Garbo Talks (1984)

best movie i've ever seen.

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Blistering performances.

Anne Bancroft plays Estelle, a dying Jewish mother who asks her devoted son (Ron Silver) to locate reclusive one-time movie star Greta Garbo and introduce the two before Estelle checks out for good. Might've been entitled "Bancroft Talks" as the actress assaults this uncertain comedic/dramatic/sentimental material for its duration. Hot-or-cold director Sidney Lumet can't get a consistent rhythm going, and Bancroft's constant overacting isn't scaled back at all by the filmmaker--he keeps her right upfront: cute, teary-eyed and ranting. Estelle becomes a drag on this scenario (not that the thinly-conceived plot has much going on besides). Silver and co-stars Carrie Fisher and Catherine Hicks end up with very little to do but support the star, and everyone is trampled by her hamming. *1/2 from ****

It is the mere presence of the late Anne Bancroft in GRABO TALKS that keeps the film from being totally intolerable. This rather silly 1984 comedy is about a dying woman (Bancroft)whose dying wish is to meet Greta Garbo, the actress of whom she has a lifelong obsession and knows everything about. This dying wish sends her son (Ron Silver) on a journey to make this wish come true for his mother. It's kind of interesting watching Silver do the detective work required to find a recluse like Garbo but it is lovely to see the lengths the guy goes to in order to fulfill his mother's dying wish. Some talented veterans are seen to good advantage in supporting bits including Steven Hill, Howard Da Silva, Hermione Gingold, Adolph Green, Dorothy Loudon, and Richard B. Shull, but it is Bancroft who really makes this film worth watching. I love the scenes of her laying in her bed talking about Garbo's career and sharing intimate details with her son about Garbo's movies and life. This kind of material would have been maudlin and sappy in the hands of other actresses, but Bancroft makes this material sing and makes this movie worth watching. BTW, that is legendary screenwriter Betty Comden appearing at the end of the movie as Garbo.

This film brought to mind our own encounter with the elusive Ms. Garbo one afternoon as we held the door open for her at the 59th St. entrance of Bloomingdale's. Ms. Garbo could be seen around her East Side neighborhood, where people didn't even stare at her out of respect of her privacy! Manhattan in the 50s, 60s and even 70s had a lot of antique dealers on 3rd. Ave. and Ms. Garbo was a constant figure browsing those stores. Greta Garbo, the once silver screen goddess, lived a modest life in Manhattan. Her trade mark was the shade of lipstick she always wore and the camel hair coat one saw on her, until in later years when she adopted a brown duffle coat whenever she went out.Sidney Lumet's film pays homage to that fleeting figure. The mysterious woman is at the center of a film that perhaps is not so much about the mythical figure, as much as the allure of what she stood for.The story of the terminally ill Estelle Rolfe is a sweet account in how her loving son Gilbert tries to bring the illusion of the movies to his dying mother. The movie shows to what lengths Gilbert goes to grant Estelle a moment with the person she most admired, the actress Greta Garbo. Estelle was a fan, but more than that, she was a no nonsense lady who championed righteousness above all.Anne Bancroft was born to play Estelle. Ms. Bancroft knew this woman and her portrayal benefits from the way she plays her. As the son, Ron Silver is good. He will go to whatever extreme to please his mother. Carrie Fisher is Lisa, the California girl married to Gilbert who doesn't want to stay in New York. Veteran actors like Howard Da Silva, Stephen Hill, Herminone Gingold, Dorothy Loudon, Harvey Fierstein are seen in the film in supporting parts."Garbo Talks" is not one of Sidney Lumet's best movies, but still, one gets the feeling what it is to live in New York with this tale about the celluloid meeting reality in Manhattan.

This, as you have guessed, is one miserable little film. Miserable, but leading to a "good for you (the hero)" ending. The misery gets heaped on just as it did for George Bailey (It's a Wonderful Life). His marriage destructing and ending, his horrible work situation, the terminal illness of his mother (beautifully paid by Anne Bancroft), and his lack of a "backbone", provide no relief from his lot in life.I've only watched the film, all the way through, once or twice. The misery is much too intense for me. The wait for something "good" to happen seems to take forever. I prefer to pick up the action after the final hospital scene and assume his misery, instead of experience it repeatedly (much like the way I watch "It's a Wonderful Life"). Identifying with misery is easy, but "Garbo Talks" allows us hope and leaves us on a high note........PS-- When Garbo does finally "talk" (one sentence), she speaks volumes.......