The Captain Hates the Sea (1934)

Touches You

People are voting emotionally.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

The film may be flawed, but its message is not.

Most of the actors in this film are second-string actors or people like John Gilbert whose careers are in decline. That's because this film was made by Columbia Pictures--either a very low-budget major studio or the best of the 'Poverty Row' film studios depending on your perspective. Columbia managed to create a lot of lower budget films during the 1930s and 40s and despite lower costs, the writing and acting tended to be pretty good.In many ways, this is a soapy film whose structure is a lot like MGM's prestige film "Grand Hotel"--but set to sea and with these less famous actors. There are many different characters, plots and some romance all thrown together--and now that I think about it, it's even a bit reminiscent of "The Love Boat"--but with less love! I think the best thing about this movie is the cast. John Gilbert has long been unfairly maligned for having a weak voice--though I have never seen a talking picture in which his voice was thin. Despite being a hard-core drinker and nearing a very premature death, he still was in top form here. I also loved seeing Walter Connelly--a wonderful character actor who also unfortunately also had a life shortened by drink. Additionally, Victor McLaglen and several other good actors are on hand. But to me the biggest surprise was seeing tiny cameos by by the Three Stooges as members of a three-man band. What made this particularly interesting is that they played these roles straight--and with their non-Stooge hairstyles, it's hard to see that it's even them! Now placing them in these roles really wasn't that big a stretch. The team had only been with Columbia a short time and they still were relative unknowns--and I'm sure the studio had no idea what to do with them--especially because MGM never really hit on a formula for the boys--prompting their exodus to this new studio.Overall, it's an enjoyable little film despite it's unimpressive pedigree.

Lewis Milestone, ace director-for-hire, seems to have been having a terrible year in 1934: between the fascinating train wreck of HALLELUJAH I'M A BUM and this one, he seems to have, temporarily at least, lost his way.Anyway, this picture is another fascinating failure because while there are many wonderful performers and performances in it -- Jack Gilbert, who would die shortly, was not the only actor whose career was on the slide and thus available on the cheap: Victor McLaglen and Wynne Gibson undoubtedly did not command as much money as they would have a few years earlier. Everyone gives fine performances, but they never quite come together as a whole, the way GRAND HOTEL does with its sense of fatality. THE CAPTAIN HATES THE SEA remains a series of vignettes linked by location. Perhaps too much landed on the cutting room floor.Others have commented on Gilbert, so let me note one of my favorite talents behind the camera: Joseph August. In a third of a century as a director of photography, from William Hart westerns in the 'Teens through PORTRAIT OF JENNIE, he showed you beauty with every shot, and never -- or rarely -- so that you noticed the work that went into it. His traveling shots moved only to tell a story, his compositions focused your attention where it should be, his lighting let you see peoples' faces -- take a look at the Three Stooges, away from the flat light that they worked in for all their shorts. They are suddenly human beings for their few scenes here -- and August was one of the masters of framing. If you have the patience for a second viewing, notice how windows, plants, people, every detail changes the effective shape of the frame, often to superb psychological purpose.To sum up, this movie as a whole does not work -- normally I would rate it a five out of ten, as another mediocre, derivative work. But the talent on display makes it substantially better than average.

A rather innocuous comedy The Captain Hates The Sea marked the farewell performance for silent screen star John Gilbert. After failing to make a comeback with his greatest co-star Greta Garbo in Queen Christina, Gilbert was given his walking papers by MGM. He was fourth billed in this film whose star was Victor McLaglen.Given the incredibly good cast of familiar character players The Captain Hates The Sea should have been a lot better than it was. But it's hampered by a confusing script.The main plot line involves former cop now turned private detective Victor McLaglen after some stolen bonds and he believes that Fred Keating and Helen Vinson have them. If one is used to seeing McLaglen as some of the oafish characters he played in later John Ford films, you'll be in for a surprise. He's by no means a dummy in The Captain Hates The Sea, though he does think a bit with his male member when it comes to Vinson.John Gilbert who by this time had descended into alcoholism in real life is cast as a dissolute playboy looking to take the cure on the sea voyage. It was a part hitting too close to home, but that may have been the reason he was so good in it.Another story line involves married couple John Wray and Wynne Gibson. She was a woman of easy virtue whose self righteous husband never lets her forget it.Such familiar people as Walter Catlett, Donald Meek, Alison Skipworth and even the Three Stooges get their moments in the film. Presiding over all of this is Captain Walter Connolly who is constantly berating steward Leon Errol. Leon Errol who was born in Australia in the only time I ever heard him on film actually uses an accent from the land of his birth. Which makes me wonder if that was his natural speech or did he lose it in his years on stage and screen on both sides of the pond and only recall it for this film.With such a colorful cast of familiar players The Captain Hates The Sea should be viewed. You'll probably like it as I did, but can see definite room for improvement.

This is a poorly paced and scripted little drama, that might have inspired the creators of "The Love Boat". It's all about the passengers and the crew aboard a cruise ship, and their various misadventures and intrigues.It is the cast that redeems this picture from being a forgettable piece of mediocrity. All put in good performances - although I wasn't sure what The Three Stooges were doing in the film!! Alison Skipworth is especially memorable as a rather flirtatious rich widow.But the film is made unforgettable by a magnificent performance from the great silent star John Gilbert, in his final film. Having fallen from super-stardom with the coming of sound, he had descended into alcoholism, and would die just two years after this film was completed. Ironically he portrays an alcoholic trying to reform - and he plays it with such dignity, grace, charm and wit, that he makes us realise today what a great screen actor we lost in John Gilbert. A sad final role perhaps, but he at last proved to the world that he could have been a fine talkie actor.