Landline (2017)

I like the storyline of this show,it attract me so much

Really Surprised!

A Major Disappointment

n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

1995 was a far simpler time for interpersonal communication, right? Well, at the very least, Gillian Robespierre's "Landline" would have played out much differently set in the smartphone era. The "Obvious Child" filmmaker re-teams with co-writer Elisabeth Holm and star Jenny Slate to tell the story of a Manhattan family that appears to be falling apart when the teenage daughter discovers evidence that her father's having an affair.As with "Obvious Child," no topic is off limits for Robespierre, especially not sex, drugs and other poor choices. Teenager Ali (Abby Quinn) is a rebel child who sneaks off to clubs and dabbles in hard drugs; working professional Dana (Slate) becomes disenchanted with her fiancé (Jay Duplass) and starts falling for a high school ex and there's no shortage of outspoken marital discord between the father (John Turturro) and mother (Edie Falco).Robespierre handles each of the film's serious issues in earnest, but there's a comedic whimsy that floats through every scene, especially when Slate is involved. Robespierre and Holm's voice as a writing duo is unfiltered - both mature and immature at the same time. Slate does her best work in that gray area and continues to be an underutilized talent. Turturro and Falco are no slouches (in a year with some great movie parents) and they also recognize the dual tones of the film, even if they don't get to hold the narrative for much of the runtime.Moments of human connection are the touchstones of this story, especially under humorous pretenses. Not all that much about these moments is profound, but they're honest and relatable - nothing is fake or manipulated for comedy to an extent that feels aimed at laughter more than truth. And even though the '90s setting feels mostly about fun throwback references, it works to the film's advantage in creating a greater contrast between scenes of in-person connection and moments when characters distance themselves from each other. In today's world, there is no separation."Landline" would have made more of a splash if in the end it wasn't simply a film about owning up to and accepting flaws. It arrives there on its own thoughtful path - an agreeable path that's true to its characters - but the themes are just a little obvious. For the right viewer at the right time, however, they will strike home in a deep way.A good example of the really positive direction independent coming-of-age films have taken in the 2010s, "Landline" shows that Robespierre has a deep understanding of what kind of storytelling is resonating with young adults. Namely, she understands formula and situation and anything remotely glossy doesn't cut it. Her film exudes the authenticity, specifically the desire to dig into the questioning and unflattering sides of ourselves, that more mainstream films sorely lack.~Steven CThanks for reading! Visit Movie Muse Reviews for more

I really liked this movie. The 90's references are borderline over the top but oh so fun to absorb. The sisters are very believable as sisters--part allies and part antagonists. Edie Falco nails it. This is what I suppose would be labeled a 'dramedy', though it felt mostly like a comedy. The realistic and tender portrayals of adultery are very well done. I recommend.

Hark; the epitome of light and what is missing from films is at a new high. Not so much the cinematography, but the essence of filmography is normal. What separates this film from others in its' category is the bond. A mother, a daughter, and a first daughter. The despondent father is cruical to the first daughter (Ms. Slate). Mother is down-trodden so she turns to both. Being alive and the exact opposite of the willing suspension of disbelief carried this film; ever-expansive unto a world of "non-Westside New Yorkers". In the view of how transgression erects itself; not one person but Ms. Quinn. In her role; the passion for the "live" life excels her aura. First daughter is the care-giver in this whopping tale of family, feuds, and freshness. It is in the opinion of the author of this Review that Ms. Slate wins. Costuming was accurate and the sexual scenes were bountiful and hilarious. Real People Doing Real Things. Real People doing real things.

A lighthearted humorous escape with some gorgeous looking people, some nostalgia, and a lot of wit. A family of four--father, mother, adult daughter and teenage daughter, living in New York City. Deals with themes of fidelity, secrets and commitment. Some things they leave you hanging for a while about. See it for a fun time.