The Squeeze (1978)

Why so much hype?

Simply A Masterpiece

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

The acting in this movie is really good.

After the spaghetti western craze in Italy died out in the mid-1970s, Lee Van Cleef still found himself wanted by Italian filmmakers for several years afterwards, "The Squeeze" being one of his post-westerns. Although Van Cleef was in his 50s when this movie was made, he still had the stuff that made him a star, and he gives a solid performance here. Another good performance in the movie comes from Karen Black, who is pretty convincing as a kind of ditzy neighbor who enters the life of Van Cleef's character. The movie also has better than average production values for an Italian production for the time, with on-location filming in New York City that gives the movie an authentic feeling at times. However, despite all this good stuff, the movie is still somewhat of a struggle to watch. It's very talky, with long stretches with nothing happening. A few more action sequences would have helped considerably. There are a couple of twists in the final few minutes, but it's too little too late. In short, the movie is probably only for die hard fans of Lee Van Cleef during an unusually slow night.

New York City is not the sort of Wild West setting I'd expect to find Lee Van Cleef in, but he shows up here as the lead in a mildly interesting caper film as an older, wiser movie villain, this time sporting a neatly trimmed beard along with the ubiquitous moustache. I'll play devil's advocate here and say that I found this picture somewhat interesting compared to most reviewers on this board. It had an eclectic cast featuring Edward Albert and Karen Black, and just to give you an idea how long it's been since I saw Lionel Stander in anything at all, it would have been way back in his 'Hart to Hart' days of the early Eighties.So most of the other reviewers give you an idea of what's going on here. I'd rather comment on such quirks in the story as the newspaper headline 'Youth Drums His Way to Jail' as Jeff Olafson (Albert) is being ushered to jail AFTER the story breaks in print. This device was pretty common in films of the Thirties and Forties, but seeing it as late as 1978 makes no sense at all. Then there's the 'Shaft' style music soundtrack for a nominally all white film except for the martial arts bad guy who appears later in the picture. And riddle me this - I don't know anything really about gunshot forensics, but how is it that blood stains still appear on a car seat twenty four hours after being submerged in salt water? Just wondering.Karen Black gets the booby prize for her performance here. I've seen her in a fair number of movies, and I'm still trying to figure out if she's attractive or not. She has a unique look and depending on your disposition, I guess she could be a looker. It happened here once in an odd close-up. Otherwise, she's involved in a neat twist at the end of the story I didn't see coming, so if you need any kind of a recommendation, that would be it.One final observation. I've made it a habit to check out product placement in the movies I watch, and this one without a doubt is the all time champion after having reviewed over twenty four hundred films so far. From the top, there's Coca Cola, Marlboro, Bacardi, Bols, Seagrams, J&B Scotch, Nescafe Coffee, Supreme Steel Wool Pads, Colt .45, Kellogg's Variety Pack Cereal, Clear Floor Wax, V-8 Juice and Miller Beer. There were a few more illegible brands besides, but I think I made my point. When all is said and done by the time the picture's over, it's pretty fair to say that you should have had a V-8.

Lee Van Cleef plays an ex burglar who comes out of retirement from his ranch at the request of the son of a friend to do one more last job. Things don't go as planned. It sounds a standard kind of film but a few things lift it above mere ordinariness.It is mostly filmed in New York and the city does look atmospheric, lively but seedy as befits the plot. The plot itself has surprising twists and turns and your suspension of disbelief is mainly determined by the acting, principally the kookiness of Karen Black and the charm of Edward Albert. If you believe in their characters then the ending of the film packs quite a wallop. It did me anyway. The two veteran actors, Lee Van Cleef and Lionel Stander ease into their roles very well. Van Cleef was not a great film actor but in this kind of film is fine. He is very creditable as an ex-criminal as the God of Cinema blessed him with a villainous looking face.

Lee Van Cleef at his most facially challenged plays a retired safeman, who comes back from Mexico to New York to do one job for a friend's kid.Includes most of the cliches one would expect from a "last gig"- film, but redeems itself with nice NY locations, comedy (some intentional) and Lee Van Cleef. Recommended as a time- passer.Released on video in Finland in the eighties.