Beyond Mombasa (1957)

I like the storyline of this show,it attract me so much

A Masterpiece!

It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

It could have been worse. As it is, at least some of the actors are excellent, especially Christopher Lee as the only elegant mermber of the party, a dashing French hunter in Africa leading the others into the depths of the jungle to solve the mystery of Cornel Wilde's brother's mysterious death. Cornel Wilde himself appears to be a somewhat rowdy Canadian, and it takes some time for Donna Reed to find any charm in that drunken buccaneer. Leo Genn appears to be a somewhat sanctimonious missionary, but he is too good and placid to be true, and he never made the seminary. There is one more interested party in the treasure hunt, but most interesting are the natives and their behaviour, especially their music - the trumpeteer Eddie Calvert has a guest performance in this colourful safari film, where you also see all kinds of other animals, the hippopotami and the crocodiles being the most impressive seconded by giraffes, and of course there is a tame chimpanzee. It's not a bad film, there is some excitement and charm to it, the jungle environments are terrific with their hidden dangers, and it's not too long. It's an entertainment with a fresh and nice dialogue, that at least should leave you happy and content afterwards when the curtain has fallen on the exotic drama of how an African sect could be manipulated out of the jungle.

As Hollywood produced films about Africa now had to be shot in Africa for realism's sake since King Solomon's Mines and The African Queen I suppose that Cornel Wilde and Donna Reed were grateful for the safari adventure they got courtesy of Columbia Pictures for filming Beyond Mombasa. The location shooting in Mombasa and in the rest of what was then Kenya colony is this film's biggest asset.Wilde is in Africa having been sent for by his brother who even made hotel reservations in Mombasa for him. Upon arrival he finds kindly missionary Leo Genn and his anthropologist niece Reed breaking the bad news about his brother's death at the hands of a revived cult of the Leopard. Wilde thinks it might have been the very real Mau Maus, but Genn says it's the leopard crowd.Determined to get to the bottom of things, Wilde goes with Genn and Reed into the interior of Kenya, Beyond Mombasa to find where his brother might have found uranium. Their guide is another partner of the brother Christopher Lee and they're to join yet a third partner Ron Randell near the mine. I can't say any more lest I spoil a most ridiculous plot turn. All I can say is that one of the cast has truly gone native.I suppose a good safari is a good enough reason to be in one stinker of a movie.

It is not clear exactly who this film was aimed at.Filmed in technicolour in Africa,with interiors in the UK with a largely British cast.The two main leads are American.So maybe this was made for the American as well as the British market.The story is rather strange.It seems to be utilising elements of the then current Mau mau uprising in Kenya and renaming them the Leopard people.Instead of seeking independence they are being led by a dotty English missionary,played by Leo Genn in a very unsatisfactory wig,to protect a uranium mine.In the meantime Wilde and Reed are having a truly tiresome romance.Some good location scenes but that is about all of interest.

African adventures were constant entertainment fodder throughout the 1950s and beyond, where many a popular star took on the jungle with its wild animals and (often) equally hostile natives; in this case, it was strapping Cornel Wilde – rather ill-at-ease, however, playing a hard-drinking womanizer (especially given the various attempts made on his life by "Leopard Men" already responsible for his brother's death after having stumbled upon a deposit of uranium)! This British-made production (albeit helmed by an American) features yet another stalwart cast – which also includes leading lady Donna Reed (who, as a bookish anthropologist, naturally starts by resenting Wilde's boorishness but eventually cannot resist his directness and obvious virility), Leo Genn (the outwardly benign missionary eventually revealed to be the mastermind behind the Mau Mau-inspired 'reign of terror', driven by a misguided sense of religious and civic duty), Ron Randell (who, as Wilde's brother's business partner, logically has the finger of suspicion pointing at him from the outset) and, in one of his more prominent pre-stardom roles, Christopher Lee (a big-game hunter of Italian descent who, even more unlikely, is played up to be the hero's romantic rival!). The exotic locale supplies characteristic thrills (such as the inevitable cobra attack) and excessive (i.e. mostly irrelevant) local color but, shot by the redoubtable Freddie Young, it invariably pleases the eye (despite the panning-and-scanning involved in the TV-sourced copy I acquired). The obligatory peril-fraught-trek-through-the-jungle (with tension among the protagonists palpable as they seek the lost mine) takes up the latter half of the narrative, culminating in Genn's going berserk and unleashing the "Leopard Men" on his trapped 'companions'…until the other natives rise up against these clandestine forces, since they find their activities giving them a bad name!