and strangely poetic at brief times. And how about Abby's two major contribution as well as Trish's! Corbin Bernsen is here as well as a blood-sucking lawyer given his "burn notice." Wrong show, maybe he was just PSYCHed out.

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kosmasp
2007/01/11

The ingredients to this are more than apt. The story is good enough, the acting is decent too. You get to see quite a lot of "skin" (and no skin, pun intended), but everything serves the purpose of the movie. I guess you won't have easy answers or characters that are without flaws, but why would you want it any other way. The movie (and it's director) know exactly what they want.And that is to entertain and (possibly) shock a little. It's a nice little story, that is being told in a twisted kind of way. And while the director had not done that many movies, to qualify for the tag "Masters of Horror", he does a good job here, as do other directors of this series with not so much background or experience. It's light entertainment and fulfills everything you should expect it to be

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Christopher T. Chase
2007/01/12

Fans of the HBO series "Tales From the Crypt" are going to love this MOH episode. Those who know the basic archetypal stories that most of the classic EC comics were based on, will recognize this one right off the bat.Underrated indie favorite Martin Donovan (also an excellent writer - co-author of the screenplays for APARTMENT ZERO and DEATH BECOMES HER) is the kind of guy whose everyman good looks can go either way. He could play a really nice if misunderstood guy-next-door, or he can play the same role with a creepy undertone of corrosive sleaziness. In the case of RIGHT TO DIE, he takes the latter approach, and it definitely works.Donovan is a doctor who has recently had an affair with his slutty office receptionist (Robin Sydney), much to the displeasure of his inconsolable, unforgiving spouse, Abbey (Julia Anderson). When the two of them get involved in a terrible car accident while returning from an unsuccessful weekend of "making up," and she's horribly burned in a fire, he's reluctant to pull the plug on her, not without some enthusiastic nudging from his even sleazier lawyer and best buddy (Corbin Bernsen, looking the worse for wear these days.) But Abbey's never been one to give up without a fight, and that's where the EC-theme of the episode comes in. Cuckolded husbands - and wives - have always been the genre's favorite subject matter for some spooky (and OOKY) supernatural shenanigans, and this case is definitely no exception. If anything, the ramped-up quotient of sex and gore must have Bill Gaines cackling with glee in his mausoleum somewhere.And that's not to mention that John Esposito's original script does give the adultery angle just a slight twist. You don't realize as you're watching that you only know half the story, until close to the end...(think WHAT LIES BENEATH with more guts and gazongas, and you're there.)Not a bad effort, but not the best of the lot, either. At least Rob Schmidt does display touches of flair here and there with the direction, especially in a scene that makes cell phone picture messaging into a truly horrifying experience indeed! As with most MOH episodes, this one is following a prevalent theme this season of flaying and dismemberment, so the extremely squeamish need not apply.

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