Let's Get Lost (1997)
Three friends, Steffen, Thomas and Mogens spend a lot of time together in Julies apartment while they talk about soccer and how to get enough money for tickets to the big game next week. At the same time Julie is trying to get in contact with her boyfriend René who she thinks is having an affair. They all talk a lot about whats on their mind during this week.
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It's an amazing and heartbreaking story.
Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.
This film is so real. It treats its characters with so much care and sensitivity.
The excellent cast is doing a fine job in transforming Elmer's vision of a loose/non-script story/idea into a very watchable lo-fi movie. A storyline is basically not present, but the viewer is offered an interesting possibility to observe everyday Copenhagen life through a group of friends in their 30's. The friends are hanging out in an apartment talking lots about soccer. The environment surrounding the three friend's soccer enthusiasm is very realistic, and have a certain dogma quality to it (the movie came right in the heyday of the Dogma95 movement). The scene where Sidsel B visits her boyfriend is mostly remarkable and peculiar, displaying the intense atmosphere of an uncomfortable situation, when she is investigating his affair.
In my opinion, this is a very, very charming film. The overall feel of it can be described by one word: JAZZ. Even though there is no obvious references to this art form to my knowledge, it shares it's level of improvisation, emphasis on personal performances and the possibility of the performers/actors actually surprising themselves. To quote an American jazz musician: "some of the baddest s*** that was ever thought, was accidental".
I must admit that "Let's Get Lost" not is a master piece, but it is a "must see" movie - for a dane that is...The movie was originally made as a short film because of the budget, but turned out to be feature length and you can slightly feel it - towards the end it's getting a little boring - just a little though.The movie won a "Bodil" (the danish "Golden Globe") for best film and best actress - and it deserved it because of it's ground breaking directing and acting - this movie has learned every film maker in Denmark, how amazing the output can become if the director and the actors are working closely together and through their work and discoveries, together work out the script.This is not at all always an efficient way to "create", but in a character driven movie it can often give the final result a very realistic tone - "Let's Get Lost" is a result of such a process.So, Linda (Frederiksberg, Denmark), Sidse Babett Knudsen is NOT a bad actress and Jonas Elmer is NOT a bad director - they are just breaking ground which you simply have overlooked...
Let's get lost is very ambitious, but cannot AT ALL live up to its own standard. It is messy, very badly instructed and it seems so constructed. Sidse Babett Knudsen ought to take some more lessons before she begins to cry. It just made me laugh, because it was so pathetic and over the top. The only reason that it got a Bodil, was because Danish reviewers are so snobbish. They are afraid of really great films. That is a shame. As we say in Denmark: "SMALL SHOES"