Modigliani (2004)

Best movie of this year hands down!

Don't Believe the Hype

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

I agree with the comments about the lack of truth in this movie, regarding the facts in the life of Modigliani. I would like to comment on the casting of Picasso. Some viewers are impressed with the actor; obviously they know nothing about Picasso and haven't seen his pictures. When I first saw the "Picasso" in this film I was so shocked and disgusted I wanted to quit and not watch it any more. (May be it was a good idea - I would've saved an hour or so). Picasso was nothing like this physically - he was athletic, robust, virile,oozing sexual power. He was Spaniard. Nothing like the greasy, obese, fat-nosed actor in the movie who looked more like an aged Middle Easterner with dyed hair (well, he is actually from Iran). To sum it up - regarding not only the casting of Picasso but the whole story - this is a very bad film, made by people who not only had no idea about the artists concerned, but they even had no interest to research the period, the place, the art scene. Their only concern was to make some easy dollar for the simple fact that most people have no information about Modigliani, his life and friends, and will take everything in the movie for a fact.This is one of the worst films I have ever seen in my life, this is for sure. Picasso and Modigliani were spinning in their graves when this pretentious insult to their memory was made!

Andy Garcia gives an award winning performance as Italian Jewish artist, Amedeo Modigliani, in this film about his tragic life. He was madly in love with a French Catholic woman, Jeanne, whose father made it impossible for them to be together. Regardless, Jeanne would sacrifice custody of their own daughter in order to be with him. She just couldn't live without him. The supporting cast is quite good with Miriam Margolyes OBE playing Gertrude Stein (where was Alice B. Toklas?) in this film. The film was filmed on location in Paris. Pablo Picasso, Jean Cocteau and other famed artists of that period were also portrayed but my main problem with this film was the lack of clarity in this film. It's a worthy effort but it could have done a little better.

This movie was agreeable to the senses in almost every way. I am not hightly educated in the art history field. However, I found this drama to appeal to all my senses. From costume to scenery everything, from the average joes perspective, was fantastic. I found almost every scene I was absorbed into as if I were there. Only one scene/performance did I find slightly off & that was of the goat woman getting angry at Moodigliani in front of his peers. I was cheering, crying, & wanting to physically hurt some of those uncaring souls. Anyone, whether artistically educated or not, would respond to the deep human search of a gifted soul and his place in life. I am surprised that this movie is not on large award lists! It was obvious to me that Andy put his soul into this performance! I feel he reached a new realm in his acting career. Bravo!

I saw this movie last year and watched it again the other evening. I have studied art for many years and I applaud the detail and attention paid to each moment that reflected that period. Modigliani was, by all accounts, exactly as in the movie, charismatic, a drunk, a genius, a haunted individual. Picasso was, as in the movie, a genius, a misogynist, a jealous man and very charismatic. The performances of both Garcia and Zylberstein were truthful and painfully real. I have read the critics on this movie. I'm amazed at their lack of knowledge, one can only presume, they never bothered to research and just piggy-backed the last bad critic. One critic blasted the movie saying Picasso didn't know Modigliani, yet there are photographs taken by Jean Cocteau of them together, laughing with each other -- and Picasso helped carry the coffin of Modigliani! However, I believe the movie itself will not go away as some of these art snobs would wish, but in fact, I believe it will grow through time to become a classic. My advice to those in doubt, colored by what they read, study the individuals and the period and you will be amazed to discover that, for the most part, all that you see was sadly true. Kudos to all involved and my students of art agree.