The Sundowners (1950)

Fresh and Exciting

Absolutely Brilliant!

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Despite having everything in its favor, "The Sundowners," with great cast, good story, gorgeous scenery, is still slow and tame.No tension is ever present. I think how it will finally end is obvious rather early, but you will want to see it through, if only to test your judgment.Robert Sterling, a good-looking and talented actor, is not someone I had associated with Westerns, but he rides like a cowboy and seems absolutely real.Robert Preston has done everything, and I mean everything: He is probably still best known for "Professor Harold Hill" in "The Music Man" but he also was the wagon master in "How the West Was Won," and seemed right at home brandishing a whip and heading 'em up.Chill Wills can't do much wrong. (The ad campaign for him to win an Oscar for his role in "The Alamo" was a major exception, but maybe we can't blame him for that.) His character here is an example of great writing and he, as always, pulls it off perfectly.Cathy Downs is probably best known for the title role in the moronically a-historical "My Darling Clementine" (it is one my most disliked pieces of history twisting on film), and she died terribly young, 26 years after this film. She was a lovely and capable actress, and her character too was different and an example of good writing.Her character was the wife of the one played by Jack Elam, who had a different role for him. You might want to watch "The Sundowners" just to see Jack Elam in this unusual part, and to see how talented an actor he was.John Litel was a veteran performer, and always so believable, whether on horseback or as Thomas Jefferson or as the boss of the Secret Service. He is one of my favorite character actors -- which means one of my favorite actors.That writing, by the way, was by veteran Alan LeMay (known here as Alan Le May), perhaps best known for "The Searchers."God bless 'em, but Westerns on the Web has this available at YouTube and you should be quick to grab a chance to watch. At no time will you be on the edge of your seat, but you will admire the more than capable cast especially against some of the best scenery Texas has.

The summary line above, spoken by James Cloud (Robert Preston) to his brother Tom (Robert Sterling) just about says it all. Jim, AKA Kid Wichita, has a way of making things happen, only trouble is, he usually leaves dead bodies where he's been. Not the sort of mentoring Tom envisions for younger brother Jeff, who likes what he sees in Jim, especially when defending their ranch against local Texas cattlemen.The opening credits state 'Introducing John Barrymore Jr. as the Younger Brother', in this his very first screen appearance. That seemed rather odd to me, particularly since he was addressed as Jeff almost immediately into the story. Approximately eighteen at the time of this movie, he bears a passing resemblance to Sean Penn. No stranger to personal and legal problems throughout his career as well as estrangement from his family, I was left wondering if his daughter Drew Barrymore might have ever seen this picture. I'm inclined to think not.On the subject of resemblances, I was also struck by the thought that the young Robert Sterling looked a bit like Roy Rogers early in his career. Knowing Sterling previously only from his role as George Kerby in the early 1950's TV series 'Topper', I thought he looked out of place in a Western, but that might just be me. His character becomes emboldened by his brother's resourcefulness at creating trouble, and provides some of the edginess to this not so typical story. Minor subplots abound, including the relationship rancher John Gall (John Litel) has with his son the Sheriff (who Kid Wichita kills), and the troubled marriage between Kathleen Boyce (Cathy Downs) and her husband Earl (who Kid Wichita kills). Chill Wills rounds out the main cast as one of Tom Cloud's hired hands, and figures in the somewhat predictable finale.What's not quite predictable is how things eventually wind up there, and for that reason, this Western earns points for following a less traveled, hence not quite as formulaic a plot as a lot of good brother/bad brother Westerns do. Combined with the eclectic casting of the principals, it's one I'd recommend, even if you have to endure some of the jump cuts and sloppy editing that I experienced with my copy.

I was kind of surprised that a low budget studio like Eagle-Lion would actually fork out the cost of Technicolor film (expensive) and on-location filming in Texas (also expensive) for what is essentially an A- (minus) western. An A- western being something that had more money spent on it than a B western, but lacks the star power an "A western" would usually carry. It's not bad although the plot seems a little disjointed at times. It could be because of what an earlier reviewer had said about the studio atrociously editing down the running time of the film, even after all the money they seemed to have spent on it.Robert Sterling and his "Younger Brother" (played by the recently departed John Drew Barrymore) are caught between competing ranch interests (led by John Litel) who want to lay claim to his land. The sheriff (Litel's son, played by Don Haggerty) even goes so far as to have one of Sterling's ranch hands killed. In walks Sterling's long lost brother, "Kid Wichita" (Robert Preston) who decides to do a little killing for his brother on his own. Sterling even weirdly agrees to it at first but then sees it getting out of hand and decides he has to kill his brother.There is one memorable scene of Preston being whipped by one of Litel's men as he hides under a rock outcropping, then he grabs the end of the whip and the man tumbles over the ledge to his death, but otherwise this is fairly dreary stuff. Even near the end where Sterling confronts Preston in a draw only to have Sterling's ranch hand Sam Beers (Chill Wills) shoot Preston from the side, seems anti-climatic. It's as if everyone was sleepwalking through their parts, except for Chill Wills and the young Barrymore, who spends most of his time grimacing at the camera, making faces like he's trying to act too hard. But hell, he was only 18 at the time and it was his first film so I guess that's understandable.Also notable for as an early role for Jack Elam as Earl Boyce, a neighboring rancher that Preston guns down in his own house, and Cathy Downs plays Elam's wife who may (or may not) have a thing for Sterling. That love interest looks like one of the things edited out of this film.The Texas scenery is more interesting than the film itself and gives the viewer a break from the usual California locations that we've seen a thousand times before. VCI used a pretty good print for their DVD with minor blemishes and scratches. Considering the film stock's age, it looks in pretty good shape.Worth a look. I'd give it a 5½ out of 10.

Sterling and younger brother try to survive on land, being squeezed by big cattlemen. When 'rogue' brother Preston arrives, a moral dilemma ensues. John 'Drew' Barrymore steals the show as the younger, impressionable brother-Barrymore shows signs here that he could have been an acting powerhouse. Moves at a nice pace to an exciting climax.