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Bitter/Sweet

Bitter/Sweet (2009)

June. 03,2009
|
5.5
| Drama Comedy Romance

American businessman Brian Chandler has a perfect life with a great job and beautiful fiancée. When his boss, renegade coffee mogul Calvert Jenkins sends him to Thailand to inspect a crop for purchase, Brian meets Ticha, a beautiful Bangkok executive who has long-since given up on the prospects of finding love.

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Reviews

Solemplex
2009/06/03

To me, this movie is perfection.

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Moustroll
2009/06/04

Good movie but grossly overrated

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FuzzyTagz
2009/06/05

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

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Rosie Searle
2009/06/06

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

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David_Brown
2009/06/07

If someone is looking for a different kind of film, "Bitter/Sweet" is it. It goes without saying that the girls and scenery are beautiful, but there are elements of the story that are surprising and different. Spoilers ahead: In far too many films, you see the dumb and (Or) conniving upper class blonde who is nothing but a gold digger (Clarice Kensington (Jane Sibbett) from "It Takes Two" is a perfect example of this, so is Lanie (Slobhan Fallon) from "Fools Rush In"). Amanda (Laura Lorenson), in this film is not that. She is beautiful and intelligent, and knows when she sees they way that her fiancé Brian Chandler (Kip Pardue) looks at Ticha (Napakpapha Nakprasitte), she knows he loves her, and for that reason, she lets him go (Even when he is willing to go back to the US with her). Another thing different is Ticha. She is not the perfect woman with the answers to everything. She ran away from home so she could become a success. The only reason she did come back, was out of her parents desperation for her help because of the poverty they (And their entire coffee producing village were in). The ending of the film is very much like "Fools Rush In" (Where Alex Whitman (Matthew Perry) catches up with Isabel (Salma Hayak) and lets her know how much he loves her. But Ticha is even more stubborn than Isabel, who was afraid of, and thus running away from love. How? She was going to make a tiny boat and let Brian's picture drift away, which is something more permanent than Isobel's plans. When he finally convinces her how much he loves her, and the village will be taken care of, they say goodbye to things of their past (His engagement ring and her keys to her apartment and car), and let them sail off on that boat (Of course, she does let him know she wants a truck and her family has now become his obligation "Thai girls do that when they marry a foreigner"). But as the film ends, it is apparent that he has followed through on this. But, Ticha is no charity case, and is shown contributing to the home because she working with Brian in the coffee business, as is her sister and her b/f). Basically a great film to watch with your woman. 10/10 stars

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Amy Adler
2009/06/08

Brian (Kip Pardue) is quite the lucky man. He is a successful coffee executive, with a sharp palate for great java. Also, he has a lovely fiancé and a bright future. One day, however, his not-by-the-books boss, Calvert (James Brolin) sends him to Thailand to possibly contract with some local coffee farmers. At this, Brian is skeptical for he prefers beans that are grown elsewhere. Nevertheless, he makes the trip. His contact is beautiful Ticha (Napakpapha Nakprasitte) who meets him reluctantly. This is because, even though her parents are java farmers, she left their rural area long ago to become a successful businesswoman in Bangkok. Only when her parents plead with her to help convince Brian to seal a deal with their community does she get involved. Wouldn't you guess, Brian and Ticha dislike each other instantly. However, the two travel to the southern countryside, where the scenery is breathtakingly lovely. The ice starts to thaw between these two very different people, thrown together by espresso. To his great surprise, Brian does sample the coffee and wants to do business. But, Calvert himself shows up at the wrong moment and almost ruins the venture, then Brian's fiancé comes calling, too. This, just as Brian and Ticha may be casting loving glances toward each other. With the farmers of the region desperately needing a semi-permanent cash flow, will it happen? This is one of those unusual films which wanders far from any Hollywood formula and succeeds well. The cast is wonderful, with Nakprasitte especially lovely and touching. Then, wow, the setting is filled with beauty and oriental sights that few in the Western Hemisphere will ever see. In itself, it is worth seeking the movie out. Finally, the story is an attention getter, revealing a clash of cultures and the unique world of coffee husbandry. The results are very sweet indeed.

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napierslogs
2009/06/09

A part Thai film, part U.S. film, "Bitter/Sweet" did a wonderful job of merging the two cultures for both audiences. It centers on Brian (Kip Pardue) a young American, for the Western audiences to connect to, but takes place in Thailand. It even manages to include a small-town girl in big-city who comes back to her hometown storyline, without me completely noticing. That's because "Bitter/Sweet" is comedy first, romance second, and melodrama doesn't even come into play.There's nothing that you haven't seen before, except perhaps Kip Pardue as the leading man. The ignorant American was thankfully down-played and we actually got a fairly real character who was charming and sincere. I quite enjoyed Pardue and his character. The other characters were pretty cliché, especially the "evil" local coffee-buyer who became almost cartoon-ish. Spencer Garrett as the comic relief character was a lot of fun, and of course the girls were all cute.The romance angle was entirely predictable, but it works on its cute and sweet factors. The coffee element was really only there as a plot point and to back-up the romance story. But a plot in a romantic comedy? Hollywood hasn't discovered this yet and it is certainly welcome. "Bitter/Sweet" is light and sweet and an enjoyable trip to Thailand.

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deankmaurer
2009/06/10

Charming performances, lushly exotic Thai locations and a feel-good spirit accent this award-winning, thoroughly enjoyable romantic comedy-drama crafted by writer-director Jeff Hare.An engaging Kip Pardue stars as work-consumed Brian Chandler, who's drafted by coffee king Calvert Jenkins (James Brolin) to journey to Thailand to explore coffee-field pockets for a potential crop purchase. While there, he encounters the quirky locals, but most importantly he meets Ticha, the percolating female scion of a coffee family. Worldviews soon conflict, commerce clashes with the earnest art of coffee production, and the two immediately lock horns. Yet what is originally bitter can indeed turn sweet, and both Brian and Ticha take a journey of self-discovery amid this paradise spread."Bitter/Sweet" may appear to be a date movie--but it emerges as much more than that (though couples will certainly enjoy it together). Rather, it's a character-driven play complete with a jolting twist, a rich brew that nudges memories of three other quality films. In the vein of "Slumdog Millionaire," it delivers a sweet-and-low relationship stacked against the odds in a mesmerizing land. And just as "Sideways" is a fine-vintage voyage that toasts to wine and vineyard aficionados, so too does "Bitter/Sweet" intrinsically treat is arching theme--coffee and coffee connoisseurs--with care and respect. The film additionally shares the spirit of Bill Forsyth's 1983 winner, "Local Hero," in which an outsider arrives in an insular community, stirring up the local denizens and the regional status quo.Director Jeff Hare continues to display his vibrant cinematic talent while adeptly tackling yet another genre. His 1999 short, "A Perfect Little Man," starring Neal McDonough, was a searing, intensely dark psychological drama about a man's ill-destined spiral into madness and violence. His 2005 dramedy, "Checking Out," was an appealing ensemble piece that featured snap-crackle-pop dialog and, in this viewer's humble opinion, one of Peter Falk's best-ever performances.Now, with this film, Hare sets his keen eye on colliding cultures and the whims of romance--and ultimately he executes a sheer delight that brims with a whole latte love.

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