Goodbye, Columbus (1969)

Memorable, crazy movie

If you don't like this, we can't be friends.

Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

Exactly the movie you think it is, but not the movie you want it to be.

Thi movie started out fine. It seemed like it would be an interesting and humorous look at playboy sexuality. Somewhere along the line, it lost its way. It flits from subject to subject and has an ending that is as meaningless as the whole flick. What are we to make of the dated conversation between McGraw and her lover where she blithely admits that she's been using no contraception because,"What do you think? People just get pregnant the first few times they have sex?" Um.. yeah. This couple actually breaks up because her parents find out they are having sex. She has some sort of emotional breakdown over it and he walks out. The End. Huh??? Other issues covered include Judaism father/daughter relations and male insensitivity. None of them well or in depth. It is inconceivable to me that this lame "comedy" actually won an Oscar for best screenplay. Just goes to show the academy's taste can be inexplicable.

I remember enjoying this film in the theater. I saw some similarities between my life and that of the Potamkins, if not their religion, the suburban household complete with a father from the city. College-bound, I looked to Ali McGraw as a role model. She always conveyed the image of the east coast college girl portrayed in Seventeen magazine, Glamour and Mademoiselle, wearing the clothes shown in these magazines. I was also struck by Jack Klugman's performance as the provider operating a plumbing supply business in the Bronx. Like Jack Klugman, my Dad grew up in South Philadelphia. My uncle stayed there, commuting to a lumberyard in North Philly. Jack Klugman should have been nominated for and won an Oscar just for that scene with Neil in his office, leaving an impression on me long after leaving the theater. Neil himself? I worked in a library, too, and really liked it! Finally, the romance. I dated a Jewish guy from Northeast Philly. Whenever his parents came home from a wedding, they compared the reception to the one in this film.

Truly a period piece, Goodbye, Columbus is, certainly, an attempt to show the differences between two people of the Jewish religion. While I agree with many of the folks that commented on this film regarding the differences between Brenda's family and Neil's family, I don't see it as a matter of the wealthier character's family having no class and the poorer character having much more. I knew many families that were similar. My upbringing was more similar to Neil's as we were not wealthy. Klugman convey's the typical successful Jewish business man with a good heart. He works hard to provide a very comfortable environment for his wife and children. He is a very loving father and doesn't flaunt his wealth in the film. His family means everything to him. Benjamin's character, while exposed on occasion to the "good life", is content in knowing that he's OK despite his modest position in life. What's important in this film is that he knows there may be something in life that is better than working in a library, but he's not about to sell his soul to get rich just for the sake of being able to live the Potimkin's lifestyle. This film accurately portrays a young man early in his career and life and one of his early attempts at choosing between a safe secure future by marrying a beautiful, intelligent and not-too-spoiled Jewish girl or trying to see if he's really in love with HER and not the family money or trappings. This was a relatively low budget film that made you think. It tried to show how tough it is for a poorer man to deal with his demons in choosing the kind of woman and life he wanted. All in all, this film is an accurate slice of life in the Jewish community and is as relevant today as it was then.

I had only a vague recollection of this film, but remembered it being rather unique. I bought the DVD because the film rarely shows up on TV. I was not disappointed. After 35 years, it holds up remarkably well. Sure, many props are out of date (cars, wired telephones), as are some of the cinematic techniques (clumsy zoom shots, montages), but the issues of social class and ethnic stereotypes remain highly relevant.The disenfranchised and disillusioned hero became a staple of late 1960s movies, and this film actually makes a fine companion piece to "The Graduate." However, the two films diverge widely in resolving their conflicts, making the comparison all the more interesting.Much of the credit for the success of this film, which is never less than engrossing, goes to the performers. Ali MacGraw is a revelation. In the years since, she has proved to be less than a great actress. Here, she's sensational. She's practically on screen the whole time, giving charm and nuance to the central character she plays. Jack Klugman is entirely convincing as her benevolent and loving father. Richard Benjamin does outstanding work as well. Supporting players are vulgar stereotypes, but serve as shorthand in getting the major themes across.The film is an expert blend of humor and drama, leaving the audience with much to think about after it's over. Highly recommended.