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Iraq in Fragments

Iraq in Fragments (2006)

January. 21,2006
|
7.2
| Documentary

An opus in three parts, Iraq In Fragments offers a series of intimate, passionately-felt portraits: A fatherless 11-year-old is apprenticed to the domineering owner of a Baghdad garage; Sadr followers in two Shiite cities rally for regional elections while enforcing Islamic law at the point of a gun; a family of Kurdish farmers welcomes the US presence, which has allowed them a measure of freedom previously denied. American director James Longley spent more than two years filming in Iraq to create this stunningly photographed, poetically rendered documentary of the war-torn country as seen through the eyes of Sunnis, Shiites and Kurds.

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Reviews

Cubussoli
2006/01/21

Very very predictable, including the post credit scene !!!

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Clevercell
2006/01/22

Very disappointing...

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Vashirdfel
2006/01/23

Simply A Masterpiece

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Derry Herrera
2006/01/24

Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

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nomoreprejudice
2006/01/25

Iraq in Fragments is a documentary film directed by James Longley. Longley shot the film in Digital Video on a Panasonic DVX100 mini DV camcorder. The film premiered at the 2006 Sundance Film Festival where it won three awards: "Directing Award Documentary", "Editing Award Documentary" and "Excellence in Cinematography Award Documentary". The film is also a part of the Iraq Media Action Project film collection. It was nominated for an Academy Award for Best Documentary Feature. The film was shot in Iraq and edited at 911 Media Arts Center in Seattle. This film has three parts to it which describe the viewpoints of Sunni, Shi'ite, and Kurdish residents.War Criminal George W. Bush Occupied,plundered and devastated Iraq and unfortunately was not impeached or punished!. What A Shame!.

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Tony Camel
2006/01/26

n fact the most disquieting aspect of the film is that it was shot between 2003 and 2005, meaning that, however bad daily life seemed then, things have grown far worse since the camera was switched off. Director James Longley would no doubt concur but, cleverly, he never makes his own views explicit, preferring to let the images speak for themselves.And speak they do, whether it's the first section of the film in which 11-year-old Sunni boy Mohammed is forced to choose between work and education or, better still, a up-close look at the Shiite political/religious group run by Moqtada al-Sadr.The third strain of the film retreats from the extremes of the first two parts – by way of emphasising that these are ordinary folk unfortunate enough to live in extraordinary times – and focuses on rural Kurdish families and, in particular, fathers and sons.Throughout, it's shot so brilliantly that it feels less like a documentary than a superior drama. Best of all, though, is Longley's compassionate depiction of people to whom, crucially, we can all relate.

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janbanke
2006/01/27

most docu films I see are less than exceptional in terms of cinema style. this is an exception. in Iraq in Fragments you get both the revelation of Iraq's reality from within society and also the eye of a true filmmaker. exceptional, beautiful work of cinema art and a very important documentary film. i think this film will be a landmark work in future years. this film is returning to something like the time when images were more important than text/language. in other words, this is a film that uses CINEMA language to speak with. it is truly unusual this way, not like any documentary in i saw in a long long time. maybe this is a new direction for documentary film. i hope so.

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cadmandu
2006/01/28

This is a documentary about three Iraqis. The first is a Sunni boy who works and goes to school in Baghdad. The second is a Shiite religious figure in a city to the south. The third is a Kurdish boy (and his family) in the north.I've seen a lot of documentaries and cinema verite, but this one is one of the most successful. It's as if the camera is invisible, and the photographer got access to whatever he wants. Any documentarian is going to be jealous of this one. I could give many examples. One of the more chilling is the Shiite vigilante raid on the town's market, in which they beat up and kidnap fellow Shiites for the sin of selling alcohol. How on earth does an American get access to that? He actually climbs right into the trucks with the masked militants and films the whole thing from beginning to end.And the result is spectacular. There's this Iraqi fellow sitting on the floor, surrounded by men with guns, his hands tied and a bag over his head, and he makes the comment "What's changed since Saddam? I've done nothing and I'm still sitting on the floor with a bag over my head!"When we move up north to visit the Kurds, we see a brick factory where men are making mud bricks, just as they have been doing for many thousands of years. This is clearly not Nebraska, and anyone who invades a country like this, even with the most altruistic of motives, clearly has no idea what Iraq is about. Whatever the American foreign policy mistakes, military and political mistakes, the bottom line is we lost totally the small window of opportunity we had to turn Iraq into a democracy.

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