Harlan County War (2000)

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

I'll keep this short. Martin Ritt's "Norma Rae" was a more original, less stereotyped study of exploited Appalachian workers and their tribulations, and so was Barbara Koppel's documentary of this confrontation between union organizers and the evil company they labor for.The acting isn't bad. Holly Hunter is good, as she usually is, and Stellan Skarsgard is fine as always. He's a remarkably relaxed performer, whether the role calls for villainy ("Ronin") or sympathetic understanding, as in "Good Will Hunting". Hunter's Southern accent may sound overdrawn to some, but thirty-five years ago I imagine it fit the template well enough.It's the story that sags. There are good people and evil people and none of them are particularly complex. That's more or less how Koppel's documentary rolled along too, but it's nevertheless not how life on the ground is structured. The conventions followed here are those of a soap opera, except that instead of a deceitful and vicious husband, we have a nefarious corporation.It doesn't matter that the film was shot in Canada. That has little to do with its quality. I only wish the script had given the audience a bit more to chew on, just a little food for thought, a ham hock or two, rather than Pablum.

As most films made in Hollywood are, this film had a certain degree of fiction attached to it. Even so, I did enjoy the acting and the scenes moved along very nicely. However, as much as I enjoyed Holly Hunter's acting, I really don't enjoy seeing her on screen considering her extreme left-wing views and hate of anti-communists. She was one of a handful of actors that refused to honor the great Director, Elia Kazan, when he was honored by the Academy. What did Kazan do wrong in her mind? He identified known communists in the film industry when ordered to do so by not only the film companies but also under penalty of perjury by Congress. Kazan did his Constitutional duty by identifying those that were acting in the capacity as agents of the Soviet Union. So, Holly Hunter protested Kazan for something that happened 50 years ago. I think there are many fine actresses that could have played Hunter's role and because of her anti-American positions, I think the role should have been given to someone else. Otherwise, I would have rated the film higher.Lastly, the closing epilogue states that only half of coal miners are Unionized, as if that was a crime in of itself. The reality is that non-unionized coal workers prosper as well if not better and clearly the film makers were trying to suggest otherwise inspite of this fact. So, yes, the film was made as partly a piece of propaganda. The fact is that since the 1950's the UMWA (the Union in the film) has been steadily losing ground in a very quiet war against non-union coal producers. By 1980 the industry of coal production amounted to more than fifty percent of non-union workers. However, even with the little propaganda and Holly Hunter's inclusion in the film, I still recommend this film.

In the tradition of "Norma Rae," this honest and commendable account of the on-going "class warfare" in Bloody Harlan County between the coal mine workers and the mine owners provides a gritty history lesson, especially for young viewers unfamiliar with this vital chapter in our labor struggles. Holly Hunter is nothing less than magnificent, as is the entire cast superbly directed by Tony Bill. The authetic music of Appallachia aids considerably to this must-see film.

This is a powerful movie with superbly crafted characters. It's beautifully shot and captures the gritty realism of Appalachia, its hardships, its humanity, its humour. Holly Hunter has created an endearing character. But so are all the other principles. No stereotypes here but honest portraits of real working class people. This is one of the best labour movies I've ever seen.