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Billy The Kid Returns

Billy The Kid Returns (1938)

September. 04,1938
|
5.8
|
G
| Action Comedy Western Music

After Pat Garrett kills Billy the Kid, Billy's look-alike Roy Rogers arrives and is mistaken for him. Although a murderer, Billy was on the side of the homesteaders against the large ranchers. As Billy's death is unknown, Roy gets Garrett to let him pose as Billy to continue the fight, but without the killing.

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Cathardincu
1938/09/04

Surprisingly incoherent and boring

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Fluentiama
1938/09/05

Perfect cast and a good story

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StyleSk8r
1938/09/06

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

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Catangro
1938/09/07

After playing with our expectations, this turns out to be a very different sort of film.

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JohnHowardReid
1938/09/08

Copyright 4 September 1938 by Republic Pictures Corp. No recorded New York release date. U.S. release date: 4 September 1938. U.K. release through British Lion. Never theatrically released in Australia. 6 reels. 54 minutes. SYNOPSIS: A lawman impersonates Billy the Kid in order to stop a rancher hassling nesters. NOTES: Rogers' 14th film and second starring vehicle. Mary Hart is sometimes billed under her real name, Lynne Roberts.COMMENT: A singing Billy the Kid? Well no, it's actually Leonard Slye's Roy Rogers impersonating Billy the Kid - though he does play in a straight fashion Billy himself as well. The two characters never appear on screen together as the real Billy is shot before the Rogers character appears on the scene. Aside from this unusual intro, it's a likable enough if thoroughly routine offering. Fred Kohler does the honors as the villain's chief henchman, the heroine is pretty, Mr Rogers does a bit of fast riding culminating in a spectacular horse-and-rider leap from cliff-top into a lake, whilst Mr Burnette's foolery and novelty numbers are fairly tolerable. A couple of Mr Rogers' songs are melodic enough to deserve more than the somewhat perfunctory treatment they're given here. Not that this will worry the fans. What will disappoint the juvenile audience is that there's no action climax. The villains are captured by a ruse and quietly, hang-doggedly submit. Direction and other credits are competent but thoroughly routine. Production values are firmly "B".

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bkoganbing
1938/09/09

For Roy Rogers second starring feature Republic Pictures had him play Billy The Kid in Billy The Kid Returns. He also plays a nice chap named Roy Rogers who wants to become a deputy sheriff to Pat Garrett.When the film opens we see Roy as Billy breaking out of that famous shootout at McSween's store and later shot down by Pat Garrett played here by Wade Boteler. But Roy as Roy arrives from Texas and is mistaken for the notorious outlaw. As he's a good guy Garrett keeps up the deception as Billy continues his Robin Hood ways of helping the homesteaders and robbing the cattle barons to do it All this is winked at by Boteler because he's under pressure to protect the new settlers.In the end through the aid of Smiley Burnette on loan from Gene Autry films and playing his Frog Millhouse character Garrett and Rogers find a way to get the cattlemen good and nailed for their crimes. In the meantime Roy finds a bit of romance with Lynne Roberts the storekeeper's daughter. Roberts would be Roy's leading lady in most of his early films.A couple of nice western ballads are included for Roy in this second film which proved that his success in Under Western Stars was not a flash in the pan.

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Michael_Elliott
1938/09/10

Billy the Kid Returns (1938) *** (out of 4) Pat Garrett kills Billy the Kid (Roy Rogers) but in another town a lookalike named Roy Rogers shows up and is mistaken as the real person. Rogers agrees to pretend to be Billy the Kid so that he can uncover a group of bad guys trying to steal land from the poor. This here was one of Rogers earliest films and as many reviewers pointed out at the time, there's really no question that crowds would enjoy his brand of singing and acting and it was clear that his personality jumped right off the screen and he was perfect for this type of character. He has to play pretty much two different roles here and I thought Rogers did a very good job with each of them. This includes playing a bad guy with no heart in Billy and the good guy who cares about those around him. Smiley Burnette gets the role of the sidekick and he too is charming in the film and adds some nice humor. Lynne Roberts plays the love interest and nearly steals each scene that she's in. She's plays the hard-working daughter of a hard-working store owner who just knows that Rogers isn't a bad guy. She's quite attractive to look at but she also gives a performance that comes across quite soft and charming. There's plenty of action to be had here and the majority of the gunfights are good, well-staged and entertaining. I'd also say that the cinematography is much better than you'd expect from this type of low-budget Western. Just check out the early scenes inside the house that is on fire. There's a shot of Billy the Kid firing guns with the fire and smoke behind him and it's a very good looking shot. Fans of Rogers will certainly find this to be one of his better films even if it's certainly not worth viewing as any type of history lesson on the real Billy the Kid.

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classicsoncall
1938/09/11

Western film fans will recognize the characters and locale of "Billy The Kid Returns", though not the spin off tale that forms the basis of this story. Roy Rogers performs double duty as both the legendary badman and his good guy counterpart, a character sharing Rogers' own name. When Billy is gunned down by Sheriff Pat Garrett, ensuing scenes depict Roy Rogers and pal Trigger riding into Lincoln County, New Mexico. Those who know Billy give a wide berth to Rogers, respecting the reputation of a gunman who had twenty one kills to his credit by the young age of twenty.I'd never seen it before, but here it was more than obvious. In the shootout scene at the opening, whenever Roy as Billy fired his guns he would close his eyes. This happened four times during the confrontation, and once more when a man challenged Billy for stealing his horse. Perhaps it was a convention used for this particular movie, and wasn't noticed when Rogers became the character Rogers in the rest of the film.The movie offers more than the usual share of musical numbers for a Roy Rogers effort. Roy himself performs four songs, and with the first, it looks like Trigger is keeping time with 'Born in the Saddle'. Beyond that, Smiley Burnette and his boys turn in three additional tunes to keep things merry. In the story, Burnette's character is Frog Millhouse, utilizing that throaty voice every once in a while during his songs. I find it interesting that the fictional character Frog Millhouse played by Smiley was also used in movies starring other cowboy performers, primarily Gene Autry, but at least once with Sunset Carson in "Call of the Rockies".Roy Rogers' late 1930's movies usually found Lynne Roberts as the female lead, her character here is Ellen Moore, daughter of a general store owner. You'll see her listed in the film credits as Mary Hart, and she worked with Roy in eight films.The story itself has a plot used time and again throughout Western movie history, the conflict between homesteaders and range land cattle men. Rogers teams with Pat Garrett (Wade Boteler) to thwart a band of villain ranchers who intimidate homesteaders by stealing their horses and provoking general mayhem. The good guys prevail of course, as Roy and Miss Ellen close the film in a smooch with Smiley literally falling off the wagon.Roy Rogers wound up portraying a number of historical men of the West in his movies. If you liked this film, you might want to catch him as "Young Bill Hickok", "Jesse James at Bay", and "Young Buffalo Bill", all from 1940/41.

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